Archive for the ‘Sundance’ Category

In the Land of Brothers (2024) Sundance 2024

Dir: Raha Amirfazli & Alireza Ghasemi | Cast: Hamideh Jafari, Bashir Nikzad, Mohammad Hosseini | IDrama, Iran, France, Netherlands 95′

In this nuanced portrait of identity and belonging in a world full of barriers, three members of an extended family of Afghans try to find a sense of home in an increasingly unstable environment of Iran, under threat of US invasion in 2001.

The delicately interwoven stories are thoughtfully told and set against a background of menace that connects with the universal narrative of displacement that continues to resonate all round the world. Their plight is a familiar one involving police brutality, administrative mix-ups and delays – along with the everyday stresses of modern life that exist in any ordinary family. Hamideh Jafari, Bashir Nikzad, Mohammad Hosseini make for a convincing trio.

An impressive first feature for Raha Amirfazli and Alireza Ghasemi In the Land of Brothers is a quietly reflective look at a situation that has international repercussions and is deeply felt by anyone of us trying to fit in with a society that strives to make our existence untenable whether it be in Iran, Europe of the United States. DoP Farshad Mohammadi’s subtle camerawork compliments the understated tone of this watchable and well-acted drama that consolidates the directing duo’s growing reputation on the international film stage. @MeredithTaylor

Sundance Film Festival – The Directing Award: World Cinema Dramatic goes to Raha Amirfazli & Alireza Ghasemi for IN THE LAND OF BROTHERS. #Sundance 22 January 2024 

 

Brief History of a Family (2024) Berlinale 2024

Dir/Wri: Jianjie Lin | Cast: Feng Zu, Ke-Yu Guo, Xilun Sun, Muran Lin | China, Thriller 99’

Beijing in post-one child policy China is the setting for this stylish but unnerving Michael Haneke-style psychological drama. Brief History of a Family, the feature debut of Jianjie Lin, shows the striking modern face of the city, far away from Wuxia and social realist Chinese fare we’ve become used, although the traditional Chinese themes of loyalty, discipline, betrayal, rivalry and even misogyny are present and subtly interwoven into this intriguing thriller.

Unfolding in series of glowingly-captured serene scenes, accompanied by an occasional score of gentle classical piano music that alternates with disconcerting electronic vibes, the story follows a middle class couple, Mrs Tu and her husband, a biologist, who have only recently been married and share a tragic secret that promts Mrs Tu to strike up a relationship with their son Tu Wei’s enigmatic new friend when he comes for tea after an alarming incident at school which is brushed under the carpet. 

Yan Shuo is thoughtful and reserved, and still traumatised into a state of near catatonia by the sudden death of his mother. The troubled teen talks of being abused by his father, who we never meet, but whose sudden death casts a sinister veil over his past, intensifying the boyish rivalry between the two teenagers that develops a violent edge when Tu Wei’s parents start to talk openly of adopting the morose orphan who is more artistic and academic than their sporty son, who nevertheless excels in fencing, competing for a place in the local team. 

The director shows how important study and discipline is in his homeland, and how the focus of modern professional parents is their offsprings’ education abroad. One disturbing scene sees Dr Tu queuing to get his son a place at college where a mantra is piped continuously over the tanoy: ‘Conquer English and realise your children’s dream to study abroad.’ Only 30 percent will be admitted to college in China, putting pressure on the kids to knuckle down to their studies. And they are seen doing so in an almost clinical classroom.

As the couple take Yan Shuo under their wing they are increasingly drawn towards his commitment and academic prowess, to the detriment of the boys’ personal relationship. Family secrets and buried feelings soon give rise to increased tensions that test the bonds and expectations that bind the four of them together until the shattering resolution finally dawns in a quietly devastating finale.

One of the many triumphs here is Jianjie Lin’s accomplished direction and the restrained yet potent performances from the ensemble cast. With its striking Danish sound and classical score of Bach, Mozart and Schubert, this is a tense and tightly-scripted arthouse thriller that never outstays its welcome at 99 minutes. An impressive first film from a director heading for international success. @MeredithTaylor

WORLD PREMIERE | Grand Jury Prize, World Cinema, Dramatic SUNDANCE FILM FESTIVAL 2024 | BERLINALE GWFF Nominee Best First Feature Award, and Panorama Audience Award.

Reinas (2024) Sundance Film Festival 2024

Wri/Dir: Klaudia Reynicke-Candeloro | Chile, Drama 104’

It’s summertime 1992 in crisis-ridden Chile and actor turned cab driver Carlos Molina is really fed up. His clients don’t share his love of film and even his daughters fail to recognise him when he turns up at his ex-wife’s house to deliver a birthday present to his eldest daughter Lucia

America beckons and Elena and teenagers Lucia and Aurora are off to pastures new. But a dispondent farewell with their estranged dad only adds to the girls’ feelings of regret and instability at their upcoming departure especially as Aurora (Luana Vega) not as keen on leaving Lima as her rather morose mother for reasons that soon become apparent.

This is a well-paced and endearing coming of age domestic drama from Chile’s Klaudia Reynicke-Candeloro and one which refreshingly puts the focus on a father-daughter relationship with Gonzalo Molina particularly likeable as a down-on-his-luck dad trying to put a brave face on his challenging life and catch up on some quality time with his kids who are not as naive as he thinks. The titular ‘reinas’ have cottoned on to his efforts have them believe he is a ‘secret agent’. His youngest Lucia is asking him probing questions about his work, and Aurora already has a boyfriend Rony and is hiding a burning secret.

But Carlos’ relationship with ex Elena and her mother (veteran Chilean actor Susi Sanchez) is strained and he feels reticent to sign the girls’ release form – both parents must give their consent for their children to leave Chile and this quandary provides the film with its dramatic twist. Impressive visuals and retro production design add to the film’s allure. @MeredithTaylor

Grand Jury Prize | World Cinema Dramatic SUNDANCE 2024

World premiere 22 January 2024

Sundance Film Festival 2024

Kicking off the year in snowy Utah from January 18th – January 28th, Sundance Film Festival is always hotly anticipated amongst the film community. Here’s a selection of what’s on offer in January:

U.S. DRAMATIC COMPETITION

Between the Temples / U.S.A. (Director and Screenwriter: Nathan Silver, Screenwriter: C. Mason Wells, Producers: Tim Headington, Theresa Steele Page, Nate Kamiya, Adam Kersh, Taylor Hess) — A cantor in a crisis of faith finds his world turned upside down when his grade school music teacher reenters his life as his new adult bat mitzvah student. Cast: Jason Schwartzman, Carol Kane, Dolly de Leon, Caroline Aaron, Robert Smigel, Madeline Weinstein. World Premiere. Available online for Public.

Dìdi (弟弟) / U.S.A. (Director, Screenwriter, and Producer: Sean Wang, Producers: Carlos López Estrada, Josh Peters, Valerie Bush) — In 2008, during the last month of summer before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can’t teach him: how to skate, how to flirt, and how to love your mom. Cast: Izaac Wang, Joan Chen, Shirley Chen, Chang Li Hua. World Premiere. Available online for Public.

Exhibiting Forgiveness / U.S.A. (Director, Screenwriter, and Producer: Titus Kaphar, Producers: Stephanie Allain, Derek Cianfrance, Jamie Patricof, Sean Cotton) — Utilizing his paintings to find freedom from his past, a Black artist on the path to success is derailed by an unexpected visit from his estranged father, a recovering addict desperate to reconcile. Together, they learn that forgetting might be a greater challenge than forgiving. Cast: André Holland, John Earl Jelks, Andra Day, Aunjanue Ellis-Taylor. World Premiere. Available online for Public.

Good One / U.S.A. (Director, Screenwriter, and Producer: India Donaldson, Producers: Diana Irvine, Graham Mason, Wilson Cameron) — On a weekend backpacking trip in the Catskills, 17-year-old Sam contends with the competing egos of her father and his oldest friend. Cast: Lily Collias, James Le Gros, Danny McCarthy. World Premiere. Available online for Public.

In The Summers / U.S.A. (Director and Screenwriter: Alessandra Lacorazza, Producers: Alexander Dinelaris, Rob Quadrino, Fernando Rodriguez-Vila, Lynette Coll, Sergio Lira, Cristóbal Güell) — On a journey that spans the formative years of their lives, two sisters navigate their loving but volatile father during their yearly summer visits to his home in Las Cruces, New Mexico. Cast: René Pérez Joglar, Sasha Calle, Lío Mehiel, Leslie Grace, Emma Ramos, Sharlene Cruz. World Premiere. Available online for Public.

Love Me / U.S.A. (Directors and Screenwriters: Sam Zuchero, Andy Zuchero, Producers: Kevin Rowe, Luca Borghese, Ben Howe, Shivani Rawat, Julie Goldstein) — Long after humanity’s extinction, a buoy and a satellite meet online and fall in love. Cast: Kristen Stewart, Steven Yeun. World Premiere. Available online for Public.

Ponyboi / U.S.A. (Director: Esteban Arango, Screenwriter: River Gallo, Producers:​ Mark Ankner, ​River Gallo, ​Adel “Future” Nur, ​Trevor Wall) —Unfolding over the course of Valentine’s Day in New Jersey, a young intersex sex worker must run from the mob after a drug deal goes sideways, forcing him to confront his past. Cast: River Gallo, Dylan O’Brien, Victoria Pedretti, Murray Bartlett, Indya Moore. World Premiere. Available online for Public.

A Real Pain / U.S.A., Poland (Director, Screenwriter, and Producer: Jesse Eisenberg, Producers: Dave McCary, Ali Herting, Emma Stone, Jennifer Semler, Ewa Puszczyńska) — Mismatched cousins David and Benji reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the pair’s old tensions resurface against the backdrop of their family history. Cast: Jesse Eisenberg, Kieran Culkin, Will Sharpe, Jennifer Grey, Kurt Egyiawan. World Premiere. Available online for Public.

Stress Positions / U.S.A. (Director and Screenwriter: Theda Hammel, Producers: Brad Becker-Parton, John Early, Stephanie Roush, Allie Jane Compton, Greg Nobile) — Terry Goon is keeping strict quarantine in his ex-husband’s Brooklyn brownstone while caring for his nephew — a 19-year-old model from Morocco named Bahlul — bedridden in a full leg cast after an electric scooter accident. Unfortunately for Terry, everyone in his life wants to meet the model. Cast: John Early, Qaher Harhash, Theda Hammel, Amy Zimmer, Faheem Ali, John Roberts. World Premiere. Available online for Public.

Suncoast / U.S.A. (Director and Screenwriter: Laura Chinn, Producers: Jeremy Plager, Francesca Silvestri, Kevin Chinoy, Oly Obst) — A teenager who, while caring for her brother along with her audacious mother, strikes up an unlikely friendship with an eccentric activist who is protesting one of the most landmark medical cases of all time. Inspired by a semi-autobiographical story. Cast: Laura Linney, Woody Harrelson, Nico Parker. World Premiere. Available online for Public.

U.S. DOCUMENTARY COMPETITION

As We Speak / U.S.A. (Director and Producer: J.M. Harper, Producers: Sam Widdoes, Peter Cambor, Sam Bisbee) — Bronx rap artist Kemba explores the growing weaponization of rap lyrics in the United States criminal justice system and abroad — revealing how law enforcement has quietly used artistic creation as evidence in criminal cases for decades. World Premiere. Available online for Public.

Daughters / U.S.A. (Directors: Angela Patton, Natalie Rae, Producers: Lisa Mazzotta, Justin Benoliel, Mindy Goldberg, Sam Bisbee, Kathryn Everett, Laura Choi Raycroft) — Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail. World Premiere. Available online for Public.

EVERY LITTLE THING / Australia (Director: Sally Aitken, Producers: Bettina Dalton, Oli Harbottle, Anna Godas) — Amid the glamour of Hollywood, Los Angeles, a woman finds herself on a transformative journey as she nurtures wounded hummingbirds, unraveling a visually captivating and magical tale of love, fragility, healing, and the delicate beauty in tiny acts of greatness. World Premiere. Available online for Public.

FRIDA / U.S.A., Mexico (Director: Carla Gutiérrez, Producers: Katia Maguire, Sara Bernstein, Justin Wilkes, Loren Hammonds, Alexandra Johnes) — An intimately raw and magical journey through the life, mind, and heart of iconic artist Frida Kahlo. Told through her own words for the very first time — drawn from her diary, revealing letters, essays, and print interviews — and brought vividly to life by lyrical animation inspired by her unforgettable artwork. World Premiere. Available online for Public.

Gaucho Gaucho / U.S.A., Argentina (Directors and Producers: Michael Dweck, Gregory Kershaw, Producers: Cameron O’Reilly, Christos V. Konstantakopoulos, Matthew Perniciaro) — A celebration of a community of Argentine cowboys and cowgirls, known as Gauchos, living beyond the boundaries of the modern world. World Premiere. Available online for Public.

Love Machina / U.S.A. (Director and Producer: Peter Sillen, Producer: Brendan Doyle) — Futurists Martine and Bina Rothblatt commission an advanced humanoid AI named Bina48 to transfer Bina’s consciousness from a human to a robot in an attempt to continue their once-in-a-galaxy love affair for the rest of time. World Premiere. Available online for Public.

Porcelain War / U.S.A., Ukraine (Director and Screenwriter: Brendan Bellomo, Director: Slava Leontyev, Producers and Screenwriters: Aniela Sidorska, Paula DuPre’ Pesmen, Producers: Camilla Mazzaferro, Olivia Ahnemann) — Under roaring fighter jets and missile strikes, Ukrainian artists Slava, Anya, and Andrey choose to stay behind and fight, contending with the soldiers they have become. Defiantly finding beauty amid destruction, they show that although it’s easy to make people afraid, it’s hard to destroy their passion for living. World Premiere. Available online for Public.

Skywalkers: A Love Story / U.S.A. (Director, Screenwriter, and Producer: Jeff Zimbalist, Producers: Maria Bukhonina, Tamir Ardon, Chris Smith, Nick Spicer) — To save their career and relationship, a daredevil couple journey across the globe to climb the world’s last super skyscraper and perform a bold acrobatic stunt on the spire. World Premiere. Available online for Public.

Sugarcane / U.S.A., Canada (Director: Julian Brave NoiseCat, Director and Producer: Emily Kassie, Producer: Kellen Quinn) — An investigation into abuse and missing children at an Indian residential school ignites a reckoning on the nearby Sugarcane Reserve. World Premiere. Available online for Public.

Union / U.S.A. (Directors: Stephen Maing, Brett Story, Producers: Samantha Curley, Mars Verrone) — The Amazon Labor Union (ALU) — a group of current and former Amazon workers in New York City’s Staten Island — takes on one of the world’s largest and most powerful companies in the fight to unionize. World Premiere. Available online for Public.

WORLD CINEMA DRAMATIC COMPETITION

Brief History of a Family / China, France, Denmark, Qatar (Director and Screenwriter: Jianjie Lin, Producers: Ying Lou, Yue Zheng, Yiwen Wang) — A middle-class family’s fate becomes intertwined with their only son’s enigmatic new friend in post one-child policy China, putting unspoken secrets, unmet expectations, and untended emotions under the microscope. Cast: Feng Zu, Keyu Guo, Xilun Sun, Muran Lin. World Premiere. Available online for Public.

Girls Will Be Girls / India, France, Norway (Director, Screenwriter, and Producer: Shuchi Talati, Producers: Richa Chadha, Claire Chassagne) — In a strict boarding school nestled in the Himalayas, 16-year-old Mira discovers desire and romance. But her sexual, rebellious awakening is disrupted by her mother who never got to come of age herself. Cast: Preeti Panigrahi, Kani Kusruti, Kesav Binoy Kiron. World Premiere. Available online for Public.

Handling the Undead / Norway (Director and Screenwriter: Thea Hvistendahl, Screenwriter: John Ajvide Lindqvist, Producers: Kristin Emblem, Guri Neby) — On a hot summer day in Oslo, the newly dead awaken. Three families faced with loss try to figure out what this resurrection means and if their loved ones really are back. Based on the book by John Ajvide Lindqvist. Cast: Renate Reinsve, Bjørn Sundquist, Bente Børsum, Anders Danielsen Lie, Bahar Pars. World Premiere. Available online for Public.

In The Land of Brothers / Iran, France, Netherlands (Directors, Screenwriters, and Producers: Raha Amirfazli, Alireza Ghasemi, Producers: Adrien Barrouillet, Frank Hoeve, Charles Meresse, Emma Binet, Arya Ghamavian) — Three members of an extended Afghan family start their lives over in Iran as refugees, unaware they face a decades-long struggle ahead to be “at home.” Cast: Hamideh Jafari, Bashir Nikzad, Mohammad Hosseini. World Premiere. Available online for Public.

Layla / U.K. (Director and Screenwriter: Amrou Al-Kadhi, Producer: Savannah James-Bayly) — When Layla, a struggling Arab drag queen, falls in love for the first time, they lose and find themself in a transformative relationship that tests who they really are. Cast: Bilal Hasna, Louis Greatorex, Safiyya Ingar, Darkwah, Terique Jarrett, Sarah Agha. World Premiere. Available online for Public.

Malu / Brazil (Director and Screenwriter: Pedro Freire, Producers: Tatiana Leite, Sabrina Garcia, Leo Ribeiro, Roberto Berliner) — Malu — a mercurial, unemployed actress living with her conservative mother in a precarious house in a Rio de Janeiro slum — tries to deal with her strained relationship with her own adult daughter while surviving on memories of her glorious artistic past. Cast: Yara de Novaes, Carol Duarte, Juliana Carneiro da Cunha, Átila Bee. World Premiere. Available online for Public.

Reinas / Switzerland, Peru, Spain (Director and Screenwriter: Klaudia Reynicke, Screenwriter and Producer: Diego Vega, Producers: Britta Rindelaub, Thomas Reichlin, Daniel Vega, Valérie Delpierre) — Surrounded by social and political chaos in Lima during the summer of 1992, Lucia, Aurora, and their mother, Elena, plan to leave and seek opportunities in the United States. Their farewell involves reconnecting with their estranged father, Carlos, adding turbulence to the regrets, hopes, and fears of their emotional departure. Cast: Abril Gjurinovic, Luana Vega, Jimena Lindo, Gonzalo Molina, Susi Sánchez. World Premiere. Available online for Public.

Sebastian / U.K., Finland, Belgium (Director and Screenwriter: Mikko Mäkelä, Producer: James Watson) — Max, a 25-year-old aspiring writer living in London, begins a double life as a sex worker in order to research his debut novel. Cast: Ruaridh Mollica, Hiftu Quasem, Ingvar Sigurdsson, Jonathan Hyde, Leanne Best, Lara Rossi. World Premiere. Available online for Public.

Sujo / Mexico, U.S.A., France (Directors, Screenwriters, and Producers: Astrid Rondero, Fernanda Valadez, Producers: Diana Arcega, Jewerl Keats Ross, Virginie Devesa, Jean-Baptiste Bailly-Maitre) — When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. Cast: Juan Jesús Varela, Yadira Pérez, Alexis Varela, Sandra Lorenzano, Jairo Hernández, Kevin Aguilar. World Premiere. Available online for Public.

Veni Vidi Vici / Austria (Director and Screenwriter: Daniel Hoesl, Producer: Ulrich Seidl) — The Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family’s wealth allows them to live totally free from consequences. Cast: Laurence Rupp, Ursina Lardi, Olivia Goschler. World Premiere. Available online for Public.

WORLD CINEMA DOCUMENTARY COMPETITION

Agent of Happiness / Bhutan, Hungary (Director and Producer: Arun Bhattarai, Director: Dorottya Zurbó, Producers: Noémi Veronika Szakonyi, Máté Artur Vincze) — Amber is one of the many agents working for the Bhutanese government to measure people’s happiness levels among the remote Himalayan mountains. But will he find his own along the way? World Premiere. Available online for Public.

The Battle for Laikipia / Kenya, U.S.A. (Director and Producer: Daphne Matziaraki, Director: Peter Murimi, Producer: Toni Kamau) — Unresolved historical injustices and climate change raise the stakes in a generations-old conflict between Indigenous pastoralists and white landowners in Laikipia, Kenya, a wildlife conservation haven. World Premiere. Available online for Public.

Black Box Diaries / Japan, U.S.A., U.K. (Director and Producer: Shiori Ito, Producers: Eric Nyari, Hanna Aqvilin) — Journalist Shiori Ito embarks on a courageous investigation of her own sexual assault in an improbable attempt to prosecute her high-profile offender. Her quest becomes a landmark case in Japan, exposing the country’s outdated judicial and societal systems. World Premiere. Available online for Public.

Eternal You / Germany, U.S.A. (Directors: Hans Block, Moritz Riesewieck, Producers: Christian Beetz, Georg Tschurtschenthaler) — Startups are using AI to create avatars that allow relatives to talk with their loved ones after they have died. An exploration of a profound human desire and the consequences of turning the dream of immortality into a product. World Premiere. Available online for Public.

Ibelin / Norway (Director: Benjamin Ree, Producer: Ingvil Giske) — Mats Steen, a Norwegian gamer, died of a degenerative muscular disease at the age of 25. His parents mourned what they thought had been a lonely and isolated life, when they started receiving messages from online friends around the world. World Premiere. Available online for Public.

IGUALADA / Colombia, U.S.A., Mexico (Director: Juan Mejía Botero, Producers: Juan E. Yepes, Daniela Alatorre, Sonia Serna) — In one of Latin America’s most unequal countries, Francia Márquez, a Black Colombian rural activist, challenges the status quo with a presidential campaign that reappropriates the derogatory term “Igualada” — someone who acts as if they deserve rights that supposedly don’t correspond to them — and inspires a nation to dream. World Premiere. Available online for Public.

Never Look Away / New Zealand (Director, Screenwriter, and Producer: Lucy Lawless, Screenwriters and Producers: Matthew Metcalfe, Tom Blackwell) — New Zealand–born groundbreaking CNN camerawoman Margaret Moth risks it all to show the reality of war from inside the conflict, staring down danger and confronting those who perpetuate it. World Premiere. Available online for Public.

A still from A New Kind of Wilderness by Silje Evensmo Jacobsen, an official selection of the World Documentary Competition at the 2024 Sundance Film Festival. Courtesy of Sundance Institute. Photo by Maria Gros Vatne.

A New Kind of Wilderness / Norway (Director: Silje Evensmo Jacobsen, Producer: Mari Bakke Riise) — In a forest in Norway, a family lives an isolated lifestyle in an attempt to be wild and free, but a tragic event changes everything, and they are forced to adjust to modern society. World Premiere. Available online for Public.

Nocturnes / India, U.S.A. (Director and Producer: Anirban Dutta, Director: Anupama Srinivasan) — In the dense forests of the Eastern Himalayas, moths are whispering something to us. In the dark of night, two curious observers shine a light on this secret universe. World Premiere. Available online for Public.

Soundtrack to a Coup d’Etat / Belgium, France, Netherlands (Director and Screenwriter: Johan Grimonprez, Producers: Daan Milius, Rémi Grellety) — In 1960, United Nations: the Global South ignites a political earthquake, musicians Abbey Lincoln and Max Roach crash the Security Council, Nikita Khrushchev bangs his shoe denouncing America’s color bar, while the U.S. dispatches jazz ambassador Louis Armstrong to the Congo to deflect attention from its first African post-colonial coup. World Premiere. Available online for Public.

NEXT

Desire Lines / U.S.A. (Director, Screenwriter, and Producer: Jules Rosskam, Screenwriter: Nate Gualtieri, Producers: André Pérez, Amy E. Powell, Brittani Ward) — Past and present collide when an Iranian American trans man time-travels through an LGBTQ+ archive on a dizzying and erotic quest to unravel his own sexual desires. Cast: Theo Germaine, Aden Hakimi. World Premiere. Documentary. Available online for Public.

Kneecap / Ireland, U.K. (Director and Screenwriter: Rich Peppiatt, Producers: Jack Tarling, Trevor Birney) — There are 80,000 native Irish speakers in Ireland. 6,000 live in the North of Ireland. Three of them became a rap group called Kneecap. This anarchic Belfast trio becomes the unlikely figurehead of a civil rights movement to save the mother tongue. Cast: Liam Óg Ó hAnnaidh, Naoise Ó Cairealláin, JJ Ó Dochartaigh, Michael Fassbender, Josie Walker, Simone Kirby). World Premiere. Fiction. Available online for Public.

Little Death / U.S.A. (Director and Screenwriter: Jack Begert, Screenwriter: Dani Goffstein, Producers: Darren Aronofsky, Andy S. Cohen, Dylan Golden, Brendan Naylor, Sam Canter, Noor Alfallah) — A middle-aged filmmaker on the verge of a breakthrough. Two kids in search of a lost backpack. A small dog a long way from home. Cast: David Schwimmer, Gaby Hoffmann, Dominic Fike, Talia Ryder, Jena Malone, Sante Bentivoglio. World Premiere. Fiction. Available online for Public.

REALM OF SATAN / U.S.A. (Director and Screenwriter: Scott Cummings, Producers: Caitlin Mae Burke, Pacho Velez, Molly Gandour) — An experiential portrait depicting Satanists in both the everyday and in the extraordinary as they fight to preserve their lifestyle: magic, mystery, and misanthropy. Cast: Peter Gilmore, Peggy Nadramia, Blanche Barton. World Premiere. Documentary. Available online for Public.

Seeking Mavis Beacon / U.S.A. (Director and Writer: Jazmin Renée Jones, Producer: Guetty Felin)— Launched in the late ’80s, educational software Mavis Beacon Teaches Typing taught millions globally, but the program’s Haitian-born cover model vanished decades ago. Two DIY investigators search for the unsung cultural icon, while questioning notions of digital security, AI, and Black representation in the digital realm. World Premiere. Documentary. Available online for Public.

Tendaberry / U.S.A. (Director, Screenwriter, and Producer: Haley Elizabeth Anderson, Producers: Carlos Zozaya, Matthew Petock, Zachary Shedd, Hannah Dweck, Theodore Schaefer, Daniel Patrick Carbone) — When her boyfriend goes back to Ukraine to be with his ailing father, 23-year-old Dakota anxiously navigates her precarious new reality, surviving on her own in New York City. Cast: Kota Johan, Yuri Pleskun. World Premiere. Fiction. Available online for Public.

PREMIERES

The American Society of Magical Negroes / U.S.A. (Director, Screenwriter, and Producer: Kobi Libii, Producers: Julia Lebedev, Eddie Vaisman, Angel Lopez) — A young man, Aren, is recruited into a secret society of magical Black people who dedicate their lives to a cause of utmost importance: making white people’s lives easier. Cast: Justice Smith, David Alan Grier, An-Li Bogan, Drew Tarver, Rupert Friend, Nicole Byer. World Premiere. Fiction.

And So It Begins / U.S.A., Philippines (Director, Screenwriter, and Producer: Ramona S. Diaz) — Amidst the traditional pomp and circumstance of Filipino elections, a quirky people’s movement rises to defend the nation against deepening threats to truth and democracy. In a collective act of joy as a form of resistance, hope flickers against the backdrop of increasing autocracy. World Premiere. Documentary. Available online for Public.

DEVO / U.K., U.S.A. (Director: Chris Smith, Producers: Chris Holmes, Anita Greenspan, Danny Gabai) — Born in response to the Kent State massacre, new wave band Devo took their concept of “de-evolution” from cult following to near–rock star status with groundbreaking 1980 hit “Whip It” while preaching an urgent social commentary. World Premiere. Documentary.

A Different Man / U.S.A. (Director and Writer: Aaron Schimberg, Producers: Christine Vachon, Vanessa McDonnell, Gabriel Mayers) — Aspiring actor Edward undergoes a radical medical procedure to drastically transform his appearance. But his new dream face quickly turns into a nightmare, as he loses out on the role he was born to play and becomes obsessed with reclaiming what was lost. Cast: Sebastian Stan, Renate Reinsve, Adam Pearson. World Premiere. Fiction.

Freaky Tales / U.S.A. (Directors, Screenwriters, and Producers: Ryan Fleck, Anna Boden, Producers: Poppy Hanks, Jelani Johnson) — In 1987 Oakland, a mysterious force guides The Town’s underdogs in four interconnected tales: Teen punks defend their turf against Nazi skinheads, a rap duo battles for hip-hop immortality, a weary henchman gets a shot at redemption, and an NBA All-Star settles the score. Basically another day in the Bay. Cast: Pedro Pascal, Jay Ellis, Normani Kordei Hamilton, Dominique Thorne, Ben Mendelsohn, Ji-Young Yoo. World Premiere. Fiction.

Ghostlight / U.S.A. (Director and Screenwriter: Kelly O’Sullivan, Director and Producer: Alex Thompson, Producers: Pierce Cravens, Chelsea Krant, Ian Keiser, Eddie Linker, Alex Wilson) — When a construction worker unexpectedly joins a local theater’s production of Romeo and Juliet, the drama onstage starts to mirror his own life. Cast: Keith Kupferer, Dolly de Leon, Katherine Mallen Kupferer, Tara Mallen. World Premiere. Fiction.

SUNDANCE FILM FESTIVAL | 18 – 28  JANUARY 2024

Eileen (2023)

Dir: William Oldroyd | Cast: Thomasin McKenzie, Anne Hathaway | US Thriller | 97′

Flawed but captivating nonetheless, this latest psychological thriller from William Oldroyd (Lady Macbeth) comes alive with dazzling lead performances from Thomasin McKenzie and Anne Hathaway as emotionally abused young career women in 1960s New England. Oldroyd stunned us with his first feature Lady Macbeth, seven years later his follow up lacks the same conviction

Adapted from Ottessa Moshfegh’s Booker prize-shortlisted novel, Eileen is certainly intriguing and stylish with its retro aesthetic and echoes of Todd Haynes’ Carol, albeit set a decade later. The female centric story, revolving around two troubled characters, initially catches fire but then drifts between several strands never quite coming together as a lesbian-themed folie-a-deux that ends in tragedy.

Hathaway and McKenzie certainly inject powerful onscreen chemistry in the same vein as Cate Blanchett and Rooney Mara did as the blond bombshell and sultry sales girl in Carol. Here the workplace in not a glossy department store but a grim remand centre for young men where the earnest young Eileen (McKenzie), 24, is enduring a meaningless existence as a put-upon administrator living at home with a mean, alcoholic father (Wigham). When we first meet her, Eileen is nursing romantic rejection and a broken down car in a snowbound Boston of 1964.

When Hathaway’s Rebecca joins the facility, a psychologist tasked with a difficult case involving a an inmates and his mother, Eileen is immediately caught in the headlights of Rebecca’s glamour and starts to fantasise about her, professionally and sexually.

In Luke Goebel’s script Eileen is the more fully fleshed-out character with the bleached blond, brown-eyed Rebecca remaining enigmatic and underwritten. Clearly the the psychologist harbours a few skeletons in the cupboard, and is not the strong, self-realised women she appears to be, but spiky and unsettling with a penchant for downing martinis in a local bar where the two women flirt, Eileen gradually falling under Rebecca’s spell as their relationship unravels with events taking a sinister turn.

The film reaches its heady climax with this unpredictable state of affairs, but soon fizzles out in the unconvincing final stages, all thematic complexity lost in the rather hasty, melodramatic ‘crime thriller’ conclusion.

William Oldroyd’s Eileen is a fascinating watch despite its an ending that fails to make sense. The two sizzling performances: the delicate soulfulness of McKenzie and Hathaway’s brittle, hard-edged and unstable antiheroine make for a heady mix in a pulpy portrait of femmes fatales in a pickle. @MeredithTaylor

IN UK CINEMAS FROM 1 DECEMBER 2023

Fantastic Machine (2023)

Dir.: Axel Donielson, Maximilien von Aertryck; Documentary Sweden/Denmark 2023, 88 min.

‘An image tells a thousand words’ 

A potted history of the camera – from the early nineteenth century to the present day – provides compulsive viewing in this new documentary from Axel Donielson and Maximilien von Aertryck.

Apparently King Edward VII, when watching his own coronation re-staged by film pioneer Georges Melies in a Paris studio, exclaimed “What a fantastic machine” in his wonderment of a gadget which would transform public and private life forever.

The first time feature directors have plundered the archives and uncovered a wealth of material from the clips and sources – as a bonus, they are also preparing a book version which will serve as a companion piece to the documentary – promising additional, previously unseen material into the bargain.

The opening shows people in a shopping centre looking in astonishment at the ‘Camera Obscura’ images, forgetting they have far more sophisticated equipment in their own pockets. The stream of images, from Muybridge to Logan Paul; Melies sensational early shorts to “Breaking Bad” Fantastic Machine is a film about film and our obsession with recording what we see. It also tells the story of how technology changed the planet.

Back in the day, Melies’ footage of trains shocked audiences so much they fled the cinema in horror. There are oddities on show too, and breathtaking examples throughout that beggar belief: A very cheerful Leni Riefenstahl, looking back with nostalgia at a flatbed editing machine, ignores her past and her work and pretends there is no representation in any of her films.

Fantastic Machine shows us the first intercontinental broadcast and the response it got from  an audience in Wisconsin. There are examples of how photography eventually came alive with the moving image, and the first examples of the ‘peep show’ that would lead, in time, to ‘blue movies’. Yes, now that’s all on the internet for free.

The advent of TV was a major step forward, and with it the commercials that now seem to rule the world. But early TV was also a means of gaining insight and education in the “Open University” at least for the middle-classes, who were upwardly mobile during the 1960s. TV Commercials or ‘adverts’ soon found their way from the big box in the living room to the mobiles in our pockets, leading us persuasively by the nose to the goods we think we need with algorithms to find a target audience.

You Tube has now created a new audience, and a set of new age entrepreneurs: The phenomenon has spawned a legion of teen millionaires all under the age of eighteen. On a darker note, we have to thank the cameramen who risk their lives in war zones, and those who took images of liberated concentration camp victims, “so that nobody can say that it did not happen”. The directors strike a note of caution when it comes to fake news, urging us to think before we act. Seeing is not always believing, and can be deceptive.

Fantastic Machine is certainly worth a second viewing. Apart from being a treasure trove of information, it never takes itself too seriously with a welcome dash of humour, and a non-judgemental approach at all times. AS

IN UK CINEMAS FROM 19 APRIL 2024

 

A Thousand and One (2023)

Dir: AV Rockwell | Cast: Teyana Taylor, Aaron Kingsley Adetola, Aven Courtney, Josiah Cross, William Catlett | US Drama 117′

AV Rockwell has a strong premise for her feature debut that chronicles ten years in the life of a struggling black family set against the burgeoning gentrification of Brooklyn during the 1990s. And it looks fabulous with its inspired aesthetic sense and an evocative soundtrack. Sadly A Thousand and One is slight, overlong and underwhelming despite a confident central performance from Teyana Taylor who plays Inez, a bitter and difficult underdog whose only desire is to forge a stable family.

We first meet 22-year-old hairdresser Inez at Riker’s Island detention centre before she struts out into the big wide world in search of Terry, a six-year old child she left behind. Unfolding in a series of brief episodes the film soon establishes her difficult circumstances: grinding poverty and homelessness, Inez not exactly ingratiating herself with the foster family who have looked after Terry in the intervening years. The two are soon out on the streets of Harlem, Inez keen to start out again alone, before settling down with Lucky (Catlett), who appears to be a lover from the past. And the tale continues in this enigmatic vein, leaving us to fill in the gaps in a tonally uneven moody melodrama that aspires to be more momentous than it actually is, despite its justifiable pretensions.

Inez remains the same character over the decade while young Terry develops, played by three different actors (Atedola at 6, Courtney at 14 and Cross at 17). He is the most nuanced character growing from a hurt little boy – the film’s most meaningful scene sees him left all alone to amuse himself for the day – into a  thoughtful and intelligent adolescent, and eventually a disillusioned teenager.

Catlett’s Lucky eventually finds some soul after a prickly start in his new family, although he never really bonds with Inez (apart from in sex scenes) and the three of them somehow remain disconnected despite their fraught journey together. Taylor holds the film together with her vehemence and indomitable emotional power although her performance sometimes feels contrived: a little less attitude and a touch more vulnerability would have been welcome to make her character more relatable.

Oddly enough, One Thousand and One is at its most resonant in picturing the changing backcloth of New York’s gradual urban generation seen through a series of shifting aerial views of the city, brilliantly captured by DoP Eric Yue, along with carefully chosen archive clips from various speeches given by mayors Rudy Giuliani to Michael Bloomberg amongst others. This gives the film the ballast and integrity lacking in the story of Inez and her family. A worthwhile story then, in need of more depth script wise. MT

IN CINEMAS IN APRIL 2023.

Girl (2023) Sundance Film Festival 2023

Dir.: Adura Onashile; Cast: Deborah Lukumuena. Le Shantey Bonsu, Liana Turner, Danny Sapani; UK 2023, 87 min.

Two Congolese asylum seekers find out their Glasgow council estate is not quite the bed roses they imagined after escaping their war-torn country in this debut feature from Adura Onashile.

Girl, premiering at this year’s Sundance Film Festival, is another coming-of-age drama, almost a carbon copy of Caterina Mona’s 2022, Zurich-set feature Semret that premiered at last year’s Locarno Film Festival. It follows the lives of Grace, 24, and her teenage daughter who could even be her sister at 13 years old. Their new life in Scotland is easy up to a point, but the changes they both need to adjust to are going to be difficult in the long run. 

Grace, played by French actor Deborah Lukumuena in her first English-speaking role, carries the baggage of a traumatic past in the Congolese Civil War. Like many parents these days she is over-protective of her daughter Ama (Bonsu), for good reason, but filling her head with horror stories about the war back home and barricading the windows with cardboard is not good way to bring up your daughter. And Ama has grown into a bit of a rebel, sneaking out onto the balcony to watch the real world go by. Social Services have be involved and the school headmistress has complained about Ama’s attendance. Grace resists any attempt to socialise her daughter who soon befriends Fiona (Turner) who serves as her conduit the outside world, introducing her to all the modern teenage trends. Grace has found a job but is struggling to cope with Counting OCD, a condition impelling the sufferer to count to high numbers in a bid to ward off negativity. Grace also hyperventilates. Fellow employee Danny (Sapani) is the first man to break through Grace’ defences. 

Although this is no sink estate drama DoP Tasha Back captures the reality of life  there, and the comfortable home Grace has created in contrast to the harsh world outside. French actor Deborah Lukumuena, who won a “Cesar” for Divines, gives an imposing performance in a film that avoids sentimentality and polemics, with a focus on the women’s eventual liberation from their tragic past. AS

PREMIERING AT SUNDANCE FILM FESTIVAL | 19 -27 JANUARY 2023 | also playing at the opening film at this year’s GLASGOW FILM FESTIVAL 2023

Iron Butterflies (2023) Sundance Film Festival 2023

Dir: Roman Liubyi | Doc with Bridget Fiske, Sofiya Gakh, Anton Ovhcinnikov, Joseph Lau | 84′

In his documentary debut, Director Roman Liubyi plunders the archives for clips and real life interviews that present a convincing expose of an act of genocide that changed the course of recent history for all of us. The film bears testament to the recent corrosive trend for questioning incontrovertible truths.

A case in point is the focus of Iron Butterflies. On July 17, 2014, Malaysia Airlines Flight 17 from Amsterdam to Kuala Lumpur was shot down by Russian forces over eastern Ukraine, killing all 298 people on board. The reality of this attack, and its possible ramifications for the then-ongoing war in Donbas and the West’s relationship with Russia, was immediately questioned by the Russian government and media which chose to spin the evidence and change the goal posts, presenting a different ‘truth’ – also known as ‘lies’ – to the one the rest of the world had accepted.

Gradually, the film pieces together ample evidence of what really happened – the title referring to butterfly-shaped items of shrapnel that were found in the bodies of the pilots. As the evidence gradually piles up Liubyi shows that denying what really happened eventually becomes more outlandish and incredible.

In a world where violence can only be defended by lies, and lies only maintained by violence, Iron Butterflies presents the truth of what happened to MH17, but also what was at stake by not confronting it.

SCREENING DURING SUNDANCE FILM FESTIVAL 19-29 JANUARY 2023 | WORLD CINEMA DOCUMENTARY COMPETITION.

When it Melts (2023) Sundance Film Festival 2023

Dir.: Veerle Baetens; Cast: Charlotte De Bruyne, Rosa Marchant, Amber Metdeppeningen, Femkevan der Steen, Naomi Velissariou, Sebastian Dewaele, Matthijs Meertens, Chrlotte van der Eecken, Simon van Buyten,Anthony Vyt; Belgium/ Netherlands 2023, 111 min.

Family conflict is at the heart of this provocative drama about a troubled teenager from first time Belgian director Veerle Baetens.  

Now an adult, Eva (De Bruyne) has clearly not recovered from the past. Out of quiet desperation, we see her (in flashback) deliberately breaking a gift rejected by another girl called Elisa (Van Der Eecken) who she tried to befriend when she was younger (played by Marchant). And desperation is a good way to describe her current existence in a Belgium city where she now lives, people around her clearly picking up on her angst. The truth will gradually emerge in a series of flashbacks fleshing out her childhood showing a happier time in the countryside where she grew up.

When It Melts sees Eva returning to the village many years after a sweltering summer where everything seemed to go wrong, leaving her scarred and emotionally fragile. This time, Eva has taken a block of ice in the back of her car, but not in preparation for the summer heat, as we soon discover as the tragedy unfolds. Her old friend Laurens (Van Buyten) is happy to see her. His mother – the local butcher – always seemed warm and protective, unlike her own parents who were dismissive and distant. Tim is still suffering from the death of hs brother Jan, who fell into a cesspit. His parents clearly would have preferred him to die instead. 

In the past Elisa (Van der Eecken), was always more mature and sophisticated than the others. Her Dad gave her a horse as compensation for his frequent absence. Elisa, out of boredom, hung out with Eva, giving her make-up lessons and lending some of her clothes. Eva saw this as true friendship, introducing Elisa to Laurens and Tim. But their relationship ends when Eva accidentally kills Elisa’s horse by feeding it poisonous flowers. Sex inevitably becomes another complication between the girls and the boys, in a game of truth or dare that goes seriously wrong. Graphic violence and cruelty takes place off scene, the sheer brutality of these encounters is clearly harrowing – but very much in line with the characters committing them.

When it Melts avoids sensationalism, but is once again testament to how far ordinary teenagers will go to fulfil their darkest desires. Strong performances across the board make this heart-rending and convincing, Baetens’ debut will stay with the audience for a long time after they leave the cinema. AS

SPECIAL JURY AWARD, WORLD CINEMA DRAMATIC : BEST PERFORMANCE ROSA MARCHANT | SUNDANCE FILM FESTIVAL 2023

 

 

Slow (2023) Sundance Film Festival 2023

Dir.: Marija Kavtaradze; Cast: Greta Grineviciute; Kestutis Cicenas, Pijus Ganusauskas, RimanteValiukaite; :Lithuania/Sweden/Spain 2023, 104 min.

Lithuanian writer/director Marija Kavtaradze’s sophomore feature explores different sexual needs within a heterosexual relationship.

Elena (Grineviciute) is an easy going dance instructor and choreographer in the world of modern ballet. Sex is important to her and she also enjoys male company unlike her close friend who has just entered a convent. Elena is wary of women, having suffered the negative impact her mother (Valiukaite) who wanted a tall slim classical dancer as a daughter, and still lets her known it.

Elena then meets sign language interpreter Dovydas (Cicenas) who will translate for a group of young hearing and speech-impaired dancers. Drawn to his attractive physique she is looking forward to jumping into bed with him only to discover he is cupiosexual, although he still wants a relationship with a woman. Elena is baffled, she has so far only dealt with men who are highly sexed. Dovydas is really in love with Elena, but is unable to consummate their relationship. After a rejection, Elena compensates with a fling with an old flame, but tells Dovydas all about it: “It was just for fun”. The two try to come to terms with Dovydas’ condition: he is not emasculated by Elena’s stronger sexual drive, and does not withdraw from her, as he might if suffering from sexual disfunction.  That said, somehow they both suffer in different ways from the absence of sex. In a drunken state, they contemplate an open relationship, but both decide against it. Elena turns to her ex Vilius (Ganusauskas), in the hope of a ‘friends with benefits’ solution but he rejects the idea. But the final act gets rather bogged down in the couple’s attempts to find a modus vivendi, descending into remonstrations and protracted arguments. 

Slow is actually two films in one, the rehearsals and performances of Elena’s dance troupe become engrossing in their own right. They show that Elena’s sexuality is very bound up in her physicality, and the form and function of her chosen career is only one step away from the sexual act itself. In contrast Dovydas is not at one with his body and its functions, and Elena finds it difficult to put herself in his shoes and cope with a man who is good-looking but sexually low-powered, just as she cannot get her mind around her friend opting for celibacy. DoP Laurinas Bareisa conjures up the grace and movement of the ballet scenes. Intellectually impressive, Slow’s lack of drive and continuity is the only flaw in this illuminating dramaAS

BEST DIRECTOR WINNER | WORLD CINEMA DRAMATIC | SUNDANCE 2023

Sundance Film Festival 2023

The Sundance Film Festival is back for the first time since 2020 at its Park City venue celebrating independent film with a line-up of 101 feature-length films, from 23 different countries. This year’s festival is an in-person and online event allowing audiences all over the world to enjoy access to the latest films from 19-29 January, the online programme starting on 24th, and including all titles

The festival is divided into four main sections: US DRAMATIC, US DOCUMENTARY, WORLD CINEMA DRAMATIC and WORLD CINEMA DOCUMENTARY. There is also the MIDNIGHT, PREMIER and NEW FRONTIER strands representing /horror edgy, first and ground-breaking new titles. See the full line-up for the 2023 Sundance Film Festival below.

U.S. DRAMATIC COMPETITION

THE ACCIDENTAL GETAWAY DRIVER : U.S.A. Dir/Wri: Sing J. Lee, Screenwriter: Christopher Chen – During a routine pickup, an elderly Vietnamese cab driver is taken hostage at gunpoint by three recently escaped Orange County convicts. Based on a true story. Cast: Hiệp Trần Nghĩa, Dustin Nguyen, Dali Benssalah, Phi Vũ, Gabrielle Chan. World Premiere. Available online.

ALL DIRT ROADS TASTE OF SALT: U.S.A. (Dir/Wri: Raven Jackson – A decades-spanning exploration of a woman’s life in Mississippi and an ode to the generations of people, places, and ineffable moments that shape us. Cast: Charleen McClure, Moses Ingram, Kaylee Nicole Johnson, Reginald Helms Jr., Sheila Atim, Chris Chalk. World Premiere. Available online.

FAIR PLAY: U.S.A. Dir/Wri: Chloe Domont – An unexpected promotion at a cutthroat hedge fund pushes a young couple’s relationship to the brink, threatening to unravel far more than their recent engagement. Cast: Phoebe Dynevor, Alden Ehrenreich, Eddie Marsan. World Premiere. Available online.

FANCY DANCE: / U.S.A. Dir/Wri: Erica Tremblay, Wri: Miciana Alise – Following her sister’s disappearance, a Native American hustler kidnaps her niece from the child’s white grandparents and sets out for the state powwow in hopes of keeping what is left of their family intact. Cast: Lily Gladstone, Isabel Deroy-Olson, Ryan Begay, Shea Whigham, Audrey Wasilewski. World Premiere. Available online.

MAGAZINE DREAMS: / U.S.A. Dir/Wri: Elijah Bynum – An amateur bodybuilder struggles to find human connection as his relentless drive for recognition pushes him to the brink. Cast: Jonathan Majors, Haley Bennett, Taylour Paige, Mike O’Hearn, Harrison Page, Harriet Sansom Harris. World Premiere. Available online.

MUTT / U.S.A. (Dir/Wri: Vuk Lungulov-Klotz — Over the course of a single hectic day in New York City, three people from Feña’s past are thrust back into his life. Having lost touch since transitioning from female to male, he navigates the new dynamics of old relationships while tackling the day-to-day challenges of living life in between. Cast: Lío Mehiel, Cole Doman, MiMi Ryder, Alejandro Goic. World Premiere. Available online.

THE PERSIAN VERSION / U.S.A. Dir/Wri: Maryam Keshavarz, Producers: Anne Carey, Ben Howe, Luca Borghese, Peter Block, Corey Nelson) — When a large Iranian-American family gathers for the patriarch’s heart transplant, a family secret is uncovered that catapults the estranged mother and daughter into an exploration of the past. Toggling between the United States and Iran over decades, mother and daughter discover they are more alike than they know. Cast: Layla Mohammadi, Niousha Noor, Kamand Shafieisabet, Bella Warda, Bijan Daneshmand, Shervin Alenabi. World Premiere. Available online.

SHORTCOMINGS / U.S.A. Dir: Randall Park, Wri: Adrian Tomine — Following Ben, Miko, and Alice as they navigate a range of interpersonal relationships and traverse the country in search of the ideal connection. Cast: Justin H. Min, Sherry Cola, Ally Maki, Debby Ryan, Tavi Gevinson, Sonoya Mizuno. World Premiere. Available online.

SOMETIMES I THINK ABOUT DYING:  /U.S.A. Dir: Rachel Lambert, Wri: Kevin Armento, Stefanie Abel Horowitz, Katy Wright-Mead — Fran likes to think about dying. It brings sensation to her quiet life. When she makes the new guy at work laugh, it leads to more: a date, a slice of pie, a conversation, a spark. The only thing standing in their way is Fran herself. Cast: Daisy Ridley, Dave Merheje, Parvesh Cheena, Marcia DeBonis, Meg Stalter, Brittany O’Grady. World Premiere. Available online. DAY ONE

THE STARLING GIRL / U.S.A. Dir/Wri: Laurel Akira Parmet — Seventeen-year-old Jem Starling struggles with her place within her Christian fundamentalist community, but everything changes when her magnetic youth pastor Owen returns to their church. Cast: Eliza Scanlen, Lewis Pullman, Jimmi Simpson, Wrenn Schmidt, Austin Abrams, Jessamine Burgum. World Premiere. Available online.

THEATRE CAMP / U.S.A. Dir/Wri Molly Gordon, Nick Lieberman, Screenwriters: Noah Galvin, Ben Platt — When the beloved founder of a run-down theatre camp in upstate New York falls into a coma, the eccentric staff must band together with the founder’s crypto-bro son to keep the camp afloat. Cast: Molly Gordon, Ben Platt, Noah Galvin, Jimmy Tatro, Patti Harrison, Ayo Edebiri. World Premiere. Available online.

A THOUSAND AND ONE / U.S.A. Dir/Wri: A.V. Rockwell — Convinced it’s one last, necessary crime on the path to redemption, unapologetic and free-spirited Inez kidnaps 6-year-old Terry from the foster care system. Holding on to their secret and each other, mother and son set out to reclaim their sense of home, identity, and stability in New York City. Cast: Teyana Taylor, Will Catlett, Josiah Cross, Aven Courtney, Aaron Kingsley Adetola. World Premiere. Available online.

U.S. DOCUMENTARY COMPETITION

AUM: The Cult at the End of the World /U.S.A. (Dirs: Ben Braun, Chiaki Yanagimoto — On the morning of March 20, 1995, a deadly nerve gas attack in the Tokyo subway sent the nation and its people into chaos. This exploration of Aum Shinrikyo, the cult responsible for the attack, involves the participation of those who lived through the horror as it unfolded. World Premiere. Available online.

BAD PRESS / U.S.A (Dirs: Rebecca Landsberry-Baker, Joe Peeler — When the Muscogee Nation suddenly begins censoring its free press, a rogue reporter fights to expose her government’s corruption in a historic battle that will have ramifications for all of Indian country. World Premiere. Available online.

THE DISAPPEARANCE OF SHERE HITE / U.S.A. (Dir: Nicole Newnham — Shere Hite’s 1976 bestselling book, The Hite Report, liberated the female orgasm by revealing the most private experiences of thousands of anonymous survey respondents. Her findings rocked the American establishment and presaged current conversations about gender, sexuality, and bodily autonomy. So how did Shere Hite disappear? World Premiere. Available online.

GOING TO MARS: The Nikki Giovanni Project / U.S.A. (Dir: Joe Brewster, Michèle Stephenson — Intimate vérité, archival footage, and visually innovative treatments of poetry take us on a journey through the dreamscape of legendary poet Nikki Giovanni as she reflects on her life and legacy. World Premiere. Available online.

GOING VARSITY IN MARIACHI / U.S.A. (DirS: Alejandra Vasquez, Sam Osborn — In the competitive world of high school mariachi, the musicians from the South Texas borderlands reign supreme. Under the guidance of coach Abel Acuña, the teenage captains of Edinburg North High School’s acclaimed team must turn a shoestring budget and diverse crew of inexperienced musicians into state champions. World Premiere. Available online.

JOONAM / U.S.A. (Dir: Sierra Urich — Spurred by a provocative family memory and a lifetime of separation from the country her mother left behind, a young filmmaker delves into her mother and grandmother’s complicated pasts and her own fractured Iranian identity. World Premiere. Available online.

LITTLE RICHARD: I AM EVERYTHING/ U.S.A. Dir: Lisa Cortés — This celebration of Little Richard reveals the Black queer origins of rock ’n’ roll, finally exploding the whitewashed canon of American pop music. Through archival and performance footage, the revolutionary icon’s life unspools with all of its switchbacks and contradictions. World Premiere. Available online. DAY ONE

NAM JUNE PAIK: Moon is the Oldest TV / U.S.A. (Dir: Amanda Kim — The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionised the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected nature of today’s world. World Premiere. Available online.

A STILL SMALL VOICE/ U.S.A. Dir: Luke Lorentzen — An aspiring hospital chaplain begins a yearlong residency in spiritual care, only to discover that to successfully tend to her patients, she must look deep within herself. World Premiere. Available online.

THE STROLL/ U.S.A. (Dir: Kristen Lovell — The history of New York’s Meatpacking District, told from the perspective of transgender sex workers who lived and worked there. Filmmaker Kristen Lovell, who walked “The Stroll” for a decade, reunites her community to recount the violence, policing, homelessness, and gentrification they overcame to build a movement for transgender rights. World Premiere. Available online.

VICTIM/SUSPECT/ U.S.A. (Dir: Nancy Schwartzman — Investigative journalist Rae de Leon travels nationwide to uncover and examine a shocking pattern: Young women tell the police they’ve been sexually assaulted, but instead of finding justice, they’re charged with the crime of making a false report, arrested, and even imprisoned by the system they believed would protect them. World Premiere. Available online.

WORLD CINEMA DRAMATIC COMPETITION

BAD BEHAVIOUR: New Zealand Dir/wri: Alice Englert — Lucy, a former child actor, seeks enlightenment at a retreat led by spiritual leader Elon while she navigates her close yet turbulent relationship with her stunt-performer daughter, Dylan. Cast: Jennifer Connelly, Ben Whishaw, Alice Englert, Ana Scotney, Dasha Nekrasova, Marlon Williams. World Premiere. Available online.

ANIMALIA / France, Morocco, Qatar Dir/Wri: Sofia Alaoui — A young, pregnant woman finds emancipation as aliens land in Morocco. Cast: Oumaïma Barid, Mehdi Dehbi, Fouad Oughaou. World Premiere. Available online.

GIRL U.K. Dir/Wri: Adura Onashile — Eleven-year-old Ama and her mother, Grace, take solace in the gentle but isolated world they obsessively create. Ama’s growing up threatens the boundaries of their tenderness and forces Grace to reckon with a past she struggles to forget. Cast: Déborah Lukumuena, Danny Sapani, Le’Shantey Bonsu, Liana Turner. World Premiere. Available online.

HEROIC – Mexico, Sweden (Dir/Wri: David Zonana — Luis, an 18-year-old boy with Indigenous roots, enters the Heroic Military College in hopes of ensuring a better future. There, he encounters a rigid and institutionally violent system designed to turn him into a perfect soldier. Cast: Santiago Sandoval Carbajal, Fernando Cuautle, Mónica del Carmen, Esteban Caicedo, Carlos Gerardo García, Isabel Yudice. World Premiere. Available online.

MAMACRUZ  – Spain Dir/Wri: Patricia Ortega, Wri: José Ortuño — With the help of her newly emigrated daughter, a religious grandmother learns how to use the internet. However, an accidental encounter with pornography poses a dilemma for her. Cast: Kiti Mánver. World Premiere. Available online.

MAMI VATA – Nigeria Dir/Wri: C.J. “Fiery” Obasi — When the harmony in a village is threatened by outside elements, two sisters must fight to save their people and restore the glory of a mermaid goddess to the land. Cast: Evelyne Ily, Uzoamaka Aniunoh, Kelechi Udegbe, Emeka Amakeze, Rita Edochie, Tough Bone. World Premiere. Available online.

LA PECERA – Puerto Rico, Spain Dir/Wri: Glorimar Marrero Sánchez — As her cancer spreads, Noelia’s ultimate decision is to return to her native Vieques, Puerto Rico, and claim her freedom to decide her own fate. She reunites with her friends and family, who are still dealing with the contamination of the U.S. Navy after sixty years of military practices. Cast: Isel Rodríguez, Modesto Lacén, Magali Carrasquillo, Maximiliano Rivas, Anamín Santiago, Idenisse Salamán. World Premiere. Available online.

SCRAPPER: U.K. Dir/Wri: Charlotte Regan — Georgie is a dreamy 12-year-old girl who lives happily alone in her London flat, filling it with magic. Out of nowhere, her estranged father turns up and forces her to confront reality. Cast: Harris Dickinson, Lola Campbell, Alin Uzun, Ambreen Razia, Olivia Brady, Aylin Tezel. World Premiere. Available online.

SHAYDA – Australia (Dir/Wri: Noora Niasari — Shayda, a brave Iranian mother, finds refuge in an Australian women’s shelter with her 6-year-old daughter. Over Persian New Year, they take solace in Nowruz rituals and new beginnings, but when her estranged husband re-enters their lives, Shayda’s path to freedom is jeopardized. Cast: Zar Amir Ebrahimi, Osamah Sami, Leah Purcell, Jillian Nguyen, Mojean Aria, Selina Zahednia. World Premiere. Available online. DAY ONE

SLOW – Lithuania, Spain, Sweden (Dir/Wri: Marija Kavtaradze — Dancer Elena and sign language interpreter Dovydas meet and form a beautiful bond. As they dive into a new relationship, they must navigate how to build their own kind of intimacy. Cast: Greta Grinevičiūtė, Kęstutis Cicėnas. World Premiere. Available online.

SORCERY – Chile, Mexico, Germany Dir/Wri: Christopher Murray, Wri: Pablo Paredes — On the remote island of Chiloé in the late 19th century, an Indigenous girl named Rosa lives and works with her father on a farm. When the foreman brutally turns on Rosa’s father, she sets out for justice, seeking help from the king of a powerful organisation of sorcerers. Cast: Valentina Véliz, Daniel Antivilo, Sebastian Hulk, Daniel Muñoz. World Premiere. Available online.

WHEN IT MELTS –  Belgium Dir/Wri: Veerle Baetens, Wri: Maarten Loix — Many years after a sweltering summer that spun out of control, Eva returns to the village she grew up in with an ice block in the back of her car. In the dead of winter, she confronts her past and faces up to her tormentors. Cast: Charlotte De Bruyne, Rosa Marchant. World Premiere. Available online.

WORLD CINEMA DOCUMENTARY COMPETITION

5 SEASONS OF REVOLUTION – Germany, Syria, Netherlands, Norway Dir: Lina — An aspiring video journalist in her 20s finds herself already facing self-reckoning. Born in Damascus, Syria, Lina starts to report on the events around her until she is compelled to become a war reporter and, later, the unexpected narrator of her own destiny. World Premiere. Available online.

20 DAYS IN MARIUPOL – Ukraine Dir/Wri: Mstyslav Chernov — As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war’s atrocities. World Premiere. Available online.

AGAINST THE TIDE – India Dir/Wri: Sarvnik Kaur — Two friends, both Indigenous fishermen, are driven to desperation by a dying sea. Their friendship begins to fracture as they take very different paths to provide for their struggling families. World Premiere. Available online.

THE ETERNAL BUTTERFLY – Chile Dir/Wri: Maite Alberdi — Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer’s disease. Both fear the day he no longer recognises her. World Premiere. Available online.

FANTASTIC MACHINE – Sweden, Denmark Dirs: Axel Danielson, Maximilien Van Aertryck) — From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity’s unique obsession with the camera’s image and the social consequences that lay ahead. World Premiere. Available online.

IRON BUTTERFLIES – Ukraine, Germany Dir: Roman Liubyi — In summer 2014, sunflower fields and coal mines in eastern Ukraine turned into a 12 square kilometre crime scene. A multi-layered investigation into the downing of flight MH17, in which a butterfly-shaped shrapnel was found in the pilot’s body, implicated the state responsible for a war crime that remains unpunished. World Premiere. Available online.

IS THERE ANYBODY OUT THERE? / U.K. DIR: Ella Glendining — While navigating daily discrimination, a filmmaker who inhabits and loves her unusual body searches the world for another person like her, and explores what it takes to love oneself fiercely despite the pervasiveness of ableism. World Premiere. Available online.

THE LONGEST GOODBYE  – Israel, Canada Dir: Ido Mizrahy — Social isolation affects millions of people, even Mars-bound astronauts. A savvy NASA psychologist is tasked with protecting these daring explorers. World Premiere. Available online. DAY ONE

MILISUTHANDO – South Africa Dir/Wri: Milisuthando Bongela — Set in past, present, and future South Africa — an invitation into a poetic, memory-driven exploration of love, intimacy, race, and belonging by the filmmaker, who grew up during apartheid but didn’t know it was happening until it was over. World Premiere. Available online.

PIANOFORTE – Poland Dir: Jakub Piątek — Young pianists take part in the legendary International Chopin Piano Competition. A unique chance of a lifetime, portrayed from backstage and set to Chopin’s music. World Premiere. Available online.

SMOKE SAUNA SISTERHOOD – Estonia, France, Iceland Dir: Anna Hints — In the darkness of a smoke sauna, women share their innermost secrets and intimate experiences, washing off the shame trapped in their bodies and regaining their strength through a sense of communion. World Premiere. Available online.

TWICE COLONISED – Greenland, Denmark, Canada (Dir: Lin Alluna — Renowned Inuit lawyer Aaju Peter has long fought for the rights of her people. When her son suddenly dies, Aaju embarks on a journey to reclaim her language and culture after a lifetime of whitewashing and forced assimilation. But can she both change the world and mend her own wounds? World Premiere. Available online.

NEXT

BRAVE, BURKINA!  – U.S.A. Dir/Wri: Walé Oyéjidé — A Burkinabé boy flees his village and migrates to Italy. When disillusioned by heartbreak and haunted by memories of home, he travels through time in hope of regaining all he has lost. Cast: Alain Tiendrebeogo, Mousty Mbaye, Noel Minougou, Aissata Deme, Afissatou Coulibaly. World Premiere. Fiction. Available online.

DIVINITY – U.S.A. Dir/Wri: Eddie Alcazar —Two mysterious brothers abduct a mogul during his quest for immortality. Meanwhile, a seductive woman helps them launch a journey of self-discovery. Cast: Stephen Dorff, Moises Arias, Jason Genao, Karrueche Tran, Bella Thorne, Scott Bakula. World Premiere. Fiction. Available online.

FREMONT – U.S.A. Dir/Wri: Babak Jalali, Screenwriter: Carolina Cavalli — Donya works for a Chinese fortune cookie factory in San Francisco. Formerly a translator for the U.S. military in Afghanistan, she struggles to put her life back in order. In a moment of sudden revelation, she decides to send out a special message in a cookie. Cast: Anaita Wali Zada, Jeremy Allen White, Gregg Turkington. World Premiere. Fiction. Available online.

KIM’S VIDEO – U.S.A. Dir/Wri: David Redmon, Ashley Sabin — Playing with the forms and tropes of various cinema genres, the filmmaker sets off on a quest to find a legendary lost video collection of 55,000 movies in Sicily. World Premiere. Documentary. Available online. DAY ONE

KING COLE – U.S.A. Dir/Wri: Elaine McMillion Sheldon — The cultural roots of coal continue to permeate the rituals of daily life in Appalachia even as its economic power wanes. The journey of a coal miner’s daughter exploring the region’s dreams and myths, untangling the pain and beauty, as her community sits on the brink of massive change. World Premiere. Documentary. Available online.

KOKOMO CITY – U.S.A. Dir: D. Smith — Four Black transgender sex workers explore the dichotomy between the Black community and themselves, while confronting issues long avoided. World Premiere. Documentary. Available online.

TO LIVE AND DIE AND LIVE –  U.S.A. Dir/Wri: Qasim Basir — Muhammad returns home to Detroit to bury his stepfather and is thrust into settling his accounts, but Muhammad’s struggles with depression and addiction may finish him before he finishes the task. Cast: Amin Joseph, Skye P. Marshall, Omari Hardwick, Cory Hardrict, Dana Gourrier, Maryam Basir. World Premiere. Fiction. Available online.

THE TUBE THIEVES – U.S.A. Dir/Wri: Alison O’Daniel — From 2011 to 2013, tubas were stolen from Los Angeles high schools. This is not a story about thieves or missing tubas. Instead, it asks what it means to listen. World Premiere. Documentary. Available online.

YOUNG. WILD. FREE – U.S.A Dir: Thembi L. Banks, Iris: Juel Taylor, Tony Rettenmaier — High school senior Brandon is drowning in responsibilities when his world is turned upside down after being robbed at gunpoint by the girl of his dreams. Cast: Algee Smith, Sanaa Lathan, Sierra Capri, Mike Epps. World Premiere. Fiction. Available online.

Luzzu (2021)

Dir/Wri: Alex Camilleri | Cast: Jesmark Scicluna, Marlene Schranz, David Scicluna, Marta Vella | Drama 94′

Fisherman all over the world are under pressure in what is surely one of the most honourable professions since the time of Jesus: bringing home the catch.

Maltese American filmmaker Alex Camilleri backed by award-winning screenwriter Ramin Bahrani casts a real working fisherman (Jesmark Scicluna) in his intelligent debut feature that plays out like an agonising arthouse thriller set in a fishing Mediterranean community struggling to survive. Jesmark is one of a long line of locals making (or not making) their living from the sea. Each days he sets sails in his colourful painted luzzu – a traditional man-made wooden boat – hoping to support his newborn son who needs medical treatment. The alternative is to decommission his vessel for an EU payout and possibly getting tied up in EU red tape, or go on the black market with the island’s criminal underclass. Seemingly a no-win situation. Interestingly Malta joined the European Union in 2004 and their exotic language sounds like a cross between Sicilian and North African Arabic.

So the odds are really stacked against Jesmark who manages to look resentful, hurt and bewildered in a convincing performance that won him Best Acting award at this year’s Sundance Film Festival. Meanwhile, his wife Denise (Michela Farrugia) manages to make everything look like his fault, along with his mother in law. And to makes matters worse he now has to rely on a friend (David Scicluna) to help him.

Their daily catch yields a mixture of sea bream, mullet and bass, but they are forced to throw a lucrative swordfish back in the sea, although the fish is already dead,  because it contravenes EU regulations, and this is a tense moment for Jesmark who clearly feels back-footed and diminished. Clearly this is not working. So he joins forces with the unscrupulous Uday (Uday Maclean) in a soulless (!) foray that goes his integrity. This black market option requires him to go back on his tracks after dark and collect the leftover fish which can then be sold on to restaurants.

With disappointment and anger etched on his weatherbeaten face Jesmark is the embodiment of male failure. Luzzu serves a vibrant snapshot of this ancient Southern European archipelago with its age-old traditions and tightknit community dogged by global economic turndown and EU restrictions. MT

SUNDANCE SPECIAL JURY AWARD – ACTING | OUT ON 27 MAY 2022

Sundance Film Festival 2022

Sundance 2022 once again followed the ongoing festival trend in this increasingly pandemic prone era: “festival-goers” were forced to peer into their home screens to watch the selection, rather than enjoying the fresh mountain air and apres ski moments in snowy Park City, Utah.

In the spirit of independent cinema the winners were nevertheless worthwhile in their subject matter, a sardonic Bill Nighy saving things from being too worthy with his cancer-themed drama LIVING described by The Guardian’s Peter Bradshaw as “a gentle, exquisitely sad film” set in 1950s London, deftly adapted from Akira Kurosawa’s original screenplay by Kazuo Ishiguro, and directed by Oliver Hermanus, a South African filmmaker who goes from strength to strength building on his previous success with Moffie (Venice 2020).

Bill Nighy appears in Living by Oliver Hermanus, an official selection of the Premieres section at the 2022 Sundance Film Festival. Courtesy of Sundance Institute | photo by Number 9 Films/Ross Ferguson.

 

The main festival prizes went to Daniel Roher’s NAVALNY an expansive documentary that follows the increasingly relevant story of nerve agent poisoning survivor and politician Alexei Navalny, lifting the lid on the toxic backstory behind his struggle to survive in Putin’s ongoing regime.

Two Indian brothers choose the urgent plight of a bird known as the Black Kite to raise the profile of New Delhi’s toxic pollution and escalating violence in ALL THAT BREATHES, an impressionistic documentary that won the World Cinema Grand Jury Prize. From a makeshift hospital in their tiny basement the brothers look after the endangered creatures that fall daily from the skies into their tender care. Awarding the film 4.5 out of 5, Critic Amber Wilkinson wrote: “(director) Sen could easily just have made an observational documentary about the brothers’ day-to-day work or simply focused on the kites themselves but he stretches its wings much further than that”.

Image courtesy of the Sundance Institute

 

Other features to look out for are CHA CHA REAL SMOOTH an intoxicating love story which won an Audience Award and stars Cooper Raiff as a Bar Mitzvah party host who falls in love with Dakota Johnson’s divorced mother coping with an autistic child.

The tragic life of Diana, Princess of Wales gets another airing (thankfully in documentary form after Pablo Larrain’s ghastly fleshing in his ill-advised recent drama). UK director Ed Perkins’s THE PRINCESS uses a cash of clips and commentary to offer further insight into a tragic story that just keeps on going.

image courtesy of Sundance Institute

 

UTAMA, Alejandro Loayza Grisi’s feature debut and winner of the World Cinema Dramatic Prize, looks at the daily life of an elderly couple surviving against the odds in the challenging climate of the Bolivian Highlands. Another film exploring human stories of endeavour, THE EXILES, was awarded the US Documentary prize for documentarian Violet Columbus who continues her investigation into three exiled dissidents from the Tiananmen Square massacre, a feature she first started shooting in the aftermath to the atrocities in 1989.

And to end on a note of horror, Nikyatu Jusu expands on her TV series ‘Two Sentence Horror Stories’ with her feature debut NANNY that took the Top Jury Prize in the US Dramatic strand. Combining the well-worn themes of alienation, colonialism and privilege it tells the story of a young black woman who discovers strange goings on when she takes a job in an market New York household. MT

SUNDANCE FILM FESTIVAL 2022 | JANUARY 20-30 2022

 

Sundance Film Festival 2022 | 20-30 January 2022

SUNDANCE is the first major film festival of the year; a true indie festival coming to you from snowy Utah courtesy of its founder Robert Redford. Setting the benchmark for independent titles in 2022, SUNDANCE focuses on excellence in screenplays and innovativeness in cinematography: each filmmaker is put their paces before their film can be considered in competition. Unlike the Academy Awards, SUNDANCE is purely about talent. We have highlighted some buzzworthy titles – watch out for them in the coming year!

Elizabeth Banks photo credit Wilson Web

CALL JANE (2022) DIR: PHYLLIS NAGY

Chicago, 1968. As a city and the nation are poised on the brink of violent political upheaval, suburban housewife Joy leads an ordinary life with her husband and daughter. When Joy’s pregnancy leads to a life-threatening condition, she must navigate a medical establishment unwilling to help. Her journey to find a solution to an impossible situation leads her to the “Janes,” a clandestine organization of women who provide Joy with a safer alternative — and in the process, change her life.
Carol screenwriter Phyllis Nagy takes the reins as director and executes a riveting narrative, partially based on true events surrounding the Jane Collective, who provided thousands of abortions during a four-year period through their covert and precise mobilisation. Supported by a remarkable cast, Elizabeth Banks delivers an impressive lead performance as Joy, whose determination and strength of character holds relevance more than a half-century later. Call Jane poses urgent questions about systemic barriers, the ever-shifting nature of politics, and the struggle for women to maintain control of their bodies.

Image Courtesy of Sundance Institute

2ND CHANCE (2022) DIR: RAMON BAHRANI

In 1969, bankrupt pizzeria owner Richard Davis invented the modern-day bulletproof vest. To prove that it worked, he shot himself — point-blank — 192 times. Davis then launched Second Chance, which became one of the largest body armour companies in the world. Charming and brash, he directed sensational marketing films, earning him celebrity status among police and gun owners across the country. But the death of a police officer wearing a Second Chance vest catalyzes Davis’s fall, revealing a man full of contradictions cultivated over decades of reckless lies. Equally as questionable as he was captivating, Davis saved thousands of lives while endangering exponentially more.

Acclaimed filmmaker Ramin Bahrani’s feature-length documentary debut continues his fascination with the perilous pursuit of the American dream as seen through a uniquely individual lens. The film shrewdly juxtaposes Richard Davis’s actions with those of his righteous right-hand man, Aaron Westrick. Unwilling to passively present questionable truths, Bahrani instead lays bare the complexities of one man’s supposed virtue while speaking to the nature of power and impunity in America.

Bill Nighy in Living by Oliver Hermanus, photo credit Ross Ferguson.

LIVING (2022) DIR: OLIVER HERMANUS

A veteran civil servant and bureaucratic cog in the rebuilding of Britain post-WWII, Williams (Bill Nighy) expertly pushes paperwork around a government office only to reckon with his existence when he’s diagnosed with a fatal illness. A widower, he conceals the condition from his grown son, spends an evening of debauchery with a bohemian writer in Brighton, and uncharacteristically avoids his office. But after a vivacious former co-worker, Margaret, inspires him to find meaning in his remaining days, Williams attempts to salvage a modest building project from bureaucratic purgatory.

South African filmmaker Oliver Hermanus (Beauty) offers a poignant reimagining of Akira Kurosawa’s masterpiece, Ikiru (To Live). Nobel and Booker Prize–winning author Kazuo Ishiguro’s adaptation elegantly transposes the story’s profound humanism to postwar London. Free of false sentimentality and tragic intonations, Living finds its soul in the wistful dignity Nighy brings to Williams. Transcending its period setting, Living is a timely reflection on the compulsions and distractions that obscure what it means to live.

 

Lucy and Desi by Amy Poehler – Image Courtesy of Sundance Institute.

 

LUCY AND DESI (2022) DIR: AMY POEHLER

One day in 1940, two budding stars met for the first time in the RKO Pictures commissary, unaware that together they would change the face of pop culture. After surviving a tumultuous upbringing, a teenage Lucille Ball left her family for New York City, where she first found success as a model before moving to Hollywood to begin working in movies. Hailing from Santiago de Cuba, Desi Arnaz was a paid musician by 16 and quickly broke out as a multitalented entertainer. The two would go on to consistently challenge the status quo in entertainment both in front of and behind the camera.

For her documentary debut, director Amy Poehler respects these two iconic trailblazers as driven individuals and a loving couple until the end. Clearly influenced by Poehler’s own history in entertainment, Lucy and Desi not only chronicles the pair’s personal and professional lives, it also smartly breaks down concepts like the rehearsed choreography of comedy, their innovations in studio production, the sisterhood of comedy, and much more. It’s a thoughtful telling made for those who loved Lucy (and Desi).

image courtesy of Sundance Institute

THE PRINCESS (2022) DIR: ED PERKINS

Decades after her tragic death, Princess Diana continues to evoke mystery, glamour, and the quintessential modern fairy tale gone wrong. As a symbol of both the widening fissures weakening the British monarchy and the destructive machinery of the press, the Princess of Wales navigated an unparalleled rise to fame and the corrosive challenges that came alongside it. Crafted entirely from immersive archival footage and free from the distraction of retrospective voices, this hypnotic and audaciously revealing documentary takes a distinctive formal approach, allowing the story of the People’s Princess to unfold before us like never before.

Director Ed Perkins distills thousands of hours of riveting material to present Diana’s story in a fresh and imaginative way, depicting not only one of the most alluring public figures of the 20th century but also the sociopolitical upheaval afflicting the United Kingdom at the time. The Princess exquisitely captures the echoes of a monarchy whose far-reaching impact on the public continues to this day, turning the camera back on ourselves to explore our own complicity in this enigmatic narrative.

Image of Karen Gillan courtesy of Sundance Institute

DUAL (2022) DIR: RILEY STEARNS

Recently diagnosed with a rare and incurable disease, Sarah is unsure how to process the news. To help ease her friends’ and family’s impending loss, she is encouraged to participate in a simple futuristic cloning procedure called “Replacement,” after which Sarah’s last days will be spent teaching the clone how to live on as Sarah once she’s gone. But while it takes only an hour for a clone to be made, things become significantly more challenging when that double is no longer wanted.

This darkly off-kilter comedy marks a welcome return to the Festival from writer-director Riley Stearns (The Cub, Sundance 2013). He straddles a inventive line between deadpan satire and high-concept storytelling to take us on a sci-fi journey into the ways a catastrophic life change can force reconsideration of one’s entire existence. In the lead dual role, an oddly charming Karen Gillan proves the perfect match for Stearns’s strange, strange cinematic world.

 

ALL THAT BREATHES (2022) DIR: SHAUNAK SEN

Brothers Saud and Nadeem were raised looking at a sky speckled with black kites, watching as relatives tossed meat up to these birds of prey. Muslim belief held that feeding the kites would expel troubles. Now, birds are falling from the polluted, opaque skies of New Delhi and the two brothers have made it their life’s work to care for the injured black kites.

Shaunak Sen’s intricately layered portrait reveals an evolving city and a fraternal relationship bonded by purpose. The film’s patient, roaming camera skillfully uses scale and perspective to draw attention to the interconnectedness of an ecosystem — one that humans are a part of, not apart from. The social unrest that begins to materialize in the streets is seen through the perspectives of the brothers and their family, as well as the insects and animals that share the urban landscape. There is both cruelty and tenderness in nature, and Sen elegantly captures how they coexist, while emphasizing the ways in which all living beings must evolve to survive.

A still from The Territory by Alex Pritz, courtesy of Sundance Institute

 

THE TERRITORY (2022) DIR: ALEX PRITZ

The Indigenous Uru-eu-wau-wau people have seen their population dwindle and their culture threatened since coming into contact with non-Native Brazilians. Though promised dominion over their own rainforest territory, they have faced illegal incursions from environmentally destructive logging and mining, and, most recently, land-grabbing invasions spurred on by right-wing politicians like President Jair Bolsonaro. With deforestation escalating as a result, the stakes have become global.

With unprecedented access, and co-produced by the Uru-eu-wau-wau community, The Territory drops the audience into the center of this conflict. Young Indigenous leaders like Bitate and Ari, along with their mentor, environmental activist Neidinha, risk their very lives to defend the rainforest. On the other side, Sergio leads an association of indigent farmers eager to establish a settlement, while others like Martin, impatient and entitled, strike out on their own, clear-cutting the forest to establish a homestead. With the government unwilling to stop this brazen encroachment, the Uru-eu-wau-wau set up their own media team, using technology to expose the truth and fight back.

courtesy of Sundance Institute

WE NEED TO TALK ABOUT COSBY (2022) DIR: W KAMAU BELL

During his nearly 50 years in show business, Bill Cosby became one of the most recognizable Black celebrities in America. With a career that included an astronomical rise on television in the mid-1960s; work in children’s programming and education; legendary stand-up performances and albums; and an epoch-defining hit sitcom, The Cosby Show, Cosby was a model of Black excellence for millions of Americans. But now, thanks to the brave and painful testimonies of dozens of women, we know there was a sinister reality to the man once extolled as “America’s Dad.”

Over the course of four gripping episodes that feature the voices of people closely connected to Cosby’s life on screen and off, including several survivors, director W. Kamau Bell digs into who Cosby was and what his work and actions say about America, then and now. We Need To Talk About Cosby is a powerful and timely reckoning destined to be widely discussed for how it urges audiences to reconsider not only what they know about Cosby but also about the culture that produced and celebrated him.

WHEN YOU FINISH SAVING THE WORLD (2022) JESSE EISENBERG

From his bedroom home studio, high school student Ziggy performs original folk-rock songs for an adoring online fan base. This concept mystifies his formal and uptight mother, Evelyn, who runs a shelter for survivors of domestic abuse. While Ziggy is busy trying to impress his socially engaged classmate Lila by making his music less bubblegum and more political, Evelyn meets Angie and her teen son, Kyle, when they seek refuge at her facility. She observes a bond between the two that she’s missing with her own son, and decides to take Kyle under her wing against her better instincts.

In his carefully observed, aesthetically pleasing directorial debut, Jesse Eisenberg adapts his audio project of the same name to tell the story of a mother and son who fail to understand each other’s values. With gentle humor and pitch-perfect dialogue, When You Finish Saving the World reflects a moment of internet fame and youth activism, but it also recounts the timeless tale of parents and children struggling to connect across the generational chasm that separates them.

SUNDANCE FILM FESTIVAL | 20-30 JANUARY 2022 | Words courtesy of Sundance Inst.

Flee (2021)

Dir: Jonas Poher Rasmussen | With: Daniel Karimyar, Fardin Mijdzadeh, Milad Eskanderi, Belal Faiz | Denmark, Animated drama, 90′

Based on real events, this noirish gay awakening story blends new beginnings and past trauma in an involving and surprisingly poetic way, the delicately drawn animations notching down the rawness of a harrowing escape for the central character whose real identity is kept confidential.

Director Jonas Poher Rasmussen calls his friend Amin but only discovered the true horror of his backstory years after they met. Amin is a refugee from Afghanistan who escaped Kabul during the the 1980s and is now safely settled in Denmark in a relationship he never dreamed possible.

Rasmussen recounts his friend’s adventures through a series of animated events and interviews in a way that draws us into his world as we experience the horrors from Amin’s own perspective. The conflict that caused his family to leave their home and suffer at the hands of the authorities on their way to Europe is not news to any of us but it is brought to life here in an alarming way that brings a sobering perspective to the refugee crisis that’s still unfolding every today. Being gay was a further hurdle that Amin had to overcome in this bracingly tense adventure. MT

IN CINEMAS and EXCLUSIVELY ON CURZON HOME FROM FRIDAY 11 FEBRUARY 2022 | NOMINATED FOR THREE OSCARS

Shiva Baby (2020)

Dir.: Emma Seligman; Cast: Rachel Sennott, Polly Draper, Fred Melamed, Molly Gordon, Danny Deferrari, Dianna Agron; USA 2020, 77min.

Rachel Sennott is the star turn in Emma Seligman’s inspired featured debut Shiva Baby. She is Danielle, a Jewish woman caught up in her parents’ plans to get her a husband – or at least a job – in this hilarious comedy.

During happier times we see Danielle in bed with her sugar daddy, Max (Deferrari), who will save her from the woes the world has in stall for her. But that was then. A Jewish funeral get-together (Shiva) provides an ideal networking opportunity for the family’s machinations, never mind that one of their loved ones has actually died.

So parents Debbie (Draper) and Joel (Melamed) head off to the Shiva, Danielle making a last unsuccessful attempt to learn the name of the deceased. Still not having made her way in the right circles, her parents are well aware of the seriousness of the task that lies ahead: Danielle is earning a pittance as a ‘babysitter’ but the fruits of her labours seem to stem from another, more dubious source. Professional ambitions are still unclear university-wise, and her parents are covering all the bills.

Friendships are fraught – she had a stormy relationship with Maya (Gordon) who is also at the Shiva. Debbie warns her daughter “not to experiment today”. But before Danielle has time to internalise this parental guidance and critique (“You look like Gwyneth Paltrow on food stamps, and not in a good way”), enter Max, followed by his wife Kim (Agron) and baby daughter Rose. The lovers can’t agree on their opening gambit, “where did the two of you meet”, finally settling for ‘schul’ (the synagogue). It soon turns out Kim is the major breadwinner in the family, and she carps half-jokingly about her husband’s penchant for expensive restaurants.

Meanwhile, Daneille’s parents have cornered Max in the hope of an internship for their daughter. Kim joins the conversation, expressing the need for a babysitter – Debbie praising her daughter’s (non-existent) experience. Danielle mislays her ‘phone number in the bathroom, having sent Max a rather daring selfie. Maya finds the phone but promises to keep schtum: “I don’t want your parents to know their daughter is a whore.” After much bickering and desert-guzzling, nervous exhaustion finally takes over as furtive hands find each other in the back of a crammed car.

Seligman gets away with her not very likeable heroine in a mishmash of sharp-elbowed characters trying to get into pole position on the back of each other. Danielle hasn’t the slightest idea what she wants from life – apart from not ending up like the rest of the Shiva crowd. Her only virtue is a foggy idea about feminism – something that doesn’t follow through in her relationship with Maya.

DoP Maria Rusche takes her lead from Robert Altman in crowd scenes that zero in on the individual players, a bleached-out aesthetic echoing Danielle’s efforts to stay sane. Editor Hannah A. Park keeps the encounters lined up, the interplay amusing and insightful. Shiva Baby is funny, but the humour is as sharp as the lemons the characters chew on, Seligman bringing the curtain down while the going’s still good. AS

IN SELECT UK CINEMAS FOR ONE NIGHT ONLY
WITH SPECIAL Q&A
9 JUNE 2021  ON MUBI FROM 11 JUNE 2021

End of Sentence (2019)

Dir: Elfar Adalsteins | Cast: John Hawkes, Logan Lerman, Sarah Bolger, Olafur Darri Olafsson | US, Drama 97′

There’s a dicey moment in the opening scenes of this road movie when a grieving husband nearly drops his wife’s ashes on the way back from her funeral in small-town Alabama. This is one of the lighter moments in Michael Armbruster’s tragicomic script that takes the edge off a bitterly violent reunion between likeable father Frank (Johan Hawkes) and his bullying son Sean (Logan Lerman).

Anna’s dying wish was that her husband and their ex-con son would scatter her remains back home in Ireland near her favourite lake. The casket of ashes will become the MacGuffin providing some humorous plot twists in this father and son journey that starts in the Southern States and ends in County Wicklow, the American spiritual home.

We see Sean checking out of a correctional facility where he has served time for crimes unknown. Frank has arrived to meet him only to be rudely rebuffed by the miscast felon, a hardened brute who clearly hates his dad, again, for reasons unknown.

But Frank finally persuades him to go on the trip to Ireland in the hope of burying the hatchet, along with the casket. Once in Dublin there’s no peace for the grieving Frank, Sean giving him an impromptu battering before heading for the hotel bar. He soon takes up with Jewel (Bolger), a savvy call girl who also knows a thing or two about spark plugs, clearly she’s no dumb blonde, just a rather one-dimensional one.

Soon they’re snogging in the carpark, Sean promptly throwing up all over the hire car’s velour seats. It doesn’t take us long to realise that the only good guy on this ‘road to redemption’ is Frank. Sean – his polar opposite – is somehow miscast in a role which has no backstory to give ballast to his fall from grace. Jewel will turn out to be a hollow hooker, minus the heart of gold.

We know exactly what will happen in End of Sentence, John Hawkes making it all watchable with his subtle take on grief. Upbeat for the most part, and lushly photographed in Southern Ireland, the sentimental final scene and earnest score is what you’d expect for a film pitched at an American audience where it premiered at this year’s Sundance Film Festival. MT

BLUE FINCH FILMS on UK digital download | 10 May 2021

 

 

Mayday (2021) Sundance 2021

Dir: Karen Cinorre | Cast: Grace Van Patten, Mia Goth, Juliette Lewis, Sam Levy, Soko, Havana Rose Liu, Lucas Joaquin | US, 2021, 90′

Sumptuously shot in Croatia, Karen Cinorre’s action drama debut doesn’t quite live up to the promise of its slick production values – the atmospheric impact undoubtedly leaves the audience spellbound – imaginatively re-working of the Siren’s myth. But the narrative is too often oblique and somehow even at odds with the message, although it’s worth a watch for its female centric storyline and focus on empowerment. There are some terrific performances too – especially from the much-underrated Juliette Lewis.

Ana (Van Patten) is working as a waitress at a wedding reception in a hotel near a beach. She comes across as a troubled character (reason not given), but things get worse when she is raped (off-screen) by the manager. We also meet the anxious bride (Goth) and Dimitri (Pellerin), a war photographer and friend of Ana, and supervisor June (Lewis).

Distraught, Ana causes an electric blowout and puts her head into an oven. She is catapulted into a different word, landing on an island where she joins the bride from the wedding who now calls herself Marsha and leads two other women guerrillas, Bea (Liu) and Gert (Soko), on a defunct U-boot. June is also part of the female force in this enigmatic war where Ana takes refuge in the woods and is – once again – nearly raped by an invading soldier. It soon becomes clear that the four women are luring pilots there with Mayday calls to the island. Survivors are then shot. For no apparent reasons, Ana decides to return to her former existence after meeting Dimitri again after he lands with his parachute in the woods.

A musical number with male soldiers (Busby Berkeley style) is entertaining, even though rather unexplained. Finally, Ana jumps into the sea to reach the beach hotel aided on her eventful journey by the trio she left behind.

Mayday tries very hard to be enigmatic, starting with the – often repeated – titular Morse sequence Mary-Alpha-Yankee-Delta-Alpha-Yankee with which the women warriors lure their prey to the island. Somehow, the effect is a reverse Peter Pan scenario, with some ‘Narnia’ thrown in.

DoP Sam Levy tries successfully to enhance the bizarre setting with moody dreamlike images and Van Patten acts the ‘girl-lost’ part in both universes with great sensibility. But overall there are too many question marks: we totally get it that we have entered an allegoric world. But it is one without inner logic, since the obviously talented filmmaker Cinorre is let down by her own script. AS

SUNDANCE FILM FESTIVAL until 3 FEBRUARY 2021

Wild Indian (2020) Sundance Film Festival 2021

Dir.: Lyle Mitchell Corbine jr.; Cast: Michael Greueyes, Chaske spencer, Julian Gopal, Scott Haze, Kate Bosworth, Jesse Eisenberg; USA 2021, 90 min.

1980s Wisconsin provides the setting for this atmospheric thriller that sees two Native American teenagers brought together by a murderous secret. In his first feature competing in this year’s Sundance Film Festival Lyle Mitchell Corbine Jr writes, co-produces and directs the intriguing stand-alone narratives that somehow fail to come together as a satisfying whole.

Makwa (Haze) and Teddo (Gopal) are outsiders who spend their afternoons kicking around the neighbourhood where their own parents are struggling to give them a proper home. Makwa’s father is so abusive he has to invent excuses for the bruises he is always covered in. One afternoon in the woods Makwa accidentally shoots a fellow student with a gun, that was lying around at home. Teddo is appalled, but helps his friend to bury the body.

Decades later in 2019, Makwa (Greyeyes) – now calling himself Michael – is a successful accountant in LA, married to the attractive Greta (Bosworth) with a son, Francis, Greta soon giving birth to a second baby. Teddo, on the other hand, has spent most of the last twenty-five years in jail. He blames his ‘bad luck’ on the trauma he suffered helping his friend cover up the murder. Michael is still drawn to violence, choking a sex worker, and threatening the victim’s relative to be quiet, attacking her in hospital. His well-paid lawyer gets him off any charges, police are uninterested in solving the case. But when Teddo fetches up at Michael’s house intent on revenge, there is an ugly and tragic incident.

Nothing tangible connects these two scenarios, Mitchell Corbine leaving the plot underwritten and leaving viewers to grapple in the dark: we have no idea how Makwa/Michael became so successful, or Teddo turned to a life of crime – somehow the trauma of the dead student is left unresolved. Micheal has a curious rapport with his right-hand man (Eisenberg is terribly underused): Michael asking his subservient underling about his haircut amongst other issues.

DoP Eli Born shows two worlds in complete contrast, the LA glitter is wildly overdone. Nice idea to bookend the feature with mythological images and poetry from the canon of the native Americans, but there are too many unanswered questions in this oblique but well-meaning debut. AS

SUNDANCE FILM FESTIVAL 28 JANUARY – 7 FEBRUARY 2021

 

Dick Johnson is Dead (2020) **

Dir.: Kirsten Johnson; Documentary with Richard Johnson, Kirsten Johnson; USA 2020, 89 min.

US documentary filmmaker and FEMIS graduate Kirsten Johnson (Cameraperson) has directed – as well as co-written and co-produced – an usual escapist style movie that imagines the death of her father Richard Johnson MD, a psychiatrist born in 1932.

Upbeat and innovative it may be as a piece of entertainment, but as a documentary the film’s title is misleading – Mr. Johnson is still alive and kicking, albeit suffering advanced dementia – which sees the interests of filmmaker Kirsten Johnson and the dutiful daughter probably collide. However stunning the outcome, questions should be asked.

There is much to admire in this father/daughter ‘co-production’, the family history is fraught with sadness and poignancy, Kirsten’s mother suffered dementia and died in a care home, a move she resisted vehemently. As a devotee of several memory theories, this illness seems all the more tragic. Kirsten shows us a short video and has to confess that “After thirty years of being a filmmaker, this is all I have left of my mother”. Kirsten’s grandmother was killed on the day of her daughter’s graduation, sitting next to her on the passenger seat of her car. Kirsten muses about the impact this accident had on her own mother’s life.

Growing up in California Kristen would spend every Saturday of in church, her parents were passionate Seventh Day Adventists – the religion forbade, among other things, cinema visits. But when her father took her to Young Frankenstein (1974), she was hooked for good.

Taking her father plus crew on the road, they visit Loma Linda, California, where Dr. Johnson meets up with his college sweetheart, (another Adventist). Both discuss the subject of death, and feeling comforted by their belief in the resurrection. Which leads us to another major part of the feature: Heaven, realised in a colourful sequence where the”deceased” psychiatrist gets to have his cake and eat it, quite literally, as Jesus washes his feet.

A move to New York is inevitable as Dicks’ condition deteriorates, and most of us with empathise with his regret over selling the memory-filled family home. But he is philosophical and accepts his new life in the spare room of Kirsten’s flat, her husbands, and two children live nearby.

Once in the city, Kirsten (and her stuntmen) try their very best to enact Dick’s spectacular deaths – being hit by a metal fan unit falling from great height is one, falling down a steep wooden staircase and cracking his head open (with ample blood-spill) is another, but the scenario involving a knife and copious blood is possibly the most shocking, Dick freely admitting the pain was worse than his heart-attack thirty years previously.

These scenes might be impressive in their own way – and we learn a lot about how stunts work – but they do disturb Richard, and undoubtedly those affected (for me it brought back memories of finding my blood-soaked mother lying dead on a wooden floor, her scull fractured in twenty places). Let’s just remember that Dick is suffering from the disorientating effects of dementia and all the impairments involved.

We then watch an ambulance pull up and witness Dick’s cardiac arrest – or so we are led to believe. At a ‘funeral’ and 86th birthday celebration friends and patients pay their respects with tearful speeches in a packed church. One woman recalls her final meeting with the Doc, when he ‘forgot’ the recent death of her own husband (“The loss of memory is a great loss”). A close friend blows a Jewish ram’s horn in a pitiful goodbye, before he breaks down sobbing, unable to continue. Meanwhile Dick is alive and well and gleefully watching proceedings from a ‘peephole’ in the Vestry.

All this raises serious issues, Apart from these gruesome ‘serial’ deaths poor Dick is subject to during the shoot, there is the ethical question of how much the filmmaker must manipulate reality in order to pull off the ‘comedy’. As her father Dick is was certainly anxious to please her, and is totally under her power, desperate to avoid the same fate as his wife.

But you can’t help feeling Dick has been hoodwinked in some way, and that Kirsten has played with the audience’s emotions, making a mockery of the term documentary – which even at its best is hardly an objective art. Despite all these concerns, Dick Johnson is Dead is not a morose movie with its tour-de-force of compelling images but one that raises some serious issues, particularly regarding filmmaker responsibility. This is a slick and glibly amusing film but one that pokes fun at life-limiting illness. Rather like the blindfolded man whose disorientation raises a titter amongst his amused bystanders, Johnson’s film is a frivolous piece of escapism, but if we laugh, do we laugh in shame?. AS

DICK JOHNSON won the Special Jury Award for Innovative Non-fiction Storytelling at SUNDANCE 2020 

 

 

 

Sundance 2021 | 28 January – 3 February 2021

2021 gets off to a lowkey start with Sundance film festival announcing a mostly virtual edition, along with Rotterdam that follows in its footsteps on February 7th.

Sundance welcomes fewer features to this year’s line-up with 72 feature films as apposed to last year’s 118,  but nearly half are female directed and 15% from the LGBTQ+ community.

Themes of retreat, regeneration and renewal are the touchstones to this year’s programme and this seems entirely appropriate given our global experience since March 2020. The world has taken stock of itself but not necessarily come up with the answers. Many film festivals are congratulating themselves for ‘increased attendance record’ with a boost from their online community. Watching films, and attending festivals online works as a complementary form of entertainment in extremis, but make no mistake, the vast majority of viewers still prefer the buzz of the festival experience and the human element that it brings.

As we stand of the brink of 2021 most of us are experiencing some sense of disconnection with our previous existence, and Robin Wright echoes this sentiment in her directorial debut, in which she also stars ,as a woman who seeks a life off grid after bereavement. Very much in the same vein as the Venice 2020 triumph Nomadland, Wright’s film Land is one of the most apposite and  buzz-worthy films in the premiere lineup at this year’s Utah festival.


Sundance Institute founder and president Robert Redford is deeply aware of this social and emotional disenfranchisement and comments “Togetherness has been an animating principle here at the Sundance Institute as we’ve worked to reimagine the festival for 2021, because there is no Sundance without our community,”

And this sentiment resonates through the competition line-up. with other narrative features directly alluding to the tragedy that has affected, possibly more than we realise going forward.

A list of films confirmed for the 2021 Sundance Film Festival are as follows.

World Cinema Dramatic Competition

The Dog Who Wouldn’t Be Quiet | Argentina (Dir: Ana Katz, writers: Ana Katz, Gonzalo Delgado | World Premiere

Sebastian, a man in his 30s, works a series of temporary jobs and he embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse. Cast: Daniel Katz, Julieta Zylberberg, Valeria Lois, Mirella Pascual, Carlos Portaluppi.

Passing / UK/US (Dir/wri: Rebecca Hall | World Premiere

Based on the 19th century novel by Chicago born writer Nella Larsen, this first feature for Rebecca Hall sees two high old school friends reunited in a  mutual obsession that threatens both of their carefully constructed realities.

El Planeta / US/Spain (Dir/Wri Amalia Ulman | World Premiere

Amid the devastation of post-crisis Spain, mother and daughter bluff and grift to keep up the lifestyle they think they deserve, bonding over common tragedy and an impending eviction. Cast: Amalia Ulman, Ale Ulman, Nacho Vigalondo, Zhou Chen, Saoirse Bertram.

Fire in the Mountains / India (Dir/Wri: Ajitpal Singh | World Premiere

A mother toils to save money to build a road in a Himalayan village to take her wheelchair-bound son for physiotherapy, but her husband, who believes that an expensive religious ritual is the remedy, steals her savings. Cast: Vinamrata Rai, Chandan Bisht, Mayank Singh Jaira, Harshita Tewari, Sonal Jha.

Hive / Kos, Switzerland, Macedonia, Albania (Dir/Wri: Blerta Basholli | World Premiere

Fahrije’s husband has been missing since the war in Kosovo. She sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere. Cast: Yllka Gashi, Çun Lajçi, Aurita Agushi, Kumrije Hoxha, Adriana Matoshi, Kaona Sylejmani.

Human Factors / Ger, Italy, Denmark (Dir/Wri: Ronny Trocker | World Premiere

A mysterious housebreaking exposes the agony of an exemplary middle-class family. Cast: Sabine Timoteo, Mark Waschke, Jule Hermann, Wanja Valentin Kube, Hannes Perkmann, Daniel Séjourné.

Luzzu / Malta (Dir/Wri): Alex Camilleri | World Premiere

Jesmark, a struggling fisherman on the island of Malta, is forced to turn his back on generations of tradition and risk everything by entering the world of black-market fishing to provide for his girlfriend and newborn baby. Cast: Jesmark Scicluna, Michela Farrugia, David Scicluna.

One for the Road / China,Hong Kong, Thailand (Dir: Baz Poonpiriya, Wri: Baz Poonpiriya, Nottapon Boonprakob, Puangsoi Aksornsawang, Wong Kar Wai) | World Premiere

Boss is a consummate ladies’ man, a free spirit and a bar owner in NYC. One day, he gets a surprise call from Aood, an estranged friend who has returned home to Thailand. Dying of cancer, Aood enlists Boss’ help to complete a bucket list — but both are hiding something. Cast: Tor Thanapob, Ice Natara, Violette Wautier, Aokbab Chutimon, Ploi Horwang, Noon Siraphun.

The Pink Cloud / Brazil (Dir/Wri: Iuli Gerbase, | World Premiere

A mysterious and deadly pink cloud appears across the globe, forcing everyone to stay home. Strangers at the outset, Giovana and Yago try to invent themselves as a couple as years of shared lockdown pass. While Yago is living in his own utopia, Giovana feels trapped deep inside. Cast: Renata de Lélis, Eduardo Mendonça.

Pleasure / Swed/Neth/France (Dir,Wri: Ninja Thyberg | World Prem

A 20-year-old girl moves from her small town in Sweden to L.A. for a shot at a career in the adult film industry. Cast: Sofia Kappel, Revika Anne Reustle, Evelyn Claire, Chris Cock, Dana DeArmond, Kendra Spade.

Prime Time / Poland (Dir: Jakub Piątek, Writers: Jakub Piątek, Lukasz Czapski | World Premierę

On the last day of 1999, 20-year-old Sebastian locks himself in a TV studio. He has two hostages, a gun and an important message for the world. The story of the attack explores a rebel’s extreme measures and last resort. Cast: Bartosz Bielenia, Magdalena Poplawska, Andrzej Klak, Malgorzata Hajewska-Krzysztofik, Dobromir Dymecki, Monika Frajczyk.

World Cinema Documentary Competition

Faya Dayi / Ethiopia/US (Dir/Wri: Jessica Beshir) | World Premiere

A spiritual journey into the highlands of Harar, immersed in the rituals of khat, a leaf Sufi Muslims chewed for centuries for religious meditations — and Ethiopia’s most lucrative cash crop today. A tapestry of intimate stories offers a window into the dreams of youth under a repressive regime.

Flee / Den/Norway/Sweden/France (Dir Jonas Poher Rasmussen | World Premiere

Amin arrived as an unaccompanied minor in Denmark from Afghanistan. Today, he is a successful academic and is getting married to his longtime boyfriend. A secret he has been hiding for 20 years threatens to ruin the life he has built. W

Inconvenient Indian | Canada (Dir/Wri: Michelle Latimer | International premiere

An examination of Thomas King’s brilliant dismantling of North America’s colonial narrative, which reframes history with the powerful voices of those continuing the tradition of Indigenous resistance.

Misha and the Wolves

United Kingdom, Belgium (Dir/Wri: Sam Hobkinson) | World Premiere

A woman’s Holocaust memoir takes the world by storm, but a fallout with her publisher turned detective reveals her story as an audacious deception created to hide a darker truth.

The Most Beautiful Boy in the World / Sweden (Dir: Kristina Lindström, Kristian Petri | World Premiere

Swedish actor/musician Björn Andresen’s life was forever changed at the age of 15, when he played Tadzio, the object of Dirk Bogarde’s obsession in Death in Venice — a role that led Italian maestro Luchino Visconti to dub him “the world’s most beautiful boy.”

Playing With Sharks / Australia (Dir/Wri: Sally Aitken | World Premier

Valerie Taylor is a shark fanatic and an Australian icon — a marine maverick who forged her way as a fearless diver, cinematographer and conservationist. She filmed the real sharks for Jaws and famously wore a chainmail suit, using herself as shark bait, changing our scientific understanding of sharks forever.

President / Denmark/US, Norway (Dir: Camilla Nielsson | World Premiere

Zimbabwe is at a crossroads. The leader of the opposition MDC party, Nelson Chamisa, challenges the old guard ZANU-PF led by Emmerson Mnangagwa, known as “The Crocodile.” The election tests both the ruling party and the opposition — how do they interpret principles of democracy in discourse and in practice?

Sabaya / Sweden (Dir/Wri: Hogir Hirori | World Premiere

With just a mobile phone and a gun, Mahmud, Ziyad and their group risk their lives trying to save Yazidi women and girls being held by ISIS as Sabaya (abducted sex slaves) in the most dangerous camp in the Middle East, Al-Hol in Syria

Taming the Garden / Swit/Ger, Georgia (Dir: Salomé Jashi | World Premiere

A poetic ode to the rivalry between men and nature. World Premiere

Writing With Fire / India (Dir/Wris: Rintu Thomas, Sushmit Ghosh | World Premiere

In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, chief reporter Meera and her journalists break traditions on the front lines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.

The Blazing World / U.S.A. (Dir: Carlson Young, Wri: Carlson Young, Pierce Brown | World Premiere

Decades after the accidental drowning of her twin sister, a self-destructive young woman returns to her family home, finding herself drawn to an alternate dimension where her sister may still be alive. Cast: Udo Kier, Carlson Young, Dermot Mulroney, Vinessa Shaw, John Karna, Soko.

Cryptozoo / US (Dir/Wr: Dash Shaw) | World Premiere

As cryptozookeepers struggle to capture a Baku (a legendary dream-eating hybrid creature) they begin to wonder if they should display these rare beasts in the confines of a cryptozoo, or if these mythical creatures should remain hidden and unknown. Cast: Lake Bell, Michael Cera, Angeliki Papoulia, Zoe Kazan, Peter Stormare, Grace Zabriskie

First Date / US. (Dir/Wri: Manuel Crosby, Darren Knapp | World Premiere

Conned into buying a shady ’65 Chrysler, Mike’s first date with the girl next door, Kelsey, implodes as he finds himself targeted by criminals, cops and a crazy cat lady. A night fueled by desire, bullets and burning rubber makes any other first date seem like a walk in the park. Cast: Tyson Brown, Shelby Duclos, Jesse Janzen, Nicole Berry, Ryan Quinn Adams, Brandon Kraus.

Ma Belle, My Beauty / US., France (Dir/Wri: Marion Hill | World Premiere

A surprise reunion in southern France reignites passions and jealousies between two women who were formerly polyamorous lovers. Cast: Idella Johnson, Hannah Pepper, Lucien Guignard, Sivan Noam Shimon.

R#J / US (Dir/Wri Carey William | World Premiere

A reimagining of Romeo and Juliet, taking place through their cellphones, in a mash-up of Shakespearean dialogue with current social media communication. Cast: Camaron Engels, Francesca Noel, David Zayas, Diego Tinoco, Siddiq Saunderson, Russell Hornsby.

Searchers / US. (Dir: Pacho Velez | World Premiere

In encounters alternately humorous and touching, a diverse set of New Yorkers navigate their preferred dating apps in search of their special someone.

Strawberry Mansion / US (Dir/Wri: Albert Birney, Kentucker Audley | World Premiere

In a world where the government records and taxes dreams, an unassuming dream auditor gets swept up in a cosmic journey through the life and dreams of an aging eccentric named Bella. Together, they must find a way back home. Cast: Penny Fuller, Kentucker Audley, Grace Glowicki, Reed Birney, Linas Phillips, Constance Shulman.

We’re All Going to the World’s Fair / US (Dir/Wri: Jane Schoenbrun | World Premiere

A teenage girl becomes immersed in an online role-playing game. Cast: Anna Cobb, Michael J. Rogers.

Amy Tan: Unintended Memoir / US. (Director: James Redford | World Premiere

Amy Tan has established herself as one of America’s most respected literary voices. Born to Chinese immigrant parents, it would be decades before the author of The Joy Luck Club would fully understand the inherited trauma rooted in the legacies of women who survived the Chinese tradition of concubinage.

Bring Your Own Brigade / US. (Dir/wri: Lucy Walker | World Premiere

A character-driven verité and revelatory investigation takes us on a journey embedded with firefighters and residents on a mission to understand the causes of historically large wildfires and how to survive them, discovering that the solution has been here all along.

Eight for Silver / U.S.A., France (Dir/Wri Sean Ellis | World Premiere

In the late 1800s, a man arrives in a remote country village to investigate an attack by a wild animal but discovers a much deeper, sinister force that has both the manor and the townspeople in its grip. Cast: Boyd Holbrook, Kelly Reilly, Alistair Petrie, Roxane Duran, Aine Rose Daly.

How It Ends / US (Dir/Wri Daryl Wein, Zoe Lister-Jones | World Premiere

On the last day on Earth, one woman goes on a journey through L.A. to make it to her last party before the world ends, running into an eclectic cast of characters along the way. Cast: Zoe Lister-Jones, Cailee Spaeny, Olivia Wilde, Fred Armisen, Helen Hunt, Lamorne Morris.

In the Earth / UK (Dir/Wri: Ben Wheatley | World Premiere

As a disastrous virus grips the planet, a scientist and a park scout venture deep into the forest for a routine equipment run. Through the night, their journey becomes a terrifying voyage through the heart of darkness as the forest comes to life around them. Cast: Joel Fry, Ellora Torchia, Hayley Squires, Reece Shearsmith

In the Same Breath / US. (Dir: Nanfu Wang) | World Premiere

How did the Chinese government turn pandemic coverups in Wuhan into a triumph for the Communist party? An essential narrative of firsthand accounts of the novel coronavirus, and a revelatory examination of how propaganda and patriotism shaped the outbreak’s course — both in China and in the U.S. World Premiere, Documentary. DAY ONE

Marvelous and the Black Hole / US (Dir/Wri Kate Tsang, Producer | World Premiere

A teenage delinquent befriends a surly magician who helps her navigate her inner demons and dysfunctional family with sleight of hand magic, in a coming-of-age comedy that touches on unlikely friendships, grief and finding hope in the darkest moments. Cast: Miya Cech, Rhea Perlman, Leonardo Nam, Kannon Omachi, Paulina Lule, Keith Powell.

Mass / US (Dir/Wri: Fran Kranz | World Premiere

Years after a tragic shooting, the parents of both the victim and the perpetrator meet face to face. Cast: Jason Isaacs, Ann Dowd, Martha Plimpton, Reed Birney.

My Name Is Pauli Murray / US (Dirs: Betsy West, Julie Cohen |World premiere

Overlooked by history, Pauli Murray was a legal trailblazer whose ideas influenced RBG’s fight for gender equality and Thurgood Marshall’s landmark civil rights arguments. Featuring never-before-seen footage and audio recordings, a portrait of Murray’s impact as a nonbinary Black luminary: lawyer, activist, poet and priest who transformed our world.

Philly D.A. / US. (Dirs: Ted Passon, Yoni Brook | World Premiere

A groundbreaking inside look at the long-shot election and tumultuous first term of Larry Krasner, Philadelphia’s unapologetic district attorney, and his experiment to upend the criminal justice system from the inside out.

Prisoners of the Ghostland / US. (Dir: Sion Sono, Wri: Aaron Hendry, Reza Sixo Safai | World Premiere

A notorious criminal is sent to rescue an abducted woman who has disappeared into a dark supernatural universe. They must break the evil curse that binds them and escape the mysterious revenants that rule the Ghostland, an East-meets-West vortex of beauty and violence. Cast: Nicolas Cage, Sofia Boutella, Nick Cassavetes, Bill Moseley, Tak Sakaguchi, Yuzuka Nakaya.

The Sparks Brothers / UK (Dir: Edgar Wright | World Premiere

How can one rock band be successful, underrated, hugely influential and criminally overlooked all at the same time? Take a musical odyssey through five weird and wonderful decades with brothers Russell & Ron Mael, celebrating the inspiring legacy of Sparks: your favorite band’s favourite band.

Street Gang: How We Got to Sesame Street / US. (Dir/: Marilyn Agrelo | World Premiere

How did a group of rebels create the world’s most famous street? In 1969 New York, this “gang” of mission-driven artists, writers and educators catalyzed a moment of civil awakening, transforming it into Sesame Street, one of the most influential and impactful television programs in history.

Midnight

Censor / UK  (Dir/Wri: Prano Bailey-Bond, Aris: Prano Bailey-Bond, Anthony Fletcher | World Premiere

When film censor Enid discovers an eerie horror that speaks directly to her sister’s mysterious disappearance, she resolves to unravel the puzzle behind the film and its enigmatic director — a quest blurring the lines between fiction and reality in terrifying ways. Cast: Niamh Algar, Nicholas Burns, Vincent Franklin, Sophia La Porta, Adrian Schiller, Michael Smiley.

Coming Home in the Dark / NZ (Dir: James Ashcroft, Wri: Eli Kent, James Ashcroft | World Premiere

A family’s outing descends into terror when teacher Alan Hoaganraad, his wife Jill, and stepsons Maika and Jordon explore an isolated coastline. An unexpected meeting with a pair of drifters, the enigmatic psychopath Mandrake and his accomplice Tubs, thrusts the family into a nightmare when they find themselves captured. Cast: Daniel Gillies, Erik Thomson, Miriama McDowell, Matthias Luafutu.

A Glitch in the Matrix / US (Dir Rodney Ascher | World Premiere

A multimedia exploration of simulation theory — an idea as old as Plato’s Republic and as current as Elon Musk’s Twitter feed — through the eyes of those who suspect our world isn’t real. Part sci-fi mind-scrambler, part horror story, this is a digital journey to the limits of radical doubt.

Knocking / Sweden (Dir: Frida Kempff, Wri: Emma Broström | World Premiere

When Molly moves into her new apartment after a tragic accident, a strange noise from upstairs begins to unnerve her. As its intensity grows, she confronts her neighbors — but no one seems to hear what she is hearing. Cast: Cecilia Milocco.

Mother Schmuckers / Belgium (Dir/Wri: Lenny Guit, Harpo Guit | World Premiere

Issachar & Zabulon, two brothers in their 20s, are supremely stupid and never bored, as madness is part of their daily lives. When they lose their mother’s beloved dog, they have 24 hours to find it — or she will kick them out. Cast: Harpo Guit, Maxi Delmelle, Claire Bodson, Mathieu Amalric, Habib Ben Tanfous.

Special Screenings

Life in a Day 2020 / US/UK. (Dir: Kevin Macdonald | World Premier

An extraordinary, intimate, global portrait of life on our planet, filmed by thousands of people across the world, on a single day: 25th July 2020.

Sundance Film Festival | 28 January – 3 February 2021

 

Epicentro (2020)

Dir.: Hubert Sauper; Documentary with Leonelis ArangoSalas, Annielys Pelladito Zaldivar, Janet Pena Semunat, Hans Helmut Ludwig, Oona Castilla Chaplin; Austria/France 2020, 108 min.

This new documentary portrait of Cuba from Oscar nominated Hubert Sauper explores the post-Castro era pairing everyday life with an essay on the power and myth-making in cinema. Through his conversation with children, a sex worker and an actress, he shows a Cuba still dependent on tourism, even though some of the values are contrary to the revolutionary movement of “26th of July”.

Ten year-old Leonelis Arango Salas is the star of the show: she explained the 1902 “Tafft Agreement”, which gave the USA the use of the naval base of Guantanamo (!), one of over 900 military bases worldwide, where the American flag is raised, including the Moon. She also elaborates on the sinking of the battleship USS Maine by the Spanish – in reality, the ship sunk because of an explosion in the boiler room but the US used the incident to shoot reels of film showing their soldiers killing Spanish troops who had occupied Cuba for centuries. The boy also shows us the sinking of the ‘Maine’, restaged in a bath tub with lots of cigar smoke. Theodore Roosevelt’s “Rough Riders”, soldiers who fought on behalf of USA in the Cuban War of Independence, were very much ‘Trojan’ horses only interested in replacing the Spanish. And the cinema covered the myth: Media Tycoon Randolph Hearts (on whom the hero of Citizen Kane was modelled) wrote to Roosevelt: “You furnish the war, we furnish the information”.

A sex worker is, not surprisingly extremely disillusioned, regales us with the revelation that all US presidents look the same, be it T. Roosevelt or Trump: “Faces of people who like war and wealth.” Tourists come here for sex, men or women: “Gringas come here looking for black dicks”. And in her own experience, sex workers are just like slave: “I am a piece of meat, when they say do it doggy-style, I go “wow wow”. But she still wants to go to Disneyland and meet Brad Pitt.

In one of the few modern malls, Leonelis and her friends admire a pencil, costing over 2000 US dollars. Her hospital worker grandmother earns just four dollars a week. Even with Sauper’s help, they cannot calculate how long she would have to work to buy this simple writing instrument. Hans Helmut Ludwig, a middle aged tourist from Bavaria, visits a ballet school where he claims the free tuition is very professional. He compares Cuba today with a theatre set: tourists come to participate in a parallel universe full of illusions which will soon disappear. A utopia, never realised.

A street fight between a young girl and her mother is a brutal spectacle. Later we see mother and daughter watching Chaplin in The Great Dictator. “This is my grandfather” the girl tells Sauper. “You are Hitler’s granddaughter?” The girl can not stop giggling: “I am Charlie’s granddaughter”. Her mother, Oona Castilla Chaplin looks calm and collected as she accompanies her daughter and friends on the guitar,.

Epicentro is about reality and film, utopia and dystopia, and the American dream, with its “corrupted ideals and success forged in lies”. Like Robert Altman’s’ Buffalo Bill and the Indians, the truth is not welcome, particularly during the 200 year celebrations. Sauper hits hard, as he did in We Come as Friends when the Sudanese people complain “even the Moon belongs to the white man”. Maintaining a freewheeling and detached approach during his conversations on home-grown politics, the message is clear: Havana is anything but its translation: Heaven. AS

SUNDANCE GRAND JURY PRIZE WINNER | WORLD CINEMA

On the Record (2020) **** Streaming

Directors: Kirby Dick, Amy Ziering | Cast: Drew Dixon, Si Lai Abrams, Jenny Lumet, Tarana Burke, Kierna Mayo, Joan Morgan, Kimberle Williams Crenshaw | USA, 96′

More #MeToo stories, this time from Kirby Dick and Amy Ziering whose controversial new documentary puts the spotlight on women who have come out to denounce hip-hop mogul Russell Simmons. The focus here is Drew Dixon.

This is the filmmakers’ third foray into #MeToo territory and Drew Dixon takes centre along with  two other victims – out of twenty – who have filed sexual assault and rape charges against record producer and hip-hop mogul Russell Simmons. The incident became a news story before the film premiered at this year’s Sundance Festival. Oprah Winfrey, one of the executive producers, withdrew from the project she had fostered for a long time, thus destroying any chances of it being acquired by Apple+. The reasons are very opaque: there were threats from Russell, film critic and Ava DuVernay allegedly told Winfrey, that the documentary did not accurately flesh out the hip-hop world of the setting. Finally, Winfrey decided “there were inconsistencies in Dixon’s story that gave me pause” and the feature had been rushed to appear at Sundance. What ever the true reasons for Winfrey’s jumping ship, HBOmax won the screening rights for what turns out to be a worthy companion to Leaving Neverland, Surviving R. Kelly and Untouchable.

Drew Dixon (*1971) is the daughter of former Washington DC mayor Sharon Pratt and went to Stanford University. Becoming a record producer for Def Jam, a label led by mogul Russell Simmons, was her dream job. She overlooked the fact that Simmons would often come into her office, showing his member. In a milieu where the culture of celebrity “bad-ass” men was celebrated, Simmons’ behaviour did not seem to be totally out of place. Dixon became an A&R executive, responsible for the soundtrack of the 1995 documentary “The Show”, helping to build the careers of Method Man among others, whom she later paired with Mary J. Bilge. It all came crashing down for Dixon, when Simmons invited her to his apartment after a party. He appeared naked with a condom and asked her in a very harsh voice “to stop fighting”. Later, the writer Sil Lai Abrams would report a similar incidence with Simmons. After leaving Def Jam, Dixon worked for Clive Davis at Arista, but CEO L.A. Reid started to harass her. Out of spite, to destroy her career, he passed on signing a new talent, a certain Kanye West. Dixon left the industry all together, and it took her until 2017 to pen an article in the New York Times, to make the public listen to her story.

There are two issues which make the case of the three black women appearing on the documentary (Dixon, Abrams and Jenny Lumet) complex: until now, any public critique of the black community, by fellow blacks, is seen by the majority as treachery – helping the enemy, ie. the white majority. Secondly, black women still feel excluded from the #MeToo movement. Dixon claims she felt enormous pressure to denounce somebody of the standing of Russell Simmons. It took her twenty years – being alone with her trauma – to overcome the barriers.

As for Simmons, he decided not to appear in the documentary but send a written statement, issuing countless denials of he false accusations: “I have lived an honourable life as an open book for decades, devoid of any kind of violence against anybody”. In 2018 he nevertheless emigrated to Bali, Indonesia, a country which has no extradition arrangement with the USA. Reid too repudiated all allegations. He left his position as CEO of Sony Epic, and raised 75 $ Million to form a new company. Drew Dixon has recently gone back to the drawing board with a new career in the music business, working from her flat. AS

ON STREAMING PLATFORMS FROM 18 JUNE 2020 | Available on iTunes, Apple TV, Amazon Video, BFI Player, Curzon Home Cinema, Dogwoof, Google Play, Rakuten TV, Sky Store, Virgin Media, YouTube

 

Your Sister’s Sister (2011) *** Tribute to Lyn Shelton (1965-2020)

Director/Writer : Lynn Shelton | Cast:  Mark Duplass, Rosemarie DeWitt, Emily Blunt | Cert1 5  100 mins

This easy going rites of passage drama along the lines of “Grab a dude and preg yourself up” has three memorable performances and comes from a director who writes from the heart and from her own life experiences. Her follow up to Hump Day (2009) is full of witty insight and watchable scenery, a classic tale of thirty-somethings, it stars Mark Duplass as Jack who’s mourning the death of his brother Tom. Mutual friend Iris (Blunt) offers him sanctuary in her island hideaway just off Washington State. She secretly fancies Jack but within hours of rocking up he is bedding her sister Hannah (DeWitt) who happens to be lesbian or, at least she thought she was until broodiness and a few drinks intervened.  After a night of unexpected shagging Iris turns up unannounced.

A tangled mess of misconception and conception follows and feelings are shared and thoughts aired by the trio. This brings them closer but has unexpected consequences and far-reaching complications all round.  Skelton’s outline script gives an improvised feel that’s indie in style but slick enough to appeal to wider audiences.  The result is a tense but funny tale about sex, sisterhood and growing up.

Lynn Shelton, who died on 15 May 2020, went on to make Touchy Feely and Say When (Laggies) before embarking on a successful TV career (Mad Men, Love, Fresh off the Boat amongst others) and Little Fires Everywhere which airs from the end of May, and reunites her with stars Rosemarie DeWitt and Reese Wetherspoon.  MT ©

Now out on DVD-Blu-Ray | Tribute to Lynn Shelton      

Yalda (2019) **** Sundance 2020

Dir/scr: Massoud Bakhshi. Iran, France, Germany, Switzerland, Luxembourg. 2019. 89 mins

Women are much maligned in Iran’s sternly patriarchal society. Writer and director Massoud Bakhshi uses one woman’s story to shed light on this deeply misogynist culture that has taken the nation further and further back in time from the more enlightened days of the Shah back in the 1970s.  Cutting his teeth in 2014 with A Respectable Family, this second feature is a tensely slick affair that uses melodrama to heighten the film’s stark thematic concerns of life and death.

In Tehran festivities for the winter celebration of Yalda are in full swing lighting up a capital that looks, to all intents and purposes, like any other modern metropolis. The focus narrows into the confined space of a TV studio where Maryam (Sadaf Asgari) arrives in handcuffs to appear in a popular reality show called ’Joy Of Forgiveness’ that also includes literary readings and music.

Maryam has been sentenced to death for the murder of her much older husband Nasser. But the good news is that the family have it in their power to forgive her and make way for a reprieve. Nasser’s daughter Mona (Behnaz Jafari) used to be her best friend. But tonight Mona will decide Maryam’s fate on live television. The film plays out almost like a TV trial, Maryam pleading her case and hoping to persuade Mona to let her go free. Bakhshi mines the rich dramatic potential of the subject to great affect, leaving us shaken and stirred as the story moves towards its febrile finale.

Performances are strong from a really impressive female cast. Asgari makes for a convincingly uneasy Maryam contrasting with the steely calm of Behnaz Jafari’s Mona. We are reminded that men clearly have the upper hand in Iran, but that women can also be each other’s enemies all over the world. MT

Sundance Film Festival 2020 | 23 JANUARY – 1 FEBRUARY 2020

 

Sundance Film Festival 2020

In Park City Utah, ROBERT REDFORD and his programmer John Cooper have set the indie film agenda for 2020 with an array of provocative new titles in a festival that runs from 23 January until 2 February. This year’s selection includes the latest US drama from Josephine Decker (Thou Wast Mild and Lovely); and new documentaries about Chechnya, Bruce Lee and Woodstock competing in the US Dramatic section. Branden Cronenberg will be showing his latest film, Possessor starring Andrea Riseborough; who also appears in the Egyptian drama Luxor. Noemie Merlant is fresh from Portrait of a Woman on Fire, in Zoe Wittock’s Jumbo. 

UK director Oscar Raby brings A Machine for Viewing​, a unique three-episode hybrid of real-time VR experience, live performance and video essay in which three moving-image makers explore how we now watch films by putting various ‘machines for viewing,’ including cinema and virtual reality, face to face.

EXHIBITIONS

All Kinds of Limbo​ / United Kingdom (Lead Artists: Toby Coffey, Raffy Bushman, Nubiya Brandon) — The National Theatre of Great Britain’s communal musical journey reflecting the influence of West Indian culture on the UK’s music scene across the genres of reggae, grime, classical, and calypso. Immersive technologies, the ceremony of live performance and the craft of theatrical staging bring audiences into a VR performance space. Cast: Nubiya Brandon.

U.S. DRAMATIC COMPETITION

47% of the directors in this year’s U.S. Dramatic Competition are women; 52% are people of color; 5% are LGBTQ+.

The 40-Year-Old Version / U.S.A. Director and screenwriter: Radha Blank

A down-on-her-luck New York playwright decides to reinvent herself and salvage her artistic voice the only way she knows how: by becoming a rapper at age 40. Cast: Radha Blank, Peter Kim, Oswin Benjamin, Reed Birney, World Premiere

BLAST BEAT / U.S.A. Director: Esteban Arango

After their family emigrates from Colombia during the summer of ‘99, a metalhead science prodigy and his deviant younger brother do their best to adapt to new lives in America. Cast: Moises Arias, Mateo Arias, Daniel Dae Kim, Kali Uchis, Diane Guerrero, Wilmer Valderrama. World Premiere

Charm City Kings / U.S.A. (Director: Angel Manuel Soto

Mouse desperately wants to join The Midnight Clique, the infamous Baltimore dirt bike riders who rule the summertime streets. When Midnight’s leader, Blax, takes 14-year-old Mouse under his wing, Mouse soon finds himself torn between the straight-and-narrow and a road filled with fast money and violence.

Cast: Jahi Di’Allo Winston, Meek Mill, Will Catlett, Teyonah Parris, Donielle Tremaine World Premiere

Dinner in America / U.S.A. (Dir/writer: Adam Rehmeier

An on-the-lam punk rocker and a young woman obsessed with his band go on an unexpected and epic journey together through the decaying suburbs of the American Midwest.. Cast: Kyle Gallner, Emily Skeggs, Pat Healy, Griffin Gluck, Lea Thompson, Mary Lynn Rajskub. World Premiere

The Evening Hour / U.S.A. Dir: Braden King

Cole Freeman maintains an uneasy equilibrium in his rural Appalachian town, looking after the old and infirm while selling their excess painkillers to local addicts. But when an old friend returns with plans that upend the fragile balance and identity he’s so painstakingly crafted, Cole is forced to take action. Cast: Philip Ettinger, Stacy Martin, Cosmo Jarvis, Michael Trotter, Kerry Bishé, Lili Taylor. World Premiere

Farewell Amor / U.S.A. (Dir/writer: Ekwa Msangi

Reunited after a 17 year separation, Walter, an Angolan immigrant, is joined in the U.S. by his wife and teenage daughter. Now absolute strangers sharing a one-bedroom apartment, they discover a shared love of dance that may help overcome the emotional distance between them. Cast: Ntare Guma Mbaho Mwine, Zainab Jah, Jayme Lawson, Joie Lee, Marcus Scribner, Nana Mensah. World Premiere

Minari / U.S.A. (Dir/writer: Lee Isaac Chung

David, a 7-year-old Korean-American boy, gets his life turned upside down when his father decides to move their family to rural Arkansas and start a farm in the mid-1980s, in this charming and unexpected take on the American Dream. Cast: Steven Yeun, Han Yeri, Youn Yuh Jung, Will Patton, Alan Kim, Noel Kate Cho. World Premiere

Miss Juneteenth / U.S.A. (Dir/Writer: Channing Godfrey Peoples

Turquoise, a former beauty queen turned hardworking single mother, prepares her rebellious teenage daughter for the “Miss Juneteenth” pageant, hoping to keep her from repeating the same mistakes in life that she did. Cast: Nicole Beharie, Kendrick Sampson, Alexis Chikaeze, Lori Hayes, Marcus Maudlin. World Premiere

Never Rarely Sometimes Always / U.S.A. (Dir/Wri: Eliza Hittman

An intimate portrayal of two teenage girls in rural Pennsylvania. Faced with an unintended pregnancy and a lack of local support, Autumn and her cousin Skylar embark on a brave, fraught journey across state lines to New York City. Cast: Sidney Flanigan, Talia Ryder, Théodore Pellerin, Ryan Eggold, Sharon Van Etten. World Premiere

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Nine Days / U.S.A. (Dir/Writer: Edson Oda,

In a house distant from the reality we know, a reclusive man interviews prospective candidates—personifications of human souls—for the privilege that he once had: to be born. Cast: Winston Duke, Zazie Beetz, Benedict Wong, Bill Skarsgård, Tony Hale, David Rysdahl. World Premiere.

Palm Springs / U.S.A. Dir: Max Barbakow

When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated the next morning when they find themselves unable to escape the venue, themselves, or each other. Cast: Andy Samberg, Cristin Milioti, J.K. Simmons, Meredith Hagner, Camila Mendes, Peter Gallagher. World Premiere

Save Yourselves! / U.S.A. Dir/Wri: Alex Huston Fischer, Eleanor Wilson

A young Brooklyn couple head upstate to disconnect from their phones and reconnect with themselves. Cut off from their devices, they miss the news that the planet is under attack. Cast: Sunita Mani, John Reynolds, Ben Sinclair, Johanna Day, John Early, Gary Richardson. World Premiere

Shirley / U.S.A. Dir: Josephine Decker

A young couple moves in with the famed author, Shirley Jackson, and her Bennington College professor husband, Stanley Hyman, in the hope of starting a new life but instead find themselves fodder for a psycho-drama that inspires Shirley’s next novel. Cast: Elisabeth Moss, Michael Stuhlbarg, Odessa Young, Logan Lerman. World Premiere

Sylvie’s Love / U.S.A. (Dir/Wri: Eugene Ashe

Years after their summer romance comes to an end, an aspiring television producer and a talented musician cross paths, only to find their feelings for each other never changed. With their careers taking them in different directions, they must choose what matters most. Cast: Tessa Thompson, Nnamdi Asomugha, Eva Longoria, Aja Naomi King, Wendi Mclendon-Covey, Jemima Kirke. World Premiere

Wander Darkly / U.S.A. (Dir/Wri: Tara Miele

New parents Adrienne and Matteo are forced to reckon with trauma amidst their troubled relationship. They must revisit the memories of their past and unravel haunting truths in order to face their uncertain future. Cast: Sienna Miller, Diego Luna, Beth Grant, Aimee Carrero, Tory Kittles, Vanessa Bayer. World Premiere

Zola / U.S.A. (Dir/Wri: Janicza Bravo, Jeremy O. Harris

@zolarmoon tweets “wanna hear a story about why me & this bitch here fell out???????? It’s kind of long but full of suspense.” Two girls bond over their “hoeism” and become fast friends. What’s supposed to be a trip from Detroit to Florida turns into a weekend from hell. Cast: Taylour Paige, Riley Keough, Nicholas Braun, Colman Domingo. World Premiere

U.S. DOCUMENTARY COMPETITION

Sixteen world-premiere American documentaries that illuminate the ideas, people and events that shape the present day. Films that have premiered in this category in recent years include APOLLO 11, Knock Down The House, One Child Nation, American Factory, Three Identical Strangers and On Her Shoulders. 45% of the directors in this year’s U.S. Documentary Competition are women; 23% are people of color; 23% are LGBTQ+.

A Thousand Cuts / U.S.A., Philippines Dir/Wri:Ramona S Diaz

Nowhere is the worldwide erosion of democracy, fueled by social media disinformation campaigns, more starkly evident than in the authoritarian regime of Philippine President Rodrigo Duterte. Journalist Maria Ressa places the tools of the free press—and her freedom—on the line in defense of truth and democracy. World Premiere

Be Water / U.S.A., UK  Director: Bao Nguyen

In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival, interviews with loved ones and Bruce’s own writings. World Premiere

Bloody Nose, Empty Pockets / U.S.A. Dir: Bill Ross, Turner Ross

In the shadows of the bright lights of Las Vegas, it’s last call for a beloved dive bar known as the Roaring 20s. A document of real people, in an unreal situation, facing an uncertain future: America at the end of 2016. World Premiere

Boys State / U.S.A. Dirs Jesse Moss, Amanda McBaine,

In an unusual experiment, a thousand 17-year-old boys from Texas join together to build a representative government from the ground up. World Premiere

Code for Bias / US/UK/China Dir/Wri Shalini Kantayya

Exploring the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all. World Premiere

The Cost of Silence / US  Dir: Mark Manning

An industry insider exposes the devastating consequences of the Deepwater Horizon oil spill and uncovers systemic corruption between government and industry to silence the victims of a growing public health disaster. Stakes could not be higher as the Trump administration races to open the entire U.S. coastline to offshore drilling. World Premiere

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Crip Camp / U.S.A. (Dir: Nicole Newnham, Jim LeBrecht,

Down the road from Woodstock in the early 1970s, a revolution blossomed in a ramshackle summer camp for disabled teenagers, transforming their young lives and igniting a landmark movement. World Premiere. DAY ONE

Dick Johnson Is Dead / US. Dir: Kirsten Johnson

With this inventive portrait, a cameraperson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all. World Premiere

Feels Good Man / US. Dir: Arthur Jones

When indie comic character Pepe the Frog becomes an unwitting icon of hate, his creator, artist Matt Furie, fights to bring Pepe back from the darkness and navigate America’s cultural divide. World Premiere

The Fight / US. | Dirs: Elyse Steinberg, Josh Kriegman, Eli Despres

Inside the ACLU, a team of scrappy lawyers battle Trump’s historic assault on civil liberties. World Premiere

Mucho Mucho Amor / US. Dirs: Cristina Costantini, Kareem Tabsch

Once the world’s most famous astrologer, Walter Mercado seeks to resurrect a forgotten legacy. Raised in the sugar cane fields of Puerto Rico, Walter grew up to become a gender non-conforming, cape-wearing psychic whose televised horoscopes reached 120 million viewers a day for decades before he mysteriously disappeared. World Premiere

Spaceship Earth / U.S.A. Director: Matt Wolf

In 1991 a group of countercultural visionaries built an enormous replica of earth’s ecosystem called Biosphere 2. When eight “biospherians” lived sealed inside, they faced ecological calamities and cult accusations. Their epic adventure is a cautionary tale but also a testament to the power of small groups reimagining the world. World Premiere

Time / U.S.A. (Director: Garrett Bradley

Fox Rich, indomitable matriarch and modern-day abolitionist, strives to keep her family together while fighting for the release of her incarcerated husband. An intimate, epic, and unconventional love story, filmed over two decades. World Premiere

Us Kids / U.S.A. (Dir: Kim A. Snyder

Determined to turn unfathomable tragedy into action, the teenage survivors of Parkland, Florida catalyze a powerful, unprecedented youth movement that spreads with lightning speed across the country, as a generation of mobilized youth take back democracy in this powerful coming-of-age story. World Premiere

Welcome to Chechnya / U.S.A. (Dir: David France

This searing investigative work shadows a group of activists risking unimaginable peril to confront the ongoing anti-LGBTQ pogrom raging in the repressive and closed Russian republic. Unfettered access and a remarkable approach to protecting anonymity exposes this under-reported atrocity–and an extraordinary group of people confronting evil. World Premiere

Whirlybird / U.S.A. Dir: Matt Yoka

Soaring above the chaotic spectacle of ‘80s and ‘90s Los Angeles, a young couple revolutionized breaking news with their brazen helicopter reporting. Culled from this news duo’s sprawling video archive is a poignant L.A. story of a family in turbulence hovering over a city unhinged. World Premiere

WORLD CINEMA DRAMATIC COMPETITION

Twelve films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include The Souvenir, The Guilty, Monos, Yardie, The Nile Hilton Incident and Second Mother.

Charter / Sweden (Dir/Wri: Amanda Kernell |

After a recent and difficult divorce, Alice hasn’t seen her children in two months as she awaits a custody verdict. When her son calls her in the middle of the night, Alice takes action, abducting the children on an illicit charter trip to the Canary Islands. Cast: Ane Dahl Torp, Troy Lundkvist, Tintin Poggats Sarri, Sverrir Gudnason, Eva Melander, Siw Erixon. World Premiere

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Cuties / France (Dir/Wri: Maïmouna Doucouré, Producer: Zangro)

Amy, 11 years old, meets a group of dancers called “Cuties.” Fascinated, she initiates herself to a sensual dance, hoping to join their band and escape family dysfunction… Cast: Fathia Youssouf, Médina El Aidi-Azouni, Esther Gohourou, Ilanah Cami-Goursolas, Myriam Hamma, Maïmouna Gueye. World Premiere. DAY ONE

Exil / Germany, Belgium, Kosovo (Dir/Wri: Visar Morina

A chemical engineer feeling discriminated against and bullied at work plunges into an identity crisis. Cast: Mišel Matičević, Sandra Hüller. World Premiere

High Tide / Argentina (Dir/Wri: Verónica Chen,

Laura is spending a few days at her beach house to supervise the construction of a barbecue shed. One afternoon, she seduces the chief builder, who never returns. Over the following days, the builders continually invade her home – until Laura grows ferocious. Cast: Gloria Carrá, Jorge Sesán, Cristian Salguero, Mariana Chaud, Camila Fabbri, Héctor Bordoni. World Premiere

Jumbo / France, Luxembourg, Belgium (Dir/Wri: Zoé Wittock,

Jeanne, a shy young woman, works in an amusement park. Fascinated with carousels, she still lives at home with her mother. That’s when Jeanne meets Jumbo, the park’s new flagship attraction… Cast: Noémie Merlant, Emmanuelle Bercot, Sam Louwyck. World Premiere

Luxor / Egypt, United Kingdom Dir/Wri Zeina Durra,

When British aid worker Hana returns to the ancient city of Luxor, she comes across Sultan, a talented archeologist and former lover. As she wanders, haunted by the familiar place, she struggles to reconcile the choices of the past with the uncertainty of the present. Cast: Andrea Riseborough, Karim Saleh, Michael Landes, Sherine Reda, Salima Ikram, Shahira Fahmy. World Premiere

Possessor / Canada, United Kingdom Dir/Wri: Brandon Cronenberg,

Vos is a corporate agent who uses brain-implant technology to inhabit other people’s bodies, driving them to commit assassinations for the benefit of the company. When something goes wrong on a routine job, she finds herself trapped inside a man whose identity threatens to obliterate her own. Cast: Andrea Riseborough, Christopher Abbott, Rossif Sutherland, Tuppence Middleton, Sean Bean, Jennifer Jason Leigh. World Premiere

Identifying Features (Sin Señas Particulares) / Mexico, Spain (Director: Fernanda Valadez,

Magdalena makes a journey to find her son, gone missing on his way to the Mexican border with the US. Her odyssey takes her to meet Miguel, a man recently deported from the U.S. They travel together, Magdalena looking for her son, and Miguel hoping to see his mother again. Cast: Mercedes Hernández, David Illescas, Juan Jesús Varela, Ana Laura Rodríguez, Laura Elena Ibarra, Xicoténcatl Ulloa. World Premiere

Summer White (Blanco de Verano) / Mexico (Dir/Wri: Rodrigo Ruiz Patterson,

Rodrigo is a solitary teenager, a king in the private world he shares with his mother. Things change when she takes her new boyfriend home to live. He must decide if he fights for his throne and crushes the happiness of the person he loves the most. Cast: Adrián Rossi, Sophie Alexander-Katz, Fabián Corres. World Premiere

Surge / United Kingdom (Director: Aneil Karia

A man goes on a bold and reckless journey of self-liberation through London. After he robs a bank he releases a wilder version of himself, ultimately experiencing what it feels like to be alive. Cast: Ben Whishaw, Ellie Haddington, Ian Gelder, Jasmine Jobson. World Premiere

This Is Not A Burial, It’s A Resurrection / Lesotho, South Africa, Italy (Dir/Wri Lemohang Jeremiah Mosese

When her village is threatened with forced resettlement due to reservoir construction, an 80-year-old widow finds a new will to live and ignites the spirit of resilience within her community. In the final dramatic moments of her life, Mantoa’s legend is forged and made eternal. Cast: Mary Twala Mhlongo, Jerry Mofokeng Wa Makheta, Makhoala Ndebele, Tseko Monaheng, Siphiwe Nzima. International Premiere

Yalda, a Night for Forgiveness / Iran, France, Germany, Switzerland, Luxembourg (Dir/Wri: Massoud Bakhshi,

Maryam accidentally killed her husband Nasser and is sentenced to death. The only person who can save her is Mona, Nasser’s daughter. All Mona has to do is appear on a TV show and forgive Maryam. But forgiveness proves difficult when they are forced to relive the past. Cast: Sadaf Asgari, Behnaz Jafari, Babak Karimi, Fereshteh Sadr Orafaee, Forough Ghajebeglou, Fereshteh Hosseini. International Premiere

WORLD CINEMA DOCUMENTARY COMPETITION

Twelve documentaries by some of the most courageous and extraordinary international filmmakers working today. Films that have premiered in this category in recent years include Honeyland, Sea of Shadows, Shirkers, This is Home, Last Men in Aleppo and Hooligan Sparrow.

Acasa, My Home / Romania, Germany, Finland (Director: Radu Ciorniciuc, Screenwriters: Lina Vdovii, Radu Ciorniciuc, Producer: Monica Lazurean-Gorgan

In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years–until they are chased out and forced to adapt to life in the big city. World Premiere

The Earth Is Blue as an Orange / Ukraine, Lithuania (Director: Iryna Tsilyk,

To cope with the daily trauma of living in a war zone, Anna and her children make a film together about their life among surreal surroundings. World Premiere

Epicentro / Austria, France, U.S.A. (Dir/writer: Hubert Sauper,

Cuba is well known as a so-called time capsule. The place where the New World was discovered has become both a romantic vision and a warning. With ongoing global cultural and financial upheavals, large parts of the world could face a similar kind of existence. World Premiere

Influence / South Africa, Canada (Directors and Screenwriters: Diana Neille, Richard Poplak,

Charting the recent advancements in weaponized communication by investigating the rise and fall of the world’s most notorious public relations and reputation management firm: the British multinational Bell Pottinger. World Premiere

Into the Deep / Denmark (Dir: Emma Sullivan

In 2016, a young Australian filmmaker began documenting amateur inventor Peter Madsen. One year in, Madsen brutally murdered Kim Wall aboard his homemade submarine. An unprecedented revelation of a killer and the journey his young helpers take as they reckon with their own complicity and prepare to testify. World Premiere

The Mole Agent / Chile, U.S.A., Germany, The Netherlands, Spain (Dir and screenwriter: Maite Alberdi

When a family becomes concerned about their mother’s well-being in a retirement home, private investigator Romulo hires Sergio, an 83 year-old man who becomes a new resident–and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents. World Premiere

Once Upon A Time in Venezuela / Venezuela, United Kingdom, Brazil, Austria (DirWri: Anabel Rodríguez Ríos,

Once upon a time, the Venezuelan village of Congo Mirador was prosperous, alive with fisherman and poets. Now it is decaying and disintegrating–a small but prophetic reflection of Venezuela itself. World Premiere

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The Painter and the Thief / Norway Director: Benjamin Ree

An artist befriends the drug addict and thief who stole her paintings. She becomes his closest ally when he is severely hurt in a car crash and needs full time care, even if her paintings are not found. But then the tables turn. World Premiere. DAY ONE

The Reason I Jump / United Kingdom Dir: Jerry Rothwell

Based on the book by Naoki Higashida this immersive film explores the experiences of nonspeaking autistic people around the world. World Premiere

Saudi Runaway / Switzerland (Dir/Wri: Susanne Regina Meures, Producer: Christian Frei) — Muna, a young, fearless woman from Saudi Arabia, is tired of being controlled by the state and patronised by her family. With an arranged marriage imminent, a life without rights and free will seems inevitable. Amjad decides to escape. An unprecedented view inside the world’s most repressive patriarchy. World Premiere

Softie / Kenya (Director and screenwriter: Sam Soko, Producers: Toni Kamau, Sam Soko) — Boniface Mwangi is daring and audacious, and recognized as Kenya’s most provocative photojournalist. But as a father of three young children, these qualities create tremendous turmoil between him and his wife Njeri. When he wants to run for political office, he is forced to choose: country or family? World Premiere

The Truffle Hunters / Italy, U.S.A., Greece (Dirs: Michael Dweck, Gregory Kershaw

In the secret forests of Northern Italy, a dwindling group of joyful old men and their faithful dogs search for the world’s most expensive ingredient, the white Alba truffle. Their stories form a real-life fairy tale that celebrates human passion in a fragile land that seems forgotten in time. World Premiere

SUNDANCE FILM FESTIVAL | 23 JANUARY – 2 FEBRUARY 2020

Robert Redford | Conversations with | Marrakech Film Festival 2019

Sometimes I ask myself what’s missing. What’s missing now is the dreams and enjoyment of my childhood, the sense of wonder”

When Robert Redford was growing up in small-town California it was wartime and there was no television back then, only radio. “The first movie I saw was a Walt Disney. The dream was to be able to walk to a neighbourhood theatre to see it on the big screen – I could hardly wait for the weekend. What I miss with all these screening services and advanced technology is the time when you would walk into that cinema, into the darkness with all the energy of all these people around you, and the magic was seeing things on the big screen”.

Talking during the ‘Marrakech Conversations with’ series at this year’s 18th edition, Redford looks frail but contemplative as he casts his mind back to his first cinema memories.  “The idea of being an actor was the sense of freedom, the freedom to act someone else. And if you were paying attention you would notice certain types of people. And you could embody these people and bring that forward as an art form. And acting is very much an art form”.

During his fifty years in the business, Redford has always tried to look forward, only looking back if it helped in the story telling. One of his favourite authors is Scott Fitzgerald and he had the pleasure in 1974 to be a part of that story with his film version of The Great Gatsby where he plays the Jay Gatsby in love with Mia Farrow’s Daisy. There’s a great line where Nick Carraway notices Gatsby’s great love of the past, when he’s discussing with Daisy after the big party. And she says: “Gatsby you can’t repeat the past. And Gatsby answers: “of course you can”.

Redford was a voracious reader as a young man. The writers that influenced him were Scott Fitzgerald and Hemingway – ‘when he wasn’t being too macho’ – and J D Salinger. Many of the films he went on to direct look at the past of America. But he says: “When I think about my country, it’s hard not to be critical because during the war when I was about five years old, I remember the energy, when everyone was getting together for the greater good (to fight Fascism in Nazi Germany). We all came together in unison, in an act that would bind us together in something that was going to be good for our country. I didn’t really understand what that was, but it just felt good. That was my memory of the Second World War, that and the memory of going to the movie theatre, particularly if it was something by Walt Disney”. We are now in dark times and I think it’s pretty obvious to anyone reading the news that there’s a dark wind blowing through all the countries. And in America I see so many of our liberties threatened”.

The most important piece of advice he can give to young actors nowadays is to ‘pay attention’. ” You often hear the phrase: ‘God is in the details’, if that’s true then I myself should also be paying more attention. And so when I’m walking in my place in Santa Fe, New Mexico, I’m often so busy thinking ahead, that I don’t notice what is actually in front of me. And so I’d think the best advice it to see what you’ve actually got in front of you”.

Redford finds it sad when a lot of good directors don’t get attention. “Some directors work is very one-dimensional, it’s good but it’s always the same group of people, the same themes” One director who he feels was very side-lined was George Ray Hill. “he was all over the map, if you look at his biography, and I’m sad not many people have, he rises up to the top. If you think about Butch Cassidy, and you look at The Sting, he’s never really got much credit. It makes me kinda sad.”

When he was getting ready to make Butch Cassidy Redford had just come out of a comedy on the stage in New York. He was about 28 0r 29 and Paul Newman was the confirmed star of the film, all set to play The Sundance Kid, and Redford Butch Cassidy in account of his previous comedy role. But the part that interested him was actually The Sundance Kid. So he explained this to Ray Hill when they met in a bar in New York’s Third Avenue. He wanted to play the Kid based on his own experience and his sensibility of feeling like an outlaw for most of his life. Ray Hill knew Paul Newman very well, and he knew he was much more like Butch Cassidy – he was an upbeat guy. George Ray Hill appreciated the situation and turned it all around. Newman and Redford became close friends. At the time Paul Newman was highly considered, he was 42 whereas Redford was only 29. The studio didn’t really want Redford in the film and Ray Hill did. So finally Newman decided to support Redford and as a result he was always grateful to him. “Paul was always a cool guy, chewing gum and smoking cigarettes and he suited the part of Butch Cassidy, but what many critics missed was that in our following film The Sting the roles were completely reversed. In Butch Cassidy I played the cool guy, and he played the happy go lucky guy. In The Sting he was the cool guy and I was the happy go lucky guy. No one’s picked that up.”

When asked what he thought about Sydney Pollack’s maxim that “everything is political, even love” Redford raises a laugh. “Well you’ll have to ask Sydney about that, but you can’t because he’s dead”. Redford enjoyed a close friendship with Sydney Pollack. The two developed a mutual trust because they had both been actors, although Pollack worked best when he was in control. The relationship drifted apart when “Pollack realised he could not just be a director, he could be a mogul in control of a studio, and he started to drift out of that zone, and I don’t think he was entirely happy but it had a lot to do with growing up in a Mid Western town and from under-privilege. He was aiming very high and I think he saw his way forward as being in control of everything”.

In Sydney Pollack’s political thriller Three Days of the Condor (1975) Redford plays a CIA character who is trying and get to the truth when he finds all his co-workers dead on returning to his office. His character Turner asks: “Who can we trust to get to the truth? There’s a story to telling the truth. But is it a true story?. I’m not so sure”. Nowadays it’s getting more difficult to get the truth everywhere in the world”. You have to trust your faith and your instincts. But you don’t really know. Who can you really trust?. Three Days ends with a question, rather than an answer. And that’s very relevant still today. Originally adapted from James Grady’s book Six Days of the Condor, when asked why the film had been renamed Three Days of the Condor he replies: “it was about budget”. Also cutting down the time frame, tightened the tension.

In The Company You Keep (2012) trust and the search for the truth are also central themes. The bottom line here is again: “Who can you really trust to give you the truth. Someone isn’t telling the truth and you have to find out who and why?

Redford claims to be very focused on being socially conscious. And by this he means being aware of what’s going on on the political front. He very much believes in questioning the truth and firmly relies on good journalism to do so – The New York Times is a trusted source – as a way of providing a counterbalance to politicians and leaders who are often spinning their own story. Being socially aware for him is all about questioning the truth and what’s out there. In The Company he plays a character who firmly questions the truth and is prepared to be flexible in that goal, whereas his co-star Julie Christie plays a radical who actually hides from the truth hoping it will change. Their feisty dynamic provides the dramatic grist a story about investigative journalism set during the 1970s.

So what does freedom mean to Robert Redford? When scoping it out he comes up with the counterintuitive position that freedom often fails to offer a better alternative. “if you take the position that you have to get away from anything you’re given, you might be losing something really valuable”. There’s a great deal of dramatic potential to be mined from seeking the truth. And this premise has driven many of his films as a director.

In Lions for Lambs (2007) Redford explores the aftermath of Afghanistan through three stories involving those affected. One is an angry young student played by Andrew Garfield. “Are young people more self-centred and less engaged politically than the older generation were in their day? Redford ponders: “Many of them are angry. But if you assume – as Andy Garfield’s character did that being sceptical or convinced that everything is corrupt is a very one note position, but it doesn’t actually make it the truth. The truth is actually more complicated than that: Being radical is actually being very narrow-minded. Life is not just one dimension”. And the tension between Garfield’s narrow-minded character and the professor mines that dramatic tension through the movie.”

Although Redford describes himself as being more political during the Vietnam war years, he then became more self-absorbed when he got back to his acting career. But the art form of directing makes a worthy subject of politics and he started to re-engage when he started making films. “Art in a broad sense is a useful way to criticise society and maintain a balance between the power base. Art provides another point of view to correct extremes and pioneer a way forward for the truth”.

When Redford saw a documentary made by D A Pennebaker, known for his cinema verite approach to filmmaking, this inspired him in directing his own films. “They went inside their subject matter with the camera, rather than simply observing it from the outside, bringing some real dramatic tension to the form”. And so this was the approach Redford adopted when he started filming. When asked if he finds it easier to direct or act, Redford claims it all comes down to control. Also working as an artist sketching people he met on his travels in Europe helped tremendously to shape his filmmaking projects. “At that time there was a great deal of anger towards America and so I ceased to engage with people and used my sketchbook as a companion and to storyboard ideas and ‘get in the picture. being on the outside looking in and also on the inside”.

Robert Redford has now started to move back into sketching and drawing and away from filmmaking, but makes an acute observation on his change of direction:. “The trouble with retiring is that you should never announce it, otherwise people start saying – Oh could you just do this, or could you just do that – you should just retire”. However he is still working on a project which was has been in development for a few years. “It’s called 109 East Palace ” and it’s about an address in New Mexico where the atomic bomb was developed, and Oppenheimer was behind it. So I thought it was just such a great story, about the inventor of the atomic bomb. But because he was a Communist and this was the McCarthy era during the 1950s, everything was very extreme and right wing. Although Oppenheimer was a hero,  they (the authorities) went after him. What interests me is how quickly things can change because of the political climate”. He’s still deciding how he wants to approach the endeavour. “I believe in risk, and I believe that not taking a risk is a risk. It’s the only thing that pushes you forward. Because you don’t know where that going to lead you. Otherwise you will become stagnant. But it’s important to study the reasons why you want to pursue the risky strategy”. He also enjoys a challenge playing a character who is not popular and whose point of view is isolated from the mainstream “because it involves really committing to the role, and seeing it forward successfully. If you are going to play a part, you really have to inhabit that character, and it’s a risk because you can get lost.”

Robert Redford has never considered himself a Hollywood actor. “I grew up in Los Angeles, I didn’t grow up in Hollywood and I’ve never had that much regard for Hollywood. I wanted to be a serious actor and that started in New York in the theatre and I wanted to see where that led, and it led me back to Los Angeles as a filmmaker”.

When he decided to set up Sundance his goal was very simple: “Celebrating people who don’t get celebrated. Celebrating people who are either being ignored or undiscovered. Who deserve to be discovered. When I started Sundance back in the 1980s there were hundreds of independent films but they had no traction, there was no real category. It was still just mainstream films. Because I was in the mainstream I was very tuned into the idea of being independent. I was in the studio system but there was a whole world out there and I wanted to give it a chance. I wanted to support independent film with this non-profit institute called Sundance to support the stories and talent out there. ”

Robert Redford CONVERSATIONS WITH | MARRAKECH FILM FESTIVAL 2019 

 

 

 

 

 

 

 

 

 

 

Shooting the Mafia (2019) ***

Director: Kim Longinotto | With: Letizia Battaglia, Maria Chiara Di Trepani, Santi Caleca, Eduardo Rebulla, Franco Zecchin, Roberto Timperi | UK, 94′

Kim Longinotto chronicles the work of the very much alive photojournalist Letizia Battaglia in this moving but rather hagiographic affair. 

A Sicilian to the core, Battaglia has a visceral connection with Palermo where the Mafia was particularly active during the 1970s and ’80s. Her keen eye for a poignant picture captures everyday life in the impoverished capital. But she is best known for her photos of the Mafia’s brutality and, crucially, the affect it had on the victims concerned. Shocking snapshots reveal dead women and children bathed in their own blood; the startling aftermath of a street shooting, the victim’s wife tortured in agony at the scene of the crime. The documentary particularly highlights those fighting for justice, retribution and an end to the reign of terror: Judge Giovanni Falcone and his successor Paolo Borsellino who both lost their lives.

English documentarian Kim Longinotto won the World Cinema Directing Award at Sundance 2015 for Dreamcatcher her illuminating film on prostitution in Chicago. Clearly she is impressed with Battaglia, now 83,  who comes across as confident, hard-bitten and down to earth. Pink-haired and smoking her way through her story Shooting the Mafia is enlivened by TV footage, archival material and her own photographs. The film culminates with the important Mafia trial in 1986. The judge Giovanni Falcone was blown to bits in 1992. She talks of his fearless honesty and dedication. In some ways he is the hero of the piece.

Battaglia’s early life took place behind closed doors, her highly protective father shielding her jealously from the gaze of his friends and associates. This was quite normal back then. And so was an incident where a man exposed himself to her, leaving her bewildered and bemused. She married at 16 to the first man who asked, and had two daughters. Her story is interwoven with clips from Italian films the ’50s starring a blond Silvana Magnano, adding an upbeat vibe to an otherwise depressing tale of poverty, corruption and violence. Divorced in 1971, Battaglia fell into journalism, preferring to take photos rather than write for the liberal newspaper L’Ora. Her job was her life and she gradually worked her way through a series of impressionable – often much younger – lovers attracted by her earthy nonchalance and solid sense of self.  Two men, in particular, take part as her long term partners, both of them photographers who worked alongside her. And these men seem to feature more heavily in her world than her family: “I could talk about it but I don’t want to,”

There’s an impression that photography was a given rather than an ambition, almost as a default position due to her being employed by the paper. Mafia violence was an everyday occurrence in Palermo and someone had to go and record it for the paper. Although competently captured, there’s no evidence of any aesthetic behind the pictures. Indeed, she soon drifted from journalism and into politics as a Green Party local councillor, which is where she came across Giovanni Falcone. She felt too connected to the killing to take photos after his death, but this is the only time she discusses the equivocal nature of the photographer’s role. Her only relevant comment is personal: “When I look at my photos, I just see blood, blood, blood.”

The sensationalist nature of the subject matter is clearly the compulsion here. We experience a certain detachment to the photos of Mafia killings, and this is due in part to our familiarity with a theme that is so much a part of cinema history, with films like Goodfellas, The Godfather and Once Upon a Time in America. The most affecting segments of the film are those featuring the real victims and particularly the clip where the wife of one of Falcone’s bodyguards breaks down during the funeral. That said, this is a surface affair that often lets the peripheral life of its protagonist dominate the important nature of her work. MT

BERLINALE FILM FESTIVAL 2019 | PANORAMA

 

 

 

The Farewell (2019) ***

Dir: Lulu Wang | Comedy Drama | 98′

Korean Chinese actress Awkwafina is best known for the standout comedy Crazy Rich Asians (2018). She gets another chance to flex her undeniable talents in this slim but enjoyable farce that explores the theory of “mind over matter” with a rather satisfying takeaway.

She plays Billi, an easygoing Chinese woman who originally moved to New York as a child and returns home for a family wedding, and to say goodbye to her beloved grandmother Nai Nai who has been diagnosed with terminal lung cancer. Well, her granny’s unaware of her imminent demise, the family have decided to keep shtum: they simply haven’t the heart to tell her. And strangely, Nai Nai never cottons on to why they all seem so miserable, instead of relieved at her clean bill of health, after the scan.

Despite its cultural specificity, this is a convincing family tale like any other, and Wang spices her drama with plenty of light-hearted humour, tinged with understandable melancholy. Each family member expresses their sadness in different ways and degrees, and Wang keeps sentimentality at bay instead opting for something more nuanced and appealing. Awkwafina’s Billi is a triumph of independence and vulnerability and her dying grandmother (Shuzhen Zhao) manages to be calm and philosophical. The lightweight narrative builds towards in a satisfying conclusion, offering plenty of food for thought in the final reveal. MT

NOWON GENERAL RELEASE FROM FRIDAY 20 SEPTEMBER

Honeyland (2019) ****

Dir: Tamara Kotevska/Ljubomir Stefanov | Doc/drama, 87′

Bees are one of the most vital elements in our delicate ecosystem. But rather than tell another preachy tale about disappearing ways of life, these two Macedonian filmmakers have spent three years making their revealing debut documentary exploring the art of wild beekeeping and a Turkish woman who is keeping the tradition alive against all odds in a remote corner of the Balkans.

In her mid fifties and caring for an half-blind bed-ridden mother, Hatidze is a cheerful and enterprising soul. She struggles on alone in this inhospitable terrain sharing her life with a menage of dogs and cats, and the vituperative insects who provide her with a living, her father having put paid to any chance of a husband or children. It’s a story that will ring true with those still working hard and looking after ageing parents as they approach the lonely coalface of their own mortality.

“Half for you, half for me” she says generously, sharing the honeycomb with the bees to assure their continued survival. and often climbing to hazardous rock-faces to locate and nurture the crucial queen bee that brings the swarm with her. After nurturing the swarm and culling the precious nectar, Hatidze then makes a perilous journey on foot to Skopje  where she barters with local market holders to sell the honey for as little as 10 euros a kilo.

 Honeyland is a remarkable  vérité study of loneliness and endangered tradition. As Hatidze soldiers on in harmony with nature but without power or mod cons, a jet plane soaring into the blue is the only reminder of the 21st century.  Bee-keeping is not just a quaint outdated pastime but vital to our survival and the pollination of plant life that feeds the world.  Hatidze is said to be the only woman in Europe still carrying on the practice in the traditional way.

Neighbours are often an intrusive nuisance – and particularly here when a large group of rowdy herders arrive to graze on the land with their cattle and noisy kids. Hatidze does her best to get on with them but their own swarm of bees poisons the ones she has carefully cultivated; the chief herder is only interested in instant results and it clear to see the filmmakers’ analogy with mass globalisation,

Fejmi Daut and Samir Ljuma capture this extraordinary place with its rocky terrain, sweltering summers and snow-swept winters when the wolves howl all night. Hatidze is at one with nature a harsh but rewarding life which she accepts with grace and fortitude    as she walks out alone into the wilderness – both metaphorically and physically – determined to continue alone and at peace with her dog and her bees. MT

NOW ON RELEASE FROM FRIDAY 13 SEPTEMBER 2019

 

 

Photograph (2019)


Dir:Wri: Ritesh Batra | India, 110′

See Mumbai and slowly fall in love. Seems like a dream but it’s a dream come true in Ritesh Batra’s latest drama that sees two worlds collide and then gradually come together. The Mumbai-born director is back with a slowburn snapshot of this ancient city making its way into the modern world and beyond.

Here a photograph taken one summer afternoon in the Gateway to India forms a tenuous link that will unite two people across the barrier of religion, class, and culture as poignant impossibilities gradually becoming certainties due to education and entrepreneurial spark. 

Street photographer Rafi (Nawazuddin Siddiqui) gets by snapping tourists. He has a simple sales pitch: but one that’s captured the imagination of his punters and will one day serve him well. Or at least that’s what’s we’re led to believe in this leisurely look at contemporary India, and the power of possibility that had motivated the nation into the fast lane. But the detailed world around Rafi is what makes this languid romantic comedy so richly enjoyable.

Miloni (Sanya Malhotra) is a timid intelligent student training to be a chartered accountant. One day she comes across Rafi and has her photo taking in a chance meeting that provides the starting point to fragrant possibilities. Rafi is silently struck not her gentle presence, but is pressurised by his social status and his grandmother to marry. Miloni agrees to pose as his potential bride when his grandmother arrives and gradually this delicate date becomes a lasting connection that sees them meeting every day while the old woman stays in Rafi’s modern accommodation he shares with a motley crew of unmarried men.   

The films glows on the widescreen where DoP Ben Kutchins captures the chaotic cacophony and sun-dappled boulevards of Mumbai and its delightful street carts selling all kinds of cuisine and produce. Ambient sounds transport is into the centre of this action making this a tangible and highly visual, sensual travelogue

Batra gives us time – and many may say too much time – to get to know his characters; to glory in the sensuousness of it all. And this sensitivity is part of the drama’s lushness. Rafi and Miloni are quietly beautiful to look. Even her housemaid’s  jewellery russles as she pads barefoot to serve dinner and assure Miloni of her discretion when she sees the two of them waking in the square. This attention to detail makes the film pleasurable along with its languorous dramatic arc.

There are long affectionate glances but few words as the couple’s relationship takes shape. And Batra luxuriates in the rich textural influences of the characters around them: Miloni’s teacher and her parents. But most of all Rafi’s grandma whose wise words and chiding bring the film its comic moments. Batra judiciously doesn’t allow these two the power of touch until the the final scenes, and even then we’re left expectant but convinced there can be a future. But that is left to our own imagination with the tangible facts in place. And this slowly looms into perspective in the final act when we become more attuned to the directors modus operandi. 

The class distinctions are subtly alluded to through comments on skin colour. Rafi is refered as a “black raisin,” according to his grandmother, due to his street job. Other class tags are noted in the way the higher castes interweave English into their conversations. When Miloni goes to meet a potential marriage partner who immediately talks about international locations for setting up home. Miloni – not keen on him at all – hints at her desire to ‘live in a village and farm before taking a nap in the afternoon’.

The desire for a concrete culimination to their union has left some unsatisfied with the film. But that is the very nature of the piece and why Batra doesn’t need to spell it out for us. The ending is fully formed by what has gone before in subtle gestures and intimations. It is what it is. A mature and ravishingly rewarding experience MT

NOW ON BFI Player |

 

Animals (2019) ****

Dir.: Sophie Hyde; Cast: Holiday Grainger, Alia Shawkat, Fra Fee, Dermont Murphy, Amy Molloy, Dermont Murphy; UK/Australia/ROI 2019, 109 min.

In her sophomore feature Australian filmmaker Sophie Hyde (52 Tuesdays) directs Emma-Jane Unsworth’ script of her own novel. It centres on two close friends Laura (Grainger) and Tyler (Shawcat) in Dublin who spend most of their time in being drunk and high on drugs. Well at least that’s the way it’s seemed for the past ten years. But now in their thirties, things are about to change.

Their story unfolds from the perspective of Laura, a struggling writer whose novel progresses a line a week – meanwhile she works as a barista in a coffee shop, to make ends meet. Her sister Jean (Molloy), once a wild child herself, announces that she has now chosen adult life and motherhood. Laura reacts with panic: suddenly casual boyfriend Jim (Fee), a very serious pianist, becomes a plausible alternative to her living the life of Riley with Tyler. But then along comes uber-pretentious author Marthy (Murphy) and Laura soon sees the error of her ways. And somehow the never fully explained cloud over Tyler’s life (some trauma in the past) becomes more important – or is it just the realisation, that their friendship is much more of a love story then they want to admit. Most features are built on the rock of a happy-ending with friendship being replaced by the great love conquering all – but Hyde raises doubts: is it really inevitable that all women should spend their life with the opposite gender just because mother nature and a concept called adulthood dictate it – or can Goethe’s Elective Affinities overcome the norm – at least sometimes?

Grainger and Shawkat carry the feature – their relationship is anything but ideal – but at least it is honest, and we are never allowed to forget it. Hyde directs with great sensibility, athough there are more than enough emotional episodes to go round. DoP Bryan Mason has a fine feel for the Dublin scene, even though the film actually takes place in Manchester. Animals is full of surprises and never resorts to the banal. It is a brave attempt at trying to align the impossible, but it manages to remain sincere: when Jim calls Laura Tyler’s wife, he is not too far off. AS

ON RELEASE FROM FRIDAY 2 AUGUST

       

The Brink (2019) ***

DIR: Alison Klayman | US Doc 98′

Alison Klayman shadows political operative Steve Bannon from the time he leaves the White House to the 2018 midterms.

Political strategist Steve Bannon (1953-) is best known for being the co-founder of Breitbart, and is also a former investment banker, educated at Georgetown and Harvard. He served in the United States Navy for seven years and then went on to exec produce 18 Hollywood films, between 1991 and 2016. Thereafter he was the White House chief strategist from January to August 2017, and founder of nonprofit organisation The Movement designed to promote economic nationalism in Europe. Eventually he was ejected from the White House after the infamous Unite the Right rally in Charlottesville.

Not as informative and intriguing as Errol Morris’ American Dharma that screened at Venice  last year, this fly on the wall affair manages at least to avoid glorification, hardly bringing anything new to the table – although Bannon clearly had his knees firmly under the metaphorical one in the Whitehouse during the early stages of the Trump administration.

Klayman’s (Ai Wei: Never Sorry) cinema vérité style treatment is the result of her following Bannon as part of his elite during the course of a year’s media tour intended to rebrand his image as the leader of a global populist movement. A strong and engaging orator (in the style of Ken Livingstone, Gladstone and Nigel Farage) he is clearly clubbable, and we see him taking his movement on the road, talking to various advisors on how best to support congressional candidates, and showing his support to European populist parties – including Farage’s – in preparation for the European Parliament elections in 2019.

In Europe there’s obviously the high birth rate among Muslims to consider (in Belgium), and these far-righters all agree that “immigration is a bad thing”. Bannon then sets off on a US tour, promoting Republican candidates such as Roy Moore, and those running in the 2018 midterms. This involves attending fundraiser dinners and rallies. A heckler interrupts him during a speech and he smirks, “Who invited my ex-wife?” Klayman intercuts all this with news clips from the Brett Kavanaugh hearing to the Tree of Life shooting. He keeps on keeping on. He also talks to journalists, who seem to have a low opinion of him. Meanwhile, his film TRUMP @WAR (the media) is released, about the President’s victory in the face of the violent left.

The Brink is another documentary about the general mayhem that exists in US politics, focusing on one extreme figure to another (Weiner and Get Me Roger Stone). Klayman avoids talking head interviews but there’s no mistaking her take on her subject matter.

Very much like Brexit for the UK, the Trump era is a thorn in America’s side. And The Brink tries to analyse how it all came about, but without much success. Basically politicians see themselves as in the game for the love of humanity, despite the majority of them being self-seeking, bottom-feeding forms of life. In Dante’s journey to Hell, Klayman is simply trying to explore some of the characters on the way. MT

NOW ON GENERAL RELEASE

 

The Last Tree (2019) *** Sundance London 2019

Dir.: Shola Amoo; Cast: Sam Adewunmi, Gbemisola Ikumelo, Denise Black, Tai Golding, Nicholas Pinnock, DemmyLadipo; UK 2019, 100 min.

Writer/director Shola Amoo explores a conflicted teenager at odds with his environment in modern Britain, with his roots in Nigeria.

We meet Femi (Tai Golding) as a happy eleven-year old in rural Lincolnshire where he runs wild with his white school friends during the day, before returning to loving foster Mum Mary (Black) in a middle class area. But Femi is suddenly uprooted when his birth mother Yinka (Ikumelo) demands his return to her tiny flat in one of many high-rise blocks in South-London. Femi is stranded: on the phone he calls Mary ‘Nan’, but refuses to admit how much he is alienated by the black ghetto, and his authoritarian Mum. She punishes him physically, telling him “I did not raise you, to be rude”. To which Femi answers “You did not raise me”.

Sixteen-year old Femi (Adewunmi) has nothing but his memories, but he makes up for it by presenting himself as a proud African. Meanwhile, many of his mates are much more assimilated, and bully him. For a short while, he fells under the spell of the local mini-gangster Mace (Ladipo), but an upright teacher helps him to free himself from the clutches of petty crime. A romantic interlude just goes to enforce his alienation. But this all changes in the third act when his mother introduces him to his birth father in Nigeria.  A wealthy Christian, he rejected Yinka and his son because she believed in the old mysticism of the country and “was not ready to submit like a Christian woman.”

The structure of the feature underlines Femi’s conflict. There is only one scene when past and present interact positively and this involves his foster mother Mary. DoP Stil Williams uses a peachy pastel palette for the Lincolnshire scenes, than switches to hyper-realism for the South London interlude, before prime colours show his re-awakening in Nigeria.

THE LAST TREE (the title remains opaque) has not the narrative strength of Sally El Hosaini’s My Brother, the Devil, but relies on emotional power. Femi is black, African and disenfranchised British, but at the same time rejected on all three levels. He is not able to connect his childhood memories with anything in his adult life, and the question remains if he will find acceptance in Nigeria, or if the fragmentation will continue. Amoo’s feature has certainly structural fault lines, but he makes up partly for it with a radical passionate approach, showing a picture of unreconciled loneliness. AS

SUNDANCE FILM FESTIVAL LONDON | 30 MAY – 2 JUNE 2019

Sundance London 2019 | 30 May – 2 June 2019

Robert Redford’s Sundance Film Festival brings a selection of films to London, screening at at PICTUREHOUSE CENTRAL from 30 MAY – 2 JUNE 2019. Here is a selection of the features and documentaries scheduled:

THE LAST TREE/ United Kingdom (Director/Screenwriter: Shola Amoo) – Femi is a British boy of Nigerian heritage who, after a happy childhood in rural Lincolnshire, moves to inner London to live with his mum. Struggling with the unfamiliar culture and values of his new environment, teenage Femi has to figure out which path to adulthood he wants to take CAST: Sam Adewunmi, Gbemisola Ikumelo, Denise Black, Tai Golding, Nicholas Pinnock 

LATE NIGHT U.S.A. (Director: Nisha Ganatra, Screenwriter: Mindy Kaling) – Legendary late-night talk show host’s world is turned upside down when she hires her only female staff writer. Originally intended to smooth over diversity concerns, her decision has unexpectedly hilarious consequences as the two women separated by culture and generation are united by their love of a biting punchline. Cast: Emma Thompson, Mindy Kaling, John Lithgow, Paul Walter Hauser, Reid Scott, Amy Ryan

THE NIGHTINGALE Australia (Director/Screenwriter: Jennifer Kent) – 1825. Clare, a young Irish convictwoman, chases a British officer through the Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of Aboriginal tracker Billy, who is marked by trauma from his own violence-filled past. Cast: Aisling Franciosi, Sam Claflin, Baykali Ganambarr, Damon Herriman, Harry Greenwood, Ewen Leslie

HAIL SATAN? U.S.A. (Director: Penny Lane) – A look at the intersection of religion and activism, tracing the rise of The Satanic Temple: only six years old and already one of the most controversial religious movements in American history. The Temple is calling for a Satanic revolution to save the nation’s soul. But are they for real? 

THE FAREWELL U.S.A., China (Director/Screenwriter: Lulu Wang) – A headstrong Chinese-American woman returns to China when her beloved grandmother is given a terminal diagnosis. Billi struggles with her family’s decision to keep grandma in the dark about her own illness as they all stage an impromptu wedding to see grandma one last time.  CAST: Awkwafina, Tzi Ma, Diana Lin, Zhao Shuzhen, Lu Hong, Jiang Yongbo

THE DEATH OF DICK LONG U.S.A. (Director: Daniel Scheinert, Screenwriter: Billy Chew) – Dick died last night, and Zeke and Earl don’t want anybody finding out how. That’s too bad though, cause news travels fast in small-town Alabama. CAST: Michael Abbott Jr., Virginia Newcomb, Andre Hyland, Sarah Baker, Jess Weixler 

CORPORATE ANIMALS U.S.A. (Director: Patrick Brice, Screenwriter: Sam Bain) – Disaster strikes when the egotistical CEO of an edible cutlery company leads her long-suffering staff on a corporate team- building trip in New Mexico. Trapped underground, this mismatched and disgruntled group must pull together to survive. CAST: Demi Moore, Ed Helms, Jessica Williams, Karan Soni

ASK DR RUTH  U.S.A. (Director: Ryan White) – A documentary portrait chronicling the incredible life of Dr. Ruth Westheimer, a Holocaust survivor who became America’s most famous sex therapist. As her 90th birthday approaches, Dr. Ruth revisits her painful past and her career at the forefront of the sexual revolution. 

THE BRINK U.S.A. (Director: Alison Klayman) – Now unconstrained by an official White House post, Steve Bannon is free to peddle influence as a perceived kingmaker with a direct line to the President. As self-appointed leader of the “populist movement,” he travels around the U.S. and the world spreading his hard-line anti-immigration message

Tickets on sale Tuesday 23 April; priority booking from Friday 19 April

Find out more at picturehouses.com/sundance

 

Minding the Gap (2018) ****

Dir: Bing Liu | Doc US, 83′

Skateboarding is the lifeblood and unifying element for a group of young guys in Bing Liu’s terrific Oscar nominated debut.

They all grew up together in Rockford, near Chicago, where Liu began filming their adventures as the boys moved into early adulthood. It seems they all had difficult backgrounds, in one way or another. But Minding the Gap skates over these in its joyful kinetic playfulness.

Bing Liu’s fluid camera keep pace with the sporty action as the boarders refuse to be diminished by their setbacks, each scene froths with energy and alacrity. And even though the stories of family dysfunction and continuing anxiety are shared there is always at positive feel to the encounters. Clearly boarding is a hobby that makes their adrenaline flow with its mix of risk, dexterity and joy de vivre. In the meantime what emerges is a rich social tapestry of contemporary working class youth in all its pain and glory.

Each story slowly emerges through the wizardry of the skateboarding sequences as Zack Mulligan and his girlfriend Nina, Keire Johnson and the Liu himself share a common experience of camaraderie and togetherness that gets them through the days and offers focus on their lives and futures.

Keire had a controlling father who is now dead. Liu’s life was dominated by a coercive bullying father who manhandled his mother and took away his confidence. Zack has just become a father with his girlfriend Nina, but they are too young and marked by their own difficult childhoods to fall into parenthood easily, and there are trust and vulnerability issues at play, which gradually become resolved in the final segment.

There is a freshness and an appealing innocence to all these encounters. And  combined with the upbeat tone of the documentary Minding the Gap makes for a satisfying and enjoyable experience. MT

ON RELEASE NATIONWIDE FROM FRIDAY 22 MARCH 2019

The Kindergarten Teacher (2018) ****

Dir.: Sara Colangelo; Cast: Maggie Gyllenhall, Parker Sewak, Gael Garcia Bernal, Daisy Tahan, Sam Jules, Michael Chernus, Ajay Naidu, Rosa Salazar; USA 2018, 96′.

Director Sara Colangelo (Little Accidents) won a Sundance directing award for this spry psychological thriller that takes constantly surprising turns.

Adapted from Nadav Lapid’s script of his French/Israeli feature of the same name (Haganenet), this is no Hollywood re-make – in fact, it was Lapid who approached the producers. By a stroke of luck, Maggie Gyllenhall (who also produced) was cast in the lead, and the result is a fascinating character study, full of ambivalence and obsessive longings.

Lisa Spinelli, having just turned forty, feels unfulfilled on many levels. Travelling to work every day on the ferry between Staten Island and Manhattan, she looks forlorn and lost in her daydreams. Husband Grant (Chernus) is a bear of man, but lazy of body and mind. Her teenage children Laine (Tahan) and Josh (Jules) are an obvious disappointment to Lisa: Laine is just interested in the latest fads, and thinks her mother’s a dinosaur. Josh is even worse, and is giving up school to join the US-Army. To counter all this, Lisa has joined a poetry group – but alas, her talents are limited, and teacher Simon (Bernal) expresses his doubts politely. Enter five-year old Jimmy (Sewak), one of Lisa’s pupils, who suddenly spouts lines of poetry, which are well beyond his tender age. Lisa is thrilled, asking Jimmy to phone her, whenever a poem is ready, and the little boy responds eagerly. And it’s not difficult to understand why: he is neglected by his divorced father Nick (Naidu) who runs a shady nightclub, and his lackadaisical  babysitter Becca (Salazar), who got the job because she gets laid by his father.

In her poetry class, Lisa passes off Jimmy’s work is her own, which leads to a quick romp with Simon (Bernal), who is suitably impressed. To get more access to Jimmy, Lisa tells Nick that Becca is often late for picking-up time, and Nick fires her, only too happy that Lisa is volunteering to look after Jimmy until he fetches him in the evening. But Nick also makes it clear he expects his son to excel in sports and business, rather than try to pursue an artistic career, like his impoverished relatives. Then everything slowly unravels towards a tense finale.

Colangelo traces Lisa’s growing obsession step by step. Creativity is her only way of escape, but it’s hard for her to realise that she is dilettante –  as Simon puts it blandly. She channels all her yearnings into Jimmy, in an effort to save both him and herself. Family and society, dominated by social media, are a great disappointment to her, and Jimmy’s father Nick, is just another materialist ignoramus. Throwing all her past life away, she has to save Jimmy from the same fate that has destroyed her. She ignores her responsibilities as a teacher (and as a human being) and becomes obsessed with Jimmy being a prodigy. Lisa, who has been so gentle and rational all her life, suddenly sees Jimmy as an embodiment of herself – and is determined that he won’t suffer the same fate as she has.

DoP Pepe Avila del Pino pictures Lisa’ descent with his subtle camerawork. The rides on the ferry are a study in melancholy, and her classroom is a real work of art, light and shadows creating a nuanced moodiness. But this is Maggie Gyllenhall’s feature: she never puts a foot wrong, going seemingly unobtrusively forward from an ideology of art as a saviour, to a a full blown psychosis. Colangelo supports her aptly, particularly with a great solution at the ending: she never denounces Lisa or the relationship between her and Jimmy, which somehow survives. Kindergarten Teacher is not perfect, but portrays a specific ambiguity which is as endearing as it is dangerous. AS

ON RELEASE NATIONWIDE from 8 MARCH 2019       

   

                                     

                       

Sundance Film Festival | Award and Winners 2019

Sundance announced its awards last night after ten extraordinary days of the latest independent cinema. Taking place each January in Park City, snowy Utah, the festival is the premier showcase for U.S. and international independent film, presenting dramatic and documentary feature-length films from emerging and established artists, innovative short films, filmmaker forums. The Festival brings together the most original storytellers known to mankind. In his closing speech President and Founder Robert Redford commented: “At this critical moment, it’s more necessary than ever to support independent voices, to watch and listen to the stories they tell.” Over half the films shown were directed by women and 23 prizes were awarded across the board including one film from a director identifying as LGBTQI+

This year’s jurors, invited in recognition of their accomplishments in the arts were Desiree Akhavan, Damien Chazelle, Dennis Lim, Phyllis Nagy, Tessa Thompson, Lucien Castaing-Taylor, Yance Ford, Rachel Grady, Jeff Orlowski, Alissa Wilkinson, Jane Campion, Charles Gillibert, Ciro Guerra, Maite Alberdi, Nico Marzano, Véréna Paravel, Young Jean Lee, Carter Smith, Sheila Vand, and Laurie Anderson.

The U.S. Grand Jury Prize: Documentary/China | Dirs: Nanfu Wang/Jialing Zhang,

 photo by Nanfu Wang.

ONE CHILD NATION After becoming a mother, a filmmaker uncovers the untold history of China’s one-child policy and the generations of parents and children forever shaped by this social experiment.

The U.S. Grand Jury Prize: Dramatic/USA | Dir/Wri Chinonye Chukwu

 

photo by Eric Branco

CLEMENCY: Years of carrying out death row executions have taken a toll on prison warden Bernadine Williams. As she prepares to execute another inmate, Bernadine must confront the psychological and emotional demons her job creates, ultimately connecting her to the man she is sanctioned to kill. Cast: Alfre Woodard, Aldis Hodge, Richard Schiff, Wendell Pierce, Richard Gunn, Danielle Brooks.

The World Cinema Grand Jury Prize: Documentary: Dirs: Tamara Kotevska, Ljubomir Stefanov | Macedonia

HONEYLAND – When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female bee hunter in Europe must save the bees and restore natural balance.

The Souvenir| photo by Agatha A. Nitecka.

The World Cinema Grand Jury Prize: Dramatic | UK | Dir/wri: Joanna Hogg

THE SOUVENIR: A shy film student begins finding her voice as an artist while navigating a turbulent courtship with a charismatic but untrustworthy man. She defies her protective mother and concerned friends as she slips deeper and deeper into an intense, emotionally fraught relationship which comes dangerously close to destroying her dreams. Cast: Honor Swinton Byrne, Tom Burke, Tilda Swinton.

The Audience Award: U.S. Documentary, | USA  Dir: Rachel Lears:

KNOCK DOWN THE HOUSE — A young bartender in the Bronx, a coal miner’s daughter in West Virginia, a grieving mother in Nevada and a registered nurse in Missouri build a movement of insurgent candidates challenging powerful incumbents in Congress. One of their races will become the most shocking political upset in recent American history. Cast: Alexandria Ocasio-Cortez.

The Audience Award: U.S. Dramatic, U.S.A. Dir/Wri: Paul Downs

BRITTANY RUNS A MARATHON — A woman living in New York takes control of her life – one city block at a time. Cast: Jillian Bell, Michaela Watkins, Utkarsh Ambudkar, Lil Rel Howery, Micah Stock, Alice Lee.

The Audience Award: World Cinema Documentary/Austria: Dir: Richard Ladkan

SEA OF SHADOWS/Austria – The vaquita, the world’s smallest whale, is near extinction as its habitat is destroyed by Mexican cartels and Chinese mafia, who harvest the swim bladder of the totoaba fish, the “cocaine of the sea.” Environmental activists, Mexican navy and undercover investigators are fighting back against this illegal multimillion-dollar business.

The Audience Award: World Cinema Dramatic/Denmark Dir: May el-Toukhy

QUEEN OF HEARTS — A woman jeopardises both her career and her family when she seduces her teenage stepson and is forced to make an irreversible decision with fatal consequences. Cast: Trine Dyrholm, Gustav Lindh, Magnus Krepper.

 

The Audience Award: NEXT, Alex Rivera, Cristina Ibarra

THE INFILTRATORS / U.S.A. (Directors: , Screenwriters: — A rag-tag group of undocumented youth – Dreamers – deliberately get detained by Border Patrol in order to infiltrate a shadowy, for-profit detention center. Cast: Maynor Alvarado, Manuel Uriza, Chelsea Rendon, Juan Gabriel Pareja, Vik Sahay.

The Directing Award: U.S. Documentary | USA Dirs: Steven Bognar and Julia

AMERICAN FACTORY  — In post-industrial Ohio, a Chinese billionaire opens a new factory in the husk of an abandoned General Motors plant, hiring two thousand blue-collar Americans. Early days of hope and optimism give way to setbacks as high-tech China clashes with working-class America.

The Directing Award: U.S. Dramatic U.S.A. Dirs: Joe Talbot, Screenwriters: Joe Talbot,

THE LAST BLACK MAN IN SAN FRANCISCO — Jimmie Fails dreams of reclaiming the Victorian home his grandfather built in the heart of San Francisco. Joined on his quest by his best friend Mont, Jimmie searches for belonging in a rapidly changing city that seems to have left them behind.

The Directing Award: World Cinema Documentary NOR | Dir: Mads Brüggerwas

 photo by Tore Vollan.

Cold Case Hammarskjöld / Denmark, Norway, Sweden, Belgium — Danish director Mads Brügger and Swedish private investigator Göran Bjorkdahl are trying to solve the mysterious death of Dag Hammarskjold. As their investigation closes in, they discover a crime far worse than killing the Secretary-General of the United Nations.

The Directing Award: World Cinema Dramatic | Spain (Dir/Wri: Lucía Garibaldi,

THE SHARKS / Uruguay, Argentina – While a rumour about the presence of sharks in a small beach town distracts residents, 15-year-old Rosina begins to feel an instinct to shorten the distance between her body and Joselo’s. Cast: Romina Bentancur, Federico Morosini, Fabián Arenillas, Valeria Lois, Antonella Aquistapache.

The Waldo Salt Screenwriting Award: U.S. Dramatic USA | Dir: Pippa Blanco

SHARE— After discovering a disturbing video from a night she doesn’t remember, sixteen-year-old Mandy must try to figure out what happened and how to navigate the escalating fallout. Cast: Rhianne Barreto, Charlie Plummer, Poorna Jagannathan, J.C. MacKenzie, Nick Galitzine, Lovie Simone.

U.S. Documentary Special Jury Award for Moral Urgency| USA | Dir: Jacqueline Olive

ALWAYS IN SEASON — When 17-year-old Lennon Lacy is found hanging from a swing set in rural North Carolina in 2014, his mother’s search for justice and reconciliation begins as the trauma of more than a century of lynching African Americans bleeds into the present.

A U.S. Documentary Special Jury Award: Emerging Filmmaker USA : Liza Mandelup

JAWLINE — The film follows 16-year-old Austyn Tester, a rising star in the live-broadcast ecosystem who built his following on wide-eyed optimism and teen girl lust, as he tries to escape a dead-end life in rural Tennessee.

A U.S. Documentary Special Jury Award for Editing USA : Todd Douglas Miller

APOLLO 11 — A purely archival reconstruction of humanity’s first trip to another world, featuring never-before-seen 70mm footage and never-before-heard audio from the mission.

U.S. Documentary Special Jury Award for Cinematography | U.S.A. Dir: Luke Lorentzen

MIDNIGHT FAMILY / Mexico/DOC — In Mexico City’s wealthiest neighbourhoods, the Ochoa family runs a private ambulance, competing with other for-profit EMTs for patients in need of urgent help. As they try to make a living in this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care.

SUNDANCE FILM FESTIVAL 2019 | 23 JANUARY – 3 FEBRUARY 2019

Sundance Film Festival | 24 January – 3 February 2019

In Park City Utah, ROBERT REDFORD and his programmer John Cooper set the indie film agenda for 2019 with an array of provocative new titles. This year’s selection has the latest documentaries from Alex Gibney and Kim Longinotto (Shootin the Mafia). There will be biopics about Harvey Weinstein, Stieg Larsson (Millennium Trilogy), designer Halston, and tragic actor Anton Yelchin. English director Joanna Hogg’s latest drama The Souvenir will compete in the World Dramatic section, and Shia LeBoeuf’s scripting debut Honey Boy will compete in the US Dramatic section.
PREMIERES 2019 | D R A M A T I C 

After The Wedding

Isabel (Michelle Williams) has dedicated her life to working with the children in an orphanage in Calcutta. Theresa (Julianne Moore)…
Dir/Writer: Bart Freundlich

Animals

Would-be writer Laura (Holliday Grainger) and her free-spirited bestie Tyler (Alia Shawkat) share a messy Dublin apartment and a hearty…
Director Sophie Hyde Writer Emma Jane Unsworth

Blinded by the Light

1987, Margaret Thatcher’s England. Javed, a 16-year-old British Pakistani boy, lives in the town of Luton. His father’s recent job…
Director Gurinder Chadha, Writer Sarfraz Manzoor, Gurinder Chadha, Paul Mayeda Berges

Extremely Wicked, Shockingly Evil and Vile

1969. Ted (Zac Efron) is crazy-handsome, smart, charismatic, affectionate. And cautious single mother Liz Koepfler (Lily Collins) ultimately cannot resist…
Director Joe Berlinger. Screenwriter Michael Werwie

I Am Mother

Shortly after humanity’s extinction, in a high-tech bunker deep beneath the earth’s surface, a robot named Mother commences her protocol….
Director Grant Sputore, Screenwriter Michael Lloyd Green

Late Night

Katherine Newbury (Emma Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being…
Director Nisha Ganatra. Screenwriter Mindy Kaling

Official Secrets

Based on the book , tells the true story of British secret-service officer Katharine Gun, who during the immediate run-up…
Director Gavin Hood, Screenwriter Sara Bernstein, Gregory Bernstein, Gavin Hood

Paddleton

An unlikely bromance between two misfit neighbors becomes an unexpectedly emotional journey when one of them is diagnosed with terminal…
Director Alex Lehmann. Screenwriter Alex Lehmann, Mark Duplass

Photograph

Rafi works as a street photographer in frenzied Mumbai, snapping improvised portraits for tourists at the city’s landmarks. When his…
Director Ritesh Batra. Screenwriter Ritesh Batra

Relive

Los Angeles detective Jack Radcliff fields a distressed phone call from his niece Ashley and rushes to the rescue—only to…
Director Jacob Estes Screenwriter Jacob Estes, Drew Daywalt

Sonja – The White Swan

Before there were the Ice Capades, there was Sonja Henie. In 1936, Henie has three Olympic gold medals and ten…
Director Anne Sewitsky. Screenwriter Mette Marit Bølstad, Andreas Markusson

The Boy Who Harnessed the Wind

Young William Kamkwamba lives with his family in rural Malawi, where he attends school regularly and shows great aptitude for…
Director Chiwetel Ejiofor Screenwriter Chiwetel Ejiofor

The Mustang

Roman Coleman (Matthias Schoenaerts) is a tightly wound convict fresh out of solitary confinement at a maximum security prison in…
Director Laure de Clermont-Tonnerre. Screenwriter Laure de Clermont-Tonnerre, Mona Fastvold, Brock Norman Brock

The Report

Senate staffer Daniel Jones is assigned the daunting task of leading an investigation into the CIA’s Detention and Interrogation Program….
Director Scott Z. Burns. Screenwriter Scott Z. Burns

The Sunlit Night

Summer is off to a terrible start for Frances (Jenny Slate). Her art project fails, her boyfriend unceremoniously kicks her…
Director David Wnendt. Screenwriter Rebecca Dinerstein

The Tomorrow Man

Retiree Ed Hemsler (John Lithgow) spends his quiet days watching the news, checking internet forums, and preparing for the end…
Director Noble Jones. Screenwriter Noble Jones

Top End Wedding

Lauren and Ned are engaged. They are in love. And they have just ten days to find Lauren’s mother (who…
Director Wayne Blair. Screenwriter Joshua Tyler, Miranda Tapsell

Troop Zero

Nine-year-old oddball Christmas Flint (Mckenna Grace) is obsessed with space and making contact with the aliens of the universe. When…
Directors Bert&Bertie. Screenwriter Lucy Alibar

Velvet Buzzsaw

In the cutthroat world of fine-art trading and representation, up-and-coming agent Josephina (Zawe Ashton) stumbles across a secret weapon: hundreds…
Director Dan Gilroy. Screenwriter Dan Gilroy
PREMIERES 2019 | D O C U M E N T A R Y
The Brink / U.S.A. (Director: Alison Klayman, Producer: Marie Therese Guirgis) — Now unconstrained by an official White House post, Steve Bannon is free to peddle influence as a perceived kingmaker with a direct line to the President. After anointing himself leader of the “populist movement,” he travels around the U.S. and the world spreading his hard-line anti-immigration message. World Premiere
ASK DR RUTH (2019) 

Don’t let her small status fool you. She may be under five feet tall but Holocaust survivor Dr Ruth Westheimer is a force to be reckoned with, as chronicled by Ryan White in his documentary portrait of the noteworthy sex therapist.

Dir: Ryan White.

Halston

Fashion designed Halston combined talent, notoriety and sheer gorgeousness to become a legend. From humble beginnings in Des Moines, Iowa this doc explores his meteoric rise to fame.

Dir: Frederic Tcheng

 Love, Antosha

Prolific young actor Anton Yelchin was wise beyond his years and influenced around him to strive for more.

Dir: Garret Price

Marianne & Leonard

Is a beautiful yet tragic love story between Leonard Cohen and his Norwegian muse Marianne Ihlen.

Dir: Nick Broomfield

 Merata: How Mum Decolonised the Screen

In the 1970s Merata Mita broke through barriers of race, class and gender.

Dir/writer: Hepi Mita

Miles Davis: Birth of the Cool

Using words from Miles Davis’ Autobiography, Stanley Nelson’s biopic offers insight into our understanding of the legendary musician.

Dir: Stanley Nelson

 Raise Hell: The Life and Times of Mollu Ivins

With razor-sharp wit, outspoken journalist and firecracker Molly Ivins took on the good-old-boy corruption in the political establishment

Dir: Janice Engel. Writer: Janice Engel, Monique Zavistovski

The Great Hack

Have you ever filled out an online survey? Do you wonder why you received ads for products

Dir: Karim Amer, Jehane Noujam Wri: Erin Barnett, Pedro Kos, Karim Amer

The Inventor: Out for blood in Silicon Valley

Elizabeth Holmes arrived in Silicon Valley with a revolutionary medical invention. She called it “the Edison”

Director: Alex Gibney

 Toni Morrison: The Pieces I Am

After a stint as an editor early in her career, this American writer got the measure of publishing.

Dir: Timothy Greenfield-Sanders

 Untouchable

The inside story of the meteoric rise and monstrous fall of movie titan Harvey Weinstein is laid bare.

Dir: Ursula Macfarlane

Words from a Bear

When N Scott Momaday won the 1969 Pulitzer Prize, it marked one of the first major acknowledgements of Native America.

COMPETITION TITLES | U S   D R A M A T I C

Before You Know It

Stage manager Rachel Gurner still lives in her childhood apartment—along with her off-kilter actress sister, Jackie; eccentric playwright father Mel;…
Director Hannah Pearl Utt. Screenwriters Hannah Pearl Utt, Jen Tullock

Big Time Adolescence

It’s funny: humans have been growing up for a really long time, but somehow we still suck at it. Just…
Director Jason Orley. Screenwriter Jason Orley

Brittany Runs A Marathon

Brittany Forgler is a funny, likeable, 27-year-old hot mess of a New Yorker whose trashy nightclub adventures and early-morning walks…
Director Paul Downs Colaizzo. Screenwriter Paul Downs Colaizzo

Clemency

How do you salvage your marriage when you are struggling to salvage your soul, your sense of self, and your…
Director Chinonye Chukwu. Screenwriter Chinonye Chukwu

Hala

Hala is her father’s pride and joy. Dutiful and academically gifted, she skillfully navigates both her social life as a…
Director Minhal Baig. Screenwriter Minhal Baig

Honey Boy

When 12-year-old Otis starts to find success as a child television star in Hollywood, his ex-rodeo-clown father returns to serve…
Director Alma Har’el. Screenwriter Shia LaBeouf

Imaginary Order

For Cathy, life as she’s always known it seems to be slipping away. Her sense of significance is crumbling as…
Director Debra Eisenstadt. Screenwriter Debra Eisenstadt

Luce

It’s been ten years since Amy and Peter Edgar (Naomi Watts and Tim Roth) adopted their son from war-torn Eritrea,…
Director Julius Onah. Screenwriter JC Lee, Julius Onah

Ms. Purple

In the dark karaoke rooms of Los Angeles’s Koreatown stripmalls, Kasie works as a girl, a young hostess paid to…
Director Justin Chon. Screenwriter Justin Chon, Chris Dinh

Native Son

Bigger “Big” Thomas, a young African American man, lives with his mother and siblings in Chicago. Half-heartedly involved with a…
Director Rashid Johnson. Screenwriter Suzan-Lori Parks

Share

After a night of partying, high-school sophomore Mandy discovers that a series of cell-phone videos of her—half-dressed and semiconscious—have gone…
Director Pippa Bianca. Screenwriter Pippa Bianco

The Farewell

After learning their beloved matriarch has terminal lung cancer, a family opts not to tell her about the diagnosis, instead…
Director Lulu Wang. Screenwriter Lulu Wang

The Last Black Man in San Francisco

Jimmie Fails has one hope in life: to reclaim the majestic Victorian house his grandfather built. Every week, Jimmie and…
Director Joe Talbot. Screenwriter Joe Talbot, Rob Richert

Them That Follow

In the rugged wilderness of Appalachia, the members of an isolated community of Pentecostal snake handlers led by Pastor Lemuel…
Director Britt Poulton, Dan Madison Savage. Screenwriter Britt Poulton, Dan Madison Savage

The Sound of Silence

A self-taught scientist, Peter (Peter Sarsgaard) works in New York as a “house tuner”—a unique, highly specialized profession he’s invented….
Director Michael Tyburski. Screenwriter Ben Nabors, Michael Tyburski

To The Stars

In a god-fearing small town in 1960s Oklahoma, bespectacled and reclusive teen Iris endures the booze-induced antics of her mother…
Director Martha Stephens. Screenwriter Shannon Bradley-Colleary
US   D O C U M E N T A R Y  

Always in Season

Claudia Lacy wants answers. When her 17-year-old son, Lennon, was found hanging from a swing set in Bladenboro, North Carolina,…
Director Jacqueline Olive

American Factory

In 2014, a Chinese billionaire opened a Fuyao factory in a shuttered General Motors plant in Dayton, Ohio. For thousands…
Director Steven Bognar, Julia Reichert

APOLLO 11

NASA’s vaults open for the first time to spill this exquisite, never-before seen audio and 70 mm film footage of…
Director Todd Douglas Miller

Bedlam

is the first major documentary to explore the crisis in care of severely mentally-ill citizens. Set in Los Angeles,…
Director Kenneth Paul Rosenberg

David Crosby: Remember My Name

We’re all acquainted with archetypal rock bio-doc tropes: the unexpected rise to stardom, calamitous love affairs, a descent into drugs,…
Director A.J. Eaton

Hail Satan?

What kind of religious expression should be permitted in a secular nation? Holy hell, something is brewing! Just a few…
Director Penny Lane

Jawline

Austyn Tester—handsome and 17—feels oppressed by the confines of life in his small hometown in Tennessee. But in the online-streaming…
Director Liza Mandelup

Knock Down the House

Alexandria Ocasio-Cortez, a young, bold Puerto Rican bartender from the Bronx, works double shifts to save her family’s home from…
Director Rachel Lears

Midnight Family

With striking vérité camerawork, drops us directly into the frenetic nighttime emergency ecosystem of Mexico City. In the midst of…
Director Luke Lorentzen

Mike Wallace Is Here

Deemed the “enemy of the people” by our current president, journalism in America is on the chopping block. Lies, fake…
Director Avi Belkin

Moonlight Sonata: Deafness in Three Movements

Irene Taylor Brodsky builds on her powerful first feature (Audience Award winner at the 2007 Sundance Film Festival) by delving…
Director Irene Taylor Brodsky

One Child Nation

In order to expose rampant human-rights abuses, filmmaker Nanfu Wang fearlessly confronted Chinese government agents in her 2016 Sundance Film…
Director Nanfu Wang, Jialing Zhang

Pahokee

Four high-school students, Na’Kerria, Jocabed, Junior, and BJ, embark on their senior year in Pahokee, a small Florida town on…
Director Ivete Lucas, Patrick Bresnan

TIGERLAND

In the span of only a handful of generations, the tiger has been transformed from a venerated creature with a…
Director Ross Kauffman

Untitled Amazing Johnathan Documentary

It begins as a documentary about “The Amazing Johnathan,” a uniquely deranged magician who built a career out of shock…
Director Ben Berman

Where’s My Roy Cohn?

Roy Cohn personified the dark arts of twentieth-century American politics, turning empty vessels into dangerous demagogues—from Senator Joseph McCarthy to…
Director Matt Tyrnauer
WORLD CINEMA   D R A M A T I C 

Dirty God

After a vicious acid attack leaves half her body covered in scars, Jade (Vicky Knight) must come to terms with…
Director Sacha Polak. Screenwriter Sacha Polak, Susanne Farrell

Divine Love

In the Brazil of 2027, where raves celebrate God’s love and drive-through spiritual-advice booths have become the norm, Joana holds…
Director Gabriel Mascaro
Screenwriter Gabriel Mascaro, Rachel Daisy Ellis, Esdras Bezerra, Lucas ParaÍzo

Dolce Fine Giornata

Maria Linde, a free-spirited, Jewish Polish Nobel Prize winner, lives in Tuscany surrounded by warmth and chaos in her family’s…
Director Jacek Borcuch. Screenwriter Jacek Borcuch, Szczepan Twardoch

Judy & Punch

In the rough-and-tumble town of Seaside (nowhere near the sea), villagers flock to Punch and Judy’s marionette theatre. Though Punch…
Director Mirrah Foulkes. Screenwriter Mirrah Foulkes

Koko-di Koko-da

Three years after their daughter Maja’s eighth birthday was interrupted by sudden tragedy, Elin and Tobias embark on a mirthless…
Director Johannes Nyholm. Screenwriter Johannes Nyholm

Monos

Belonging to a rebel group called “the Organization,” a ragtag band of child soldiers, brandishing guns and war names like…
Director Alejandro Landes. Screenwriter Alejandro Landes, Alexis Dos Santos

Queen of Hearts

Anne, a successful lawyer, lives in a beautiful modernist home with her two daughters and physician husband, Peter. Yet when…
Director May el-Toukhy. Screenwriter Maren Louise Käehne, May el-Toukhy

The Last Tree

Femi, a British boy of Nigerian heritage, enjoys a happy childhood in Lincolnshire, where he is raised by doting foster-mother…
Director Shola Amo. Screenwriter Shola Amoo

The Sharks

Rosina ticks away the days of a restless summer in her sleepy beachside town until she sights an ominous dorsal…
Director Lucía Garibaldi, Screenwriter Lucía Garibaldi

The Souvenir

Between script pitches and camera setups, Julie hosts a film-school cohort party where she meets a mysterious man named Anthony….
Director Joanna Hogg. Screenwriter Joanna Hogg

This is not Berlin

As Mexico anticipates the 1986 World Cup, 17-year-old Carlos is less interested in soccer and more interested in listening to…
Director Hari Sama. Screenwriter Rodrigo Ordóñez, Hari Sama, Max Zunino

WE ARE LITTLE ZOMBIES

One sunny day, four young strangers—Hikari, Ikuko, Ishi, and Takemura—meet by chance at a crematorium. They have all recently lost…
Director Makoto Nagahisa. Screenwriter Makoto Nagahisa
WORLD CINEMA.  D O C U M E N T A R Y

Advocate

Israeli human-rights lawyer Lea Tsemel is a force that won’t be deterred. Having defended Palestinians against a host of criminal…
Director Rachel Leah Jones, Philippe Bellaïche

Cold Case Hammarskjöld

In 1961, United Nations secretary-general Dag Hammarskjöld’s plane mysteriously crashed, killing Hammarskjöld and most of the crew. . It’s understood…
Director Mads Brügger

Gaza

Facing the serene Mediterranean Sea, 17-year-old Karma Khaial stands at the water’s edge and senses freedom. But in Gaza, the…
Director Garry Keane, Andrew McConnell

Honeyland

In a deserted Macedonian village, Hatidze, a 50-something woman in a bright yellow blouse and green headscarf, trudges up a…
Director Ljubomir Stefanov, Tamara Kotevska

Lapü

On a windy night in the Colombian desert, a young Wayúu woman named Doris sleeps in her hammock and dreams…
Dirs Juan Pablo Polanco, César Alejandro Jaimes. Writers Juan Pablo Polanco, César Alejandro Jaimes, María Canela Reyes

Midnight Traveler

In 2015, after Hassan Fazili’s documentary aired on Afghan national television, the Taliban assassinated the film’s main subject and put…
Director Hassan Fazili. Writer Emelie Mahdavian

Sea of Shadows

The Sea of Cortez is facing total collapse because of a war at sea. Mexican drug cartels have discovered the…
Director Richard Ladkani

Shooting the Mafia

In the streets of Sicily, beautiful, gutsy Letizia Battaglia pointed her camera straight into the heart of the Mafia that…
Director Kim Longinotto

Stieg Larsson – The Man Who Played With Fire

Since his untimely death, Stieg Larsson has become one of the world’s most famous authors. His Millennium Trilogy— and its…
Director Henrik Georgsson. Screenwriter Henrik Georgsson

The Disappearance of My Mother

Benedetta Barzini is a revered Italian model who shattered stereotypes by becoming a journalist and professor and gained notoriety by…
Director Beniamino Barrese. Screenwriter Beniamino Barrese

The Edge of Democracy

Once a nation crippled by military dictatorship, Brazil found its democratic footing in 1985 and then, in 2002, elected a…
Director Petra Costa. Screenwriter Petra Costa

The Magic Life of V

Wizards, magic spells, and heroic sword battles are just fantasy for some, but for Veera they’re a meaningful part of…
Director Tonislav Hristov. Screenwriter Tonislav Hristov, Kaarle Aho
SUNDANCE FILM FESTIVAL | 24 JANUARY – 3 FEBRUARY 2019 | PROGRAMME COURTESY OF THE SUNDANCE INSTITUTE 

Columbus (2017) ****

Dir.: Kogonada; Cast: John Cho, Haley Lu Richardson, Parker Posey, Michelle Forbes, Rory Culkin; USA 2017, 104 min.

Seoul born director Kogonada is a visual artist known for his documentaries. Columbus is his visually alluring and quietly affecting debut feature exploring the human soul in crisis with great sensitivity and a transcendent feeling of stillness and calm. Set in Columbus, Indiana and underpinned by three fine performances, it is also a love letter to modernist architects Eero Saarinen, I.M. Pei and Richard Meier, whose modernist buildings lend an air of cool contemporary splendour to the bland Mid-West.

Jin (John Cho) arrives from Seoul to look after his estranged father who has suffered a stroke the night before delivering a lecture on modernist architecture. Harassed by his editor and irritated by his Korean family commitments, Jin is drawn back in to the complex world of his father’s assistant Eleanor (Posey), a crush from his younger days. To gain some perspective he wanders around the campus where he comes across Casey (Richardson) as young graduate caring for her sick mother. Casey’s friend Gabriel (Culkin), is another young man lost in a void, hiding behind great words but clinging to the past.

Kagonada makes great use of the impressive buildings and the way they elicit a subtle or profound emotional response from their human counterparts in this  unique study in psychogeography, a subject that has been tackled before in documentary form but rarely as a feature. Each shot is a complex study in how the built environment  impacts on the human element as the protagonists react sensitively to the vibes of the mainly glass-fronted structures and the spaces that surround them. 

The two main protagonists seem trapped in their minds, but Casey feels liberated and inspired by some of these remarkable buildings that move her to dance, cry and sing: in this way architecture provides a means of escape from her days worrying about her mother. Jin feels unmoved by the buildings: he is a more pragmatic character but both are trapped in the security of inertia and familiar routine. 

Casey uses her mother as a reason to postpone decisions about her future, and Jin blames his father’s omnipotent presence for his own underachieving, loneliness and his dysfunctional relationship with Eleanor as the narrative’s dramatic arc slowly points to a solution.

DoP Elisha Christian (In Your Eyes) creates an otherworldly reality inviting us in from the outside as the protagonists glide around aimlessly, like fish in a bowl. Sometimes the atmosphere feels eerie as the buildings take over, dominating everything with their commanding presence, dwarfing and deafening the human element. Columbus is unique in its near transcendental approach, and asks for some patience, but rewards the audience with an extraordinary experience.

NOW ON RELEASE NATIONWIDE AT ARTHOUSE VENUES. 

The King (2018) **** DVD release

Dir: Eugene Jarecki | US | Musical Biopic with Alex Baldwin, Ethan Hawke, Ashton Kutcher, Lana Del Rey, Emmylou Harris | 109′

Using Elvis Presley’s life as a metaphor to explore America’s modern malaise from so-called dream to disaster, Eugene Jarecki’s Sundance Grand Jury Winner heads across the States for a musical mystery tour in the legendary star’s vintage Rolls Royce, four decades after his life as one of the most significant cultural icons of the 20th century ended in a heart attack, aged 42.

Although Jarecki adopts a novel approach to the life of the legendary singer and entertainer, the results are sprawling, spirited and great fun in a biopic that gazes deep into the soul of a nation in flux and features an eclectic cast of stars and well known places from Presley’s birthplace in Tupelo, Mississippi, to Graceland, Memphis, Las Vegas and New York.

Enlivened by archive footage, musical interludes and enlightening observations from Ethan Hawke and Alec Baldwin, ex-band members and those associated with Presley’s life, Jarecki cleverly draws a comparison between the star and President Trump  showing how these two  transformative figures made a terrific impact on the US culture. In Presley’s case his musical style created a bridge to ease racial tension which sadly ended in disappointment, particularly in the southern states, due to the pursuit of financial above humanitarian goals (Presley always chased the money in his career choices, and when once purportedly asked by President Reagan whether he would choose a new swimming pool or to help kids with AIDS, he went for the swimming pool). On the face of Jarecki’s seems like an inspired and persuasive viewpoint: whether it stands up beyond this cursory glance, remains to be seen and sometimes his approach feels as it Elvis has been slotted in to meet the needs of his argument. 

Needless to say, the musical soundtrack is astonishing (shame the excerpts are so short) and Jarecki’s wide angle images of the glittering skylines and sweeping landscapes of Route 66 make this an enjoyable romp as well as an informative biopic of the “King of Rock and Roll” MT

ON DVD FROM 1 October 2018

ARTISTS FEATURED IN THE KING

EmiSunshine and The Rain; Leo “Bud” Welch; STAX Music Academy All-Stars John Hiatt; Loveful Heights; Immortal Technique; The Handsome Family; Nicki Bluhm and The Gramblers; M. Ward ; Justin Merrick and the STAX Academy All-Stars; Lindy Vision; Robert Bradley

FILMS FEATURED IN THE KING

LOVING YOU (1957); SPEEDWAY (1968); JAILHOUSE ROCK (1957); KID GALAHAD (1962); GI BLUES (1960); FOLLOW THAT DREAM (1962); GIRL HAPPY (1965); CLAMBAKE (1967); IT HAPPENED AT THE WORLDS FAIR (1963); TICKLE ME (1965); EASY COME EASY GO (1967); FUN IN ACAPULCO (1963); BLUE HAWAII (1961); LIVE A LITTLE LOVE A LITTLE (1968); HARUM SCARUM (1965); PARADISE HAWAIIAN STYLE (1966); FRANKIE AND JOHNNY (1966); VIVA LAS VEGAS (1964)

Leave No Trace (2018) ****

Dir: Debra Granik | Thomasin Harcourt McKenzie, Ben Foster | US Drama | 109′

A wayfarer father (Foster) and his teenage daughter (Thomasin Harcourt McKenzie) are the focus of  Debra Granik’s cogent coming of age docudrama that explores – without judgement or melodrama – the close but often problematic bond between parent and teenager as they go about their day-to-day existence ‘eco-warrior-style’ in the lushly wooded US Pacific coastal area.

LEAVE NO TRACE avoids dramatic conflict in its pragmatic approach to telling a contemporary story that harks back to an atavistic era of hunter gatherers portraying with complete naturalness and finesse the pair’s daily existence as they forage for food, seek out warmth and shelter, relying completely on local flora and fauna for all their creature comforts. And for a while it seems an enviable and harmonious way of life until Tom (Thomasin) grows tired of roaming around and hungers for something more – both physically and emotionally – as she discovers that nesting and belonging suits her better than avoiding society and being constantly on the move. Whether this is a male or female state of mind is a subject for consideration in this – on the surface – simple but thematically rich piece of filmmaking. Tom’s coming of age evolves as naturally as the landscape surrounding her. Clearly her father is a loner, whereas Tom is much more garrulous – clearly a product of her nature rather than her parental nurturing.

What also emerges here is a picture of rural America at its most original state: a collection of people who came together and forged a close community looking after each other in what could ideally be described as basic socialism. But when the state intervenes in the form of social care our hackles begin to rise at this seemingly unnatural intrusion into their state of grace.

With this quietly unassuming indie gem Granik questions and explores complex human dynamics: our desire for privacy and autonomy within our families, communities and even within ourselves is constantly evolving and being challenging by officialdom. LEAVE NO TRACE is a small gem that is larger than life. MT

ON RELEASE NATIONWIDE FROM 29 JUNE 2018

 

Our New President (2017) ICA LONDON

Dir. Maxim Pozdorovkin, Russia/USA, 2018, 77 mins, English and Russian with English subtitles
Ever since a fateful visit to a mummy’s glass-encased tomb in 1997, Hillary Clinton has been plagued by fainting spells, drug use, and even allegations of sexual abuse and murder. Don’t believe it? Just ask the reporters at Vesti and NTV, two of the most-watched state-run news shows in Russia, where outlandish stories like these reach millions of viewers every night.

As more details of Russia’s meddling in the 2016 US presidential election emerge, acclaimed filmmaker Maxim Pozdorovkin assembles a fever dream of Russian propaganda aimed at both Clinton and Trump from YouTube, RT, and other media platforms. Within this alternate universe of misinformation, we witness the seeds of the 2016 fake news cycle take root and successfully infiltrate the collective conscience of a Russian populace trained to distrust truth and objectivity.

The divisive stories peddled by these journalists, handpicked by Putin, range from sinister to absurd, but they all point to a coordinated effort to alter public opinion at home and abroad. COURTESY OF THE ICA.

OUR NEW PRESIDENT – THIS WEEK AT THE ICA

Wildlife (2018) | Critics’ Week | Cannes Film Festival 2018

Writer|Dir: Paul Dano | Cast: Carey Mulligan, Jake Gyllenhaal, Ed Oxenbould | Drama | US | 105’

A teenage boy experiences the breakdown of his parents’ marriage in  Paul Dano’s crisp coming of age family drama, set in 1960s Montana, and based on Richard Ford’s novel.

Although once or twice veering into melodrama, actor Dano maintains impressive control over his sleek and very lucid first film which is anchored by three masterful performances, and sees a young family disintegrate after the husband loses his job.

WILDLIFE has a great deal in common with Retribution Road (2008), its similar theme of aspirational hope for a couple starting out on their life in a new town, in this case Great Falls, Montana. But here the perspective is very different – in Wildlife, the entire experience is seen from the unique perspective of a pubescent boy, Joe, played thoughtfully by young Australian actor Ed Oxenbould (The Visit).

There’s an old-fashioned quality to the film that very much works to its advantage. The date is 1960 and in the mountains behind the family house a forest fire is raging, with warnings that it could well spread to the town centre if not controlled by rangers, who Jerry Brinson (Gyllenhaal) decides to join at a wage of only a dollar an hour, after much moping around the house when he loses his job on the local golf course. This comes as a big surprise to his wife Jeannette (Mulligan), an earnest homemaker who believes in her husband’s desire to make more of himself, and she sees this as a step backwards, career-wise. Meanwhile, Joe signs on as an apprentice to a local portrait photographer, a part-time job he takes to while doing very well in his school work.

Dano and his co-writer Zoe Kazan, stick to a clean, straighforward narrative but there’s a subtle brooding tension at play, and while Joe seems emotionally grounded and resilient (a tribute to his parents), Jerry and Jeannette are less so: although Jerry’s character is the most underwritten of the three, there’s a haunted quality to him as a straightforwaed dad who suddenly implodes after the shock of his firing. Jeannette also starts to lose her own sense of equilibrium:. “What kind of man leaves his wife and child in such a lonely place?,” Jeanette casts around for emotional ballast in an much older wealthy man, Warren Miller (Bill Camp), who she meets while giving swimming classes.

In some ways this fragmented behaviour is character-forming for Joe, his parents have clearly given him a rock solid babyhood, and so he can weather the shocking fliration scenes that take place between Millar and his mother, and his loss at his father’s temporary abandonment, although he finds it all difficult to fathom. This is not a film about adult infidelity and abandonment, but about how a teenage perceives and deals with it, and as such it is beautifully restrained and supremely elegant – the audience is required to suspend disbelief and take a trip back to teenagehood and the bewildering experience it offers. Dano makes the denouement an enigmatic affair, leaving the door open to hope, while acknowledging the inevitable. MT

CANNES FILM FESTIVAL 8-19 MAY 2018 | CRITICS’ WEEK |

 

Sundance London 2018 | 31 May – 3 June

Once again Robert Redford brings twelve of the best indie feature films that premiered in Utah this January, with opportunities to talk to the filmmakers and cast in a jamboree that kicks off on the long weekend of 31 May until 3 June.

Desiree Akhavan picked up the Grand Jury Prize for her comedy drama The Miseducation of Cameron Post in the original US festival, and seven films are directed by women along with a thrilling array of female leads on screen, and this year’s festival champions their voices with Toni Collette (Hereditary) amongst the stars to grace this glittering occasion taking place in Picturehouse Central, Leicester Square. Robert Redford will also be in attendance.

An Evening With Beverly Luff Linn (Director: Jim Hosking,

Screenwriters: Jim Hosking, David Wike) – Lulu Danger’s unsatisfying marriage takes a fortunate turn for the worse when a mysterious man from her past comes to town to perform an event called ‘An Evening With Beverly Luff Linn For One Magical Night Only’.

Principal cast: Aubrey Plaza, Emile Hirsch, Jemaine Clement, Matt Berry, Craig Robinson

Eighth Grade (Director/Screenwriter: Bo Burnham) – Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school.

Principal cast: Elsie Fisher, Josh Hamilton

Generation Wealth (Director: Lauren Greenfield) – Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom–bust economy, the corrupted American Dream and the human costs of late stage capitalism, narcissism and greed.

Principal cast: Florian Homm, Tiffany Masters, Jaqueline Siegel

Half the Picture (Director: Amy Adrion) – At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally.

Principal cast: Rosanna Arquette, Jamie Babbit, Emily Best

Hereditary (Director/Screenwriter: Ari Aster) – After their reclusive grandmother passes away, the Graham family tries to escape the dark fate they’ve inherited.

Principal cast: Toni Collette, Gabriel Byrne, Alex Wolff, Ann Dowd, Milly Shapiro

Leave No Trace (Director: Debra Granik, Screenwriters: Debra Granik, Anne Rosellini) – A father and daughter live a perfect but mysterious existence in Forest Park, a beautiful nature reserve near Portland, Oregon, rarely making contact with the world. A small mistake tips them off to authorities sending them on an increasingly erratic journey in search of a place to call their own.

Principal cast: Ben Foster, Thomasin Harcourt McKenzie, Jeff Kober, Dale Dickey

The Miseducation of Cameron Post (Director: Desiree Akhavan, Screenwriters: Desiree Akhavan, Cecilia Frugiuele) –1993: after being caught having sex with the prom queen, a girl is forced into a gay conversion therapy center. Based on Emily Danforth’s acclaimed and controversial coming-of-age novel.

Principal cast: Chloë Grace Moretz, Sasha Lane, Forrest Goodluck, John Gallagher Jr., Jennifer Ehle.

Never Goin’ Back (Director/Screenwriter: Augustine Frizzell) –Jessie and Angela, high school dropout BFFs, are taking a week off to chill at the beach. Too bad their house got robbed, rent’s due, they’re about to get fired and they’re broke. Now they’ve gotta avoid eviction, stay out of jail and get to the beach, no matter what!!!

Principal cast: Maia Mitchell, Cami Morrone, Kyle Mooney, Joel Allen, Kendal Smith, Matthew Holcomb

Skate Kitchen (Director: Crystal Moselle, Screenwriters: Crystal Moselle, Ashlihan Unaldi) – Camille’s life as a lonely suburban teenager changes dramatically when she befriends a group of girl skateboarders. As she journeys deeper into this raw New York City subculture, she begins to understand the true meaning of friendship as well as her inner self.

Principal cast: Rachelle Vinberg, Dede Lovelace, Jaden Smith, Nina Moran, Ajani Russell, Kabrina Adams

The Tale (Director/Screenwriter: Jennifer Fox) – An investigation into one woman’s memory as she’s forced to re-examine her first sexual relationship and the stories we tell ourselves in order to survive; based on the filmmaker’s own story.

Principal cast: Laura Dern, Isabelle Nélisse, Jason Ritter, Elizabeth Debicki, Ellen Burstyn, Common

Yardie (Director: Idris Elba, Screenwriters: Brock Norman Brock, Martin Stellman) – Jamaica, 1973. When a young boy witnesses his brother’s assassination, a powerful Don gives him a home. Ten years later he is sent on a mission to London. He reunites with his girlfriend and their daughter, but then the past catches up with them. Based on Victor Headley’s novel.

Principal cast: Aml Ameen, Shantol Jackson, Stephen Graham, Fraser James, Sheldon Shepherd, Everaldo Cleary

SURPRISE FILM! Following on from last year’s first ever surprise film, the hit rap story Patti Cake$, Sundance Film Festival: London will again feature a surprise showing.  No details as yet, but it was a favourite among audiences in Utah, and with just one screening this will be among the hottest of the hot tickets. The title will be revealed only when the opening credits roll. My bets are on Gustav Möller’s The Guilty, which picked up the World Cinema Audience Award back in January; or possibly Rudy Valdez’ drug documentary The Sentence, or it could even be Burden, which took the US Dramatic Audience Award for its story of a love affair between a villain and a woman who saves his soul. 

SUNDANCE LONDON RUNS FROM 31 MAY – 3 JUNE 2018 | TICKETS

 

 

 

 

 

 

 

 

Thoroughbreds (2017) ***

Dir.: Corey Finley; Cast: Olivia Cooke, Anya Taylor-Joy, Anton Yelchin, Paul Sparks, Francis Swift; US 2016, 91′

THOROUGHBREDS is an impressive debut by director Corey Finley, who adapted the stylish neo-noir thriller from his own play. It’s a razor sharp portrayal of the set it sends up, but just a little bit to sleek to be totally convincing.

In wealthy, rural Connecticut, school friends Amanda (Cooke) and Lily (Taylor-Joy) are re-united by Amanda’s mother (Swift), who has sensed that Lily is an outcast after killing a sick horse in a very gruesome way. Amanda is fully aware of this, and she tries to lure Lily into a plot to murder her obnoxious stepfather Mark (Sparks) who wants her to go to a college for mal-adjusted students instead of one of her choice. Lily comes up with a great idea involving local lowlife Tim (Yelchin, superb in his last role). The pair try to trick Tim into doing the deadly deed, but he gets cold feet at the last minute. After accusing Amanda of being “not high on empathy” – fair statement – Lily is asked not to drink a knock-out cocktail by Amanda, who mixed it. But Lily is hell-bent on proving that she can outdo her friend.

The teenagers are a merciless duo, not really evil but full of malicious intent stemming from the privileges of their upbringing. There is also a good amount of believing all sort of half-baked theories, and finally, in Lily’s case, a sense of morbidity – drawing comparison with Heavenly Creatures. Yelchin is brilliant in the role of the sex-offender who seems to fall into the trap set for him, but just in time gets his neck out of a noose so carefully designed for him by the girls. Amanda’s step-dad is very menacing, the sounds of a rowing machine he seems to be addicted to, mix eerily with Erik Friedlander’s atonal score. Lyle Vincent’s handheld camera shows the teens’ disturbing dialogues against the opulent backdrop: the night time is their favoured setting, during the day they fade, like vampires, into a washed-out blue. Finley directs with great panache, his characters all more or less damaged, are trapped from the get-go. AS

ON RELEASE FROM 6 APRIL 2018 NATIONWIDE

Mom and Dad (2017) ****

Dir.: Brian Taylor | Cast: Nicholas Cage, Selma Blair, Anne Winters, Zackary Arthur, Robert Cunningham, Samantha Lemole | USA 2017 | 86′.

Director/writer Brian Taylor, co-creator of Gamer and Crank, delivers the perfect American nightmare: what would happen TV stations all gave up the ghost, and sent coded messages ordering loving middle-class parents to kill their off-spring?. This is not simply a schlock horror movie: it is set very much in the psychological reality of suburban America, where parental love and even sacrifice is the stable diet of all sugar-coated Hollywood films.

Parents Brent (Cage) and Kendall (Blair) are fighting middle-age disappointment: he is frustrated by his reduced means:“Ten years ago I earned 145 000$, now it 45 000$”), she is driven crazy by her attempts to look twenty again. Meanwhile son Josh (Arthur) is still in pre-puberty, and daughter Carly (Winters) drives her parents mad, as the teenager from Hell, her placid boyfriend Damon (Cunningham) is the only one not getting in her way. When the TV incident occurs, Kendall is in hospital, where her sister Jenna (Lemole) is giving birth to a baby – which she immediately tries to kill – Kendall, not yet affected by the curse, helps to save the newly born. But at home she joins her husband in a mad pursuit to kill Josh and Carly – their rage so virulent, that they overlook the body of the housekeeper’s child, murdered by the mother. Damon does his best to defend the children, who are locked in the cellar, while Mum and Dad come up with a new idea: poisoning by gas. When Brent’s parents arrive in midst of the chaos, the former finds out, that old age is not a barrier to child murder.

What make Mom and Dad so realistic is the use of exactly the same aesthetics used by Hollywood to promote the nuclear family: all is clean, antiseptic, feelings (apart from Carly) are repressed, everything is secondary to getting the show on the road every morning: impressing the neighbours and keeping up the gold-standard of superficiality and intellectual banality. This dream, perpetuated in the media, is now simply turned on its head: It is now the most efficient child killer who is top of the ratings. This is a role written for Nicholas Cage, who rises demon-like to the occasion, with Blair not far behind. The American home is a battle-field devastated by the forces of parental revenge. DoP Daniel Pearl indulges in a pastel colours prelude to the gory terror of the uprising: the schoolyard scenes are a terrific example of parental mob violence. Even the ending delivers a refreshing twist – anything but a new beginning. Provocative and brave, Mom and Dad is a incendiary tour-de-force of America’s middle-class dreams descending into Hell. AS

ON RELEASE NATIONWIDE FROM 9 MARCH 2018

Generation Wealth (2018) **** Berlinale 2018

Dir.: Lauren Greenfield; Documentary; USA 2018, 106 min.

Filmmaker and photographer Lauren Greenfield (Queen of Versailles, 2012) has put her whole working life of 25 years into this mammoth project, which is accompanied by a book and an exhibition – just to make the point. But it is not only the wealthy who are the objects of her research: Greenfield freely admits to something a woman in her documentary Thin(2006) pointed out to her: Your addiction is work.

The quote from Thin is not the only revisiting Greenfield does: the high-octane-living teens of FastForward fame are also back to report about their life thereafter. These new additions fall mostly into the category of ‘obsession’. Self-obsession usually involves finding an outlet in which to prove yourself: hedge fund manager Suzanne is not only status obsessed, but after having nearly missed the boat in having children, her latest obsession is to have a child – whatever it takes.

Kacey Jordan, an adult film star famous for her relationship with Charlie Sheen is repentant – but not before filming her own suicide attempt. Florian Homm, a hedge-fund manager who once had 600 M Euros to his name, fell foul of the US regulatory system and cannot now leave his native Germany, after having been imprisoned in Italy. He calls Germany “a prison”, but is truly proud of the fact that he bought his teenage son a prostitute in Amsterdam, “to make a man out of him”. His son watches on with his current girl friend, blushing. But there are also examples of redemption such as when Iceland’s economy boomed, a young fisherman suddenly found himself behind a desk in a bank. After the bust, he is back proudly fishing with his son, happy to have escaped the big time.

The pusuit of beauty has always been a major topic for the director (Beauty CULTure, 2011), and it is frightening to see the young Kardashians in their early teen years. But even more harrowing is Eden wood, ‘trained’ by her lower-middleclass Mom from Arkansas to win and compete in “Toddlers and Tiaras”, wishing for nothing more than a whole room full of money. Six years later, Eden has somehow managed to morph into a cheaper model of the Kardashians. Finally Cathy Gant, has spent all he money on beauty treatments in Brazil whilst neglecting her daughter, who now suffers from body dysmorphia with terrible results.

The lost American dream – lost to a mixture of capitalism, narcissism and greed is there for all to see. Nobody looks at the Jones’ next door any more, but at the Kardashians on TV. “In my work, I often look at the extremes to understand the mainstream”, says Greenfield. Perhaps she should have added “at myself”. Her interviews with her sons Noah Gabriel are as heart-breaking as her professional portraits. Cool teenager Noah puts it simple but devastatingly: “I got used to growing up without you around. The damage has been done”.

The hyper-saturated colours and absurdist wide angle-effects give the documentary a carnival-like atmosphere: this is a bonfire, not only of vanities, but also the last roll of the dice of a global civilisation (China and Russia having successfully joined the club), hell bent on destroying itself. Just asthe pyramids with all their splendour were the last gasp of the Egyptian pharoahs; in the make-believe world of TV, everyone is measuring themselves against each other with tragic consequences: the death of family, traditions and even human emotions. Unlike Egypt, this will not be the end of one civilisation, today’s humans are determined to take the whole planet down with them. AS

NATIONWIDE FROM 20 July 2018

Sundance Film Festival | 2018 | Award WINNERS

In Park City Utah, the SUNDANCE INSTITUTE founder ROBERT REDFORD and his programmer John Cooper set the indie film agenda for 2018 with a slew of provocative new titles for this year’s festival which ran from 18-28 January.

Among the newcomers were Paul Dano (with Wildlife) and Rupert Everett (with The Happy Prince) presenting their directorial debuts and new films from Desiree Akhavan: The Miseducation of Cameron Post and Gus van Sant: Don’t Worry, He Won’t Get Far On Foot starring Joaquin Phoenix and Rooney Mara.

WINNERS – THESE ARE THE FILMS WHICH WILL BE CROPPING UP OVER THE NEXT YEAR IN LOCAL ARTHOUSE CINEMAS

The Kindergarten Teacher | DIRECTING AWARD | US DRAMATIC

U.S.A. (Director and screenwriter: Sara Colangelo, Producers: Celine Rattray, Trudie Styler, Maggie Gyllenhaal, Osnat Handelsman-Keren, Talia Kleinhendler) — Lisa Spinelli is a Staten Island teacher who is unusually devoted to her students. When she discovers one of her five-year-olds is a prodigy, she becomes fascinated with the boy, ultimately risking her family and freedom to nurture his talent. Based on the acclaimed Israeli film. Cast: Maggie Gyllenhaal, Parker Sevak, Rosa Salazar, Anna Barynishikov, Michael Chernus, Gael Garcia Bernal. World Premiere

The Guilty / Denmark | AUDIENCE AWARD | WORLD CINEMA DRAMATIC

(Director: Gustav Möller, Screenwriters: Gustav Möller, Emil Nygaard Albertsen, Producer: Lina Flint) Alarm dispatcher Asger Holm answers an emergency call from a kidnapped woman; after a sudden disconnection, the search for the woman and her kidnapper begins. With the phone as his only tool, Asger enters a race against time to solve a crime that is far bigger than he first thought. Cast: Jakob Cedergren, Jessica Dinnage, Johan Olsen, Omar Shargawi. World Premiere

Of Fathers and Sons / Germany, Syria, Lebanon | WORLD CINEMA GRAND JURY PRIZE | DOCUMENTARY

(Director: Talal Derki, Producers: Ansgar Frerich, Eva Kemme, Tobias N. Siebert, Hans Robert Eisenhauer) — Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate. North American Premiere

On Her Shoulders / U.S.A | US DIRECTING AWARD – DOCUMENTARY

(Director: Alexandria Bombach, Producers: Marie Therese Guirgis, Hayley Pappas, Brock Williams, Bryn Mooser, Adam Bardach) — A Yazidi genocide and ISIS sexual slavery survivor, 23-year-old Nadia Murad is determined to tell the world her story. As her journey leads down paths of advocacy and fame, she becomes the voice of her people and their best hope to spur the world to action. International Premiere

The Miseducation of Cameron Post / U.S.A. | US GRAND JURY AWARD 

(Director: Desiree Akhavan, Screenwriters: Desiree Akhavan, Cecilia Frugiuele, Producers: Cecilia Frugiuele, Jonathan Montepare, Michael B. Clark, Alex Turtletaub) — 1993: after being caught having sex with the prom queen, a girl is forced into a gay conversion therapy center. Based on Emily Danforth’s acclaimed and controversial coming-of-age novel. Cast: Chloë Grace Moretz, Sasha Lane, Forrest Goodluck, John Gallagher Jr., Jennifer Ehle. World Premiere

Butterflies / WORLD CINEMA GRAND JURY PRIZE | DOCUMENTARY

Turkey (Director and screenwriter: Tolga Karaçelik, Producers: Tolga Karaçelik, Diloy Gülün, Metin  Anter) — In the Turkish village of Hasanlar, three siblings who neither know each other nor anything about their late father, wait to bury his body. As they start to find out more about their father and about each other, they also start to know more about themselves. Cast: Tolga Tekin, Bartu Küçükçağlayan, Tuğçe Altuğ, Serkan Keskin, Hakan Karsak. World Premiere

THIS IS HOME | AUDIENCE AWARD: US Dramatic / U.S.A., Jordan (Director: Alexandra Shiva, Producer: Lindsey Megrue) This is an intimate portrait of four Syrian families arriving in Baltimore, Maryland and struggling to find their footing. With eight months to become self-sufficient, they must forge ahead to rebuild their lives. When the travel ban adds further complications, their strength and resilience are put to the test. World Premiere

The Sentence / U.S.A | AUDIENCE AWARD | US Documentary

(Director: Rudy Valdez, Producers: Sam Bisbee, Jackie Kelman Bisbee) — Cindy Shank, mother of three, is serving a 15-year sentence in federal prison for her tangential involvement with a Michigan drug ring years earlier. This intimate portrait of mandatory minimum drug sentencing’s devastating consequences, captured by Cindy’s brother, follows her and her family over the course of ten years. World Premiere

BURDEN/AUDIENCE AWARD 2018 | US Dramatic

U.S.A. (Director and screenwriter: Andrew Heckler, Producers: Robbie Brenner, Jincheng, Bill Kenwright) — After opening a KKK shop, Klansman Michael Burden falls in love with a single mom who forces him to confront his senseless hatred. After leaving the Klan and with nowhere to turn, Burden is taken in by an African-American reverend, and learns tolerance through their combined love and faith. Cast: Garrett Hedlund, Forest Whitaker, Andrea Riseborough, Tom Wilkinson, Usher Raymond. World Premiere

NANCY / U.S.A.| WALDO SALT SCREENWRITING AWARD

(Director and screenwriter: Christina Choe, Producers: Amy Lo, Michelle Cameron, Andrea Riseborough) — Blurring lines between fact and fiction, Nancy becomes increasingly convinced she was kidnapped as a child. When she meets a couple whose daughter went missing thirty years ago, reasonable doubts give way to willful belief – and the power of emotion threatens to overcome all rationality. Cast: Andrea Riseborough, J. Smith-Cameron, Steve Buscemi, Ann Dowd, John Leguizamo. World Premiere

KAILASH | US GRAND JURY PRIZE  / U.S.A | DOCUMENTARY

(Director: Derek Doneen, Producers: Davis Guggenheim, Sarah Anthony) — As a young man, Kailash Satyarthi promised himself that he would end child slavery in his lifetime. In the decades since, he has rescued more than eighty thousand children and built a global movement. This intimate and suspenseful film follows one man’s journey to do what many believed was impossible. World Premiere. 

SEARCH / U.S.A. | THE AUDIENCE AWARD | NEXT

(Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian, Adam Sidman, Natalie Qasabian) — After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her. A thriller that unfolds entirely on computer screens. Cast: John Cho, Debra Messing. World Premiere. WINNER: 2018 Alfred P. Sloan Feature Film Prize.

Crime + Punishment / U.S.A. | SPECIAL AWARD FOR SOCIAL IMPACT

(Director: Stephen Maing) — Over four years of unprecedented access, the story of a brave group of black and Latino whistleblower cops and one unrelenting private investigator who, amidst a landmark lawsuit, risk everything to expose illegal quota practices and their impact on young minorities. World Premiere

Shirkers / U.S.A. | DIRECTING AWARD | World Cinema Documentary

(Director and screenwriter: Sandi Tan, Producers: Sandi Tan, Jessica Levin, Maya Rudolph) — In 1992, teenager Sandi Tan shot Singapore’s first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges’ vanishing footprints. World Premiere

And Breathe Normally / Iceland, Sweden, Belgium | DIRECTING AWARD | World cinema Dramatic

(Director and screenwriter: Ísold Uggadóttir, Producers: Skúli Malmquist, Diana Elbaum, Annika Hellström, Lilja Ósk Snorradóttir, Inga Lind Karlsdóttir) — At the edge of Iceland’s Reykjanes peninsula, two women’s lives will intersect – for a brief moment – while trapped in circumstances unforeseen. Between a struggling Icelandic mother and an asylum seeker from Guinea-Bissau, a delicate bond will form as both strategize to get their lives back on track. Cast: Kristín Thóra Haraldsdóttir, Babetida Sadjo, Patrik Nökkvi Pétursson. World Premiere

U.S. DRAMATIC COMPETITION
Presenting the world premieres of 16 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film. Films that have premiered in this category in recent years include Fruitvale Station, Patti Cake$, Swiss Army Man and The Diary of a Teenage Girl.

American Animals / U.S.A. (Director and screenwriter: Bart Layton, Producers: Derrin Schlesinger, Katherine Butler, Dimitri Doganis, Mary Jane Skalski) — The unbelievable but mostly true story of four young men who mistake their lives for a movie and attempt one of the most audacious art heists in U.S. history. Cast: Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, Ann Dowd, Udo Kier. World Premiere

BLAZE / U.S.A. (Director: Ethan Hawke, Screenwriters: Ethan Hawke, Sybil Rosen, Producers: Jake Seal, John Sloss, Ryan Hawke, Ethan Hawke) — A reimagining of the life and times of Blaze Foley, the unsung songwriting legend of the Texas Outlaw Music movement; he gave up paradise for the sake of a song. Cast: Benjamin Dickey, Alia Shawkat, Josh Hamilton, Charlie Sexton. World Premiere

Blindspotting / U.S.A. (Director: Carlos Lopez Estrada, Screenwriters: Rafael Casal, Daveed Diggs, Producers: Keith Calder, Jess Calder, Rafael Casal, Daveed Diggs) — A buddy comedy in a world that won’t let it be one. Cast: Daveed Diggs, Rafael Casal, Janina Gavankar, Jasmine Cephas Jones. World Premiere. 

Eighth Grade / U.S.A. (Director and screenwriter: Bo Burnham, Producers: Scott Rudin, Eli Bush, Christopher Storer, Lila Yacoub) — Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school. Cast: Elsie Fisher, Josh Hamilton. World Premiere.

I THINK WE'RE ALONEI Think We’re Alone Now / U.S.A. (Director: Reed Morano, Screenwriter: Mike Makowsky, Producers: Fred Berger, Brian Kavanaugh-Jones, Fernando Loureiro, Roberto Vasconcellos, Peter Dinklage, Mike Makowsky) — The apocalypse proves a blessing in disguise for one lucky recluse – until a second survivor arrives with the threat of companionship. Cast: Peter Dinklage, Elle Fanning. World Premiere

Lizzie / U.S.A. (Director: Craig William Macneill, Screenwriter: Bryce Kass, Producers: Naomi Despres, Liz Destro) — Based on the 1892 murder of Lizzie Borden’s family in Fall River, MA, this tense psychological thriller lays bare the legend of Lizzie Borden to reveal the much more complex, poignant and truly terrifying woman within — and her intimate bond with the family’s young Irish housemaid, Bridget Sullivan. Cast: Chloë Sevigny, Kristen Stewart, Jamey Sheridan, Fiona Shaw, Kim Dickens, Denis O’Hare. World Premiere

Monster / U.S.A. (Director: Anthony Mandler, Screenwriters: Radha Blank, Cole Wiley, Janece Shaffer, Producers: Tonya Lewis Lee, Nikki Silver, Aaron L. Gilbert, Mike Jackson, Edward Tyler Nahem) — “Monster” is what the prosecutor calls 17 year old honors student and aspiring filmmaker Steve Harmon. Charged with felony murder for a crime he says he did not commit, the film follows his dramatic journey through a complex legal battle that could leave him spending the rest of his life in prison. Cast: Kelvin Harrison Jr., Jeffrey Wright, Jennifer Hudson, Rakim Mayers, Jennifer Ehle, Tim Blake Nelson. World Premiere

Monsters and Men / U.S.A. (Director and screenwriter: Reinaldo Marcus Green, Producers: Elizabeth Lodge Stepp, Josh Penn, Eddie Vaisman, Julia Lebedev, Luca Borghese) — This interwoven narrative explores the aftermath of a police killing of a black man. The film is told through the eyes of the bystander who filmed the act, an African-American police officer and a high-school baseball phenom inspired to take a stand. Cast: John David Washington, Anthony Ramos, Kelvin Harrison Jr., Chanté Adams, Nicole Beharie, Rob Morgan. World Premiere

Sorry to Bother You / U.S.A. (Director and screenwriter: Boots Riley, Producers: Nina Yang Bongiovi, Forest Whitaker, Charles King, George Rush, Jonathan Duffy, Kelly Williams) — In a speculative and dystopian not-too-distant future, black telemarketer Cassius Green discovers a magical key to professional success – which propels him into a macabre universe. Cast: Lakeith Stanfield, Tessa Thompson, Steven Yeun, Jermaine Fowler, Armie Hammer, Omari Hardwicke. World Premiere

The Tale / U.S.A. (Director and screenwriter: Jennifer Fox, Producers: Oren Moverman, Lawrence Inglee, Laura Rister, Mynette Louie, Sol Bondy, Simone Pero) — An investigation into one woman’s memory as she’s forced to re-examine her first sexual relationship and the stories we tell ourselves in order to survive; based on the filmmaker’s own story. Cast: Laura Dern, Isabel Nelisse, Jason Ritter, Elizabeth Debicki, Ellen Burstyn, Common. World Premiere

TYREL / U.S.A. (Director and screenwriter: Sebastian Silva, Producers: Jacob Wasserman, Max Born) — Tyler spirals out of control when he realizes he’s the only black person attending a weekend birthday party in a secluded cabin. Cast: Jason Mitchell, Christopher Abbott, Michael Cera, Caleb Landry Jones, Ann Dowd. World Premiere

WildlifeWildlife / U.S.A. (Director: Paul Dano, Screenwriters: Paul Dano, Zoe Kazan, Producers: Andrew Duncan, Alex Saks, Oren Moverman, Ann Ruark, Jake Gyllenhaal, Riva Marker) — Montana, 1960: A portrait of a family in crisis. Based on the novel by Richard Ford. Cast: Carey Mulligan, Ed Oxenbould, Bill Camp, Jake Gyllenhaal. World Premiere

U.S. DOCUMENTARY COMPETITION
Sixteen world-premiere American documentaries that illuminate the ideas, people and events that shape the present day. Films that have premiered in this category in recent years include Chasing Coral, Life, Animated, Cartel Land and City of Gold.

Bisbee ’17 / U.S.A. (Director and screenwriter: Robert Greene, Producers: Douglas Tirola, Susan Bedusa, Bennett Elliott) — An old mining town on the Arizona-Mexico border finally reckons with its darkest day: the deportation of 1200 immigrant miners exactly 100 years ago. Locals collaborate to stage recreations of their controversial past. Cast: Fernando Serrano, Laurie McKenna, Ray Family, Mike Anderson, Graeme Family, Richard Hodges. World Premier

Dark Money / U.S.A. (Director and screenwriter: Kimberly Reed, Producer: Katy Chevigny) — “Dark money” contributions, made possible by the U.S. Supreme Court’s Citizens United ruling, flood modern American elections – but Montana is showing Washington D.C. how to solve the problem of unlimited anonymous money in politics. World Premiere

The Devil yo KnowThe Devil We Know / U.S.A. (Director: Stephanie Soechtig, Producers: Kristin Lazure, Stephanie Soechtig, Joshua Kunau, Carly Palmour) — Unraveling one of the biggest environmental scandals of our time, a group of citizens in West Virginia take on a powerful corporation after they discover it has knowingly been dumping a toxic chemical — now found in the blood of 99.7% of Americans — into the local drinking water supply. World Premiere.

 

HalHal / U.S.A. (Director: Amy Scott, Producers: Christine Beebe, Jonathan Lynch, Brian Morrow) — Hal Ashby’s obsessive genius led to an unprecedented string of Oscar®-winning classics, including Harold and Maude, Shampoo and Being There. But as contemporaries Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby’s uncompromising nature played out as a cautionary tale of art versus commerce. World Premiere

Hale County This Morning, This Evening / U.S.A. (Director: RaMell Ross, Screenwriter: Maya Krinsky, Producers: Joslyn Barnes, RaMell Ross, Su Kim) — An exploration of coming-of-age in the Black Belt of the American South, using stereotypical imagery to fill in the landscape between iconic representations of black men and encouraging a new way of looking, while resistance to narrative suspends conclusive imagining – allowing the viewer to complete the film. World Premiere

Inventing Tomorrow / U.S.A. (Director: Laura Nix, Producers: Diane Becker, Melanie Miller, Laura Nix) — Take a journey with young minds from around the globe as they prepare their projects for the largest convening of high school scientists in the world, the Intel International Science and Engineering Fair (ISEF). Watch these passionate innovators find the courage to face the planet’s environmental threats while navigating adolescence. World Premiere. THE NEW CLIMATE

Kusama – Infinity / U.S.A. (Director and screenwriter: Heather Lenz, Producers: Karen Johnson, Heather Lenz, Dan Braun, David Koh) — Now one of the world’s most celebrated artists, Yayoi Kusama broke free of the rigid society in which she was raised, and overcame sexism, racism, and mental illness to bring her artistic vision to the world stage. At 88 she lives in a mental hospital and continues to create art. World Premiere

The Last Race / U.S.A. (Director: Michael Dweck, Producers: Michael Dweck, Gregory Kershaw) — A cinematic portrait of a small town stock car track and the tribe of drivers that call it home as they struggle to hold onto an American racing tradition. The avant-garde narrative explores the community and its conflicts through an intimate story that reveals the beauty, mystery and emotion of grassroots auto racing. World Premiere

Minding the Gap / U.S.A. (Director: Bing Liu, Producer: Diane Quon) — Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship. World Premiere

The Price of Everything / U.S.A. (Director: Nathaniel Kahn, Producers: Jennifer Blei Stockman, Debi Wisch, Carla Solomon) — With unprecedented access to pivotal artists and the white-hot market surrounding them, this film dives deep into the contemporary art world, holding a funhouse mirror up to our values and our times – where everything can be bought and sold.World Premiere

Seeing AllredSeeing Allred / U.S.A. (Directors: Sophie Sartain, Roberta Grossman, Producers: Roberta Grossman, Sophie Sartain, Marta Kauffman, Robbie Rowe Tollin, Hannah KS Canter) — Gloria Allred overcame trauma and personal setbacks to become one of the nation’s most famous women’s rights attorneys. Now the feminist firebrand takes on two of the biggest adversaries of her career, Bill Cosby and Donald Trump, as sexual violence allegations grip the nation and keep her in the spotlight. World Premiere

THREE IDENTICALThree Identical Strangers / U.S.A. (Director: Tim Wardle, Producer: Becky Read) — New York,1980: three complete strangers accidentally discover that they’re identical triplets, separated at birth. The 19-year-olds’ joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives – and could transform our understanding of human nature forever. World Premiere

WORLD CINEMA DRAMATIC COMPETITION
Twelve films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include The Nile Hilton Incident, Second Mother, Berlin Syndrome and The Lure.

 

Dead Pigs / China (Director and screenwriter: Cathy Yan, Producers: Clarissa Zhang, Jane Zheng, Zhangke Jia, Mick Aniceto, Amy Aniceto) — A bumbling pig farmer, a feisty salon owner, a sensitive busboy, an expat architect and a disenchanted rich girl converge and collide as thousands of dead pigs float down the river towards a rapidly-modernizing Shanghai, China. Based on true events. Cast: Vivian Wu, Haoyu Yang, Mason Lee, Meng Li, David Rysdahl. World Premiere

HolidayHoliday / Denmark, Netherlands, Sweden (Director: Isabella Eklöf, Screenwriters: Isabella Eklöf, Johanne Algren, Producer: David B. Sørensen) — A love triangle featuring the trophy girlfriend of a petty drug lord, caught up in a web of luxury and violence in a modern dark gangster tale set in the beautiful port city of Bodrum on the Turkish Riviera. Cast: Victoria Carmen Sonne, Lai Yde, Thijs Römer. World Premiere

Loveling / Brazil, Uruguay (Director: Gustavo Pizzi, Screenwriters: Gustavo Pizzi, Karine Teles, Producers: Tatiana Leite, Rodrigo Letier, Agustina Chiarino, Fernando Epstein) — On the outskirts of Rio de Janeiro, Irene has only a few days to overcome her anxiety and renew her strength before sending her eldest son out into the world. Cast: Karine Teles, Otavio Muller, Adriana Esteves, Konstantinos Sarris, Cesar Troncoso. World Premiere. 

Pity / Greece, Poland (Director: Babis Makridis, Screenwriters: Efthimis Filippou, Babis Makridis, Producers: Amanda Livanou, Christos V. Konstantakopoulos, Klaudia Śmieja, Beata Rzeźniczek) — The story of a man who feels happy only when he is unhappy: addicted to sadness, with such need for pity, that he’s willing to do everything to evoke it from others. This is the life of a man in a world not cruel enough for him. Cast: Yannis Drakopoulos, Evi Saoulidou, Nota Tserniafski, Makis Papadimitriou, Georgina Chryskioti, Evdoxia Androulidaki. World Premiere

The Queen of Fear / Argentina, Denmark (Directors: Valeria Bertuccelli, Fabiana Tiscornia, Screenwriter: Valeria Bertuccelli, Producers: Benjamin Domenech, Santiago Gallelli, Matias Roveda, Juan Vera, Juan Pablo Galli, Christian Faillace) — Only one month left until the premiere of The Golden Time, the long-awaited solo show by acclaimed actress Robertina. Far from focused on the preparations for this new production, Robertina lives in a state of continuous anxiety that turns her privileged life into an absurd and tumultuous landscape. Cast: Valeria Bertuccelli, Diego Velázquez, Gabriel Eduardo “Puma” Goity, Darío Grandinetti. World Premiere

RustRust / Brazil (Director: Aly Muritiba, Screenwriters: Aly Muritiba, Jessica Candal, Producer: Antônio Junior) — Tati and Renet were already trading pics, videos and music by their cellphones and on the last school trip they started making eye contact. However, what could be the beginning of a love story becomes an end. Cast: Giovanni De Lorenzi, Tifanny Dopke, Enrique Diaz, Clarissa Kiste, Duda Azevedo, Pedro Inoue. World Premiere

TIME SHARETime Share (Tiempo Compartido) / Mexico, Netherlands (Director: Sebastián Hofmann, Screenwriters: Julio Chavezmontes, Sebastián Hofmann, Producer: Julio Chavezmontes) — Two haunted family men join forces in a destructive crusade to rescue their families from a tropical paradise, after becoming convinced that an American timeshare conglomerate has a sinister plan to take their loved ones away. Cast: Luis Gerardo Mendez, Miguel Rodarte, Andrés Almeida, Cassandra Ciangherotti, Monserrat Marañon, R.J. Mitte. World Premiere

Un Traductor / Canada, Cuba (Directors: Rodrigo Barriuso, Sebastián Barriuso, Screenwriter: Lindsay Gossling, Producers: Sebastián Barriuso, Lindsay Gossling) — A Russian Literature professor at the University of Havana is ordered to work as a translator for child victims of the Chernobyl nuclear disaster when they are sent to Cuba for medical treatment. Based on a true story. Cast: Rodrigo Santoro, Maricel Álvarez, Yoandra Suárez. World Premiere

Yardie / United Kingdom (Director: Idris Elba, Screenwriters: Brock Norman Brock, Martin Stellman, Producers: Gina Carter, Robin Gutch) — Jamaica, 1973. When a young boy witnesses his brother’s assassination, a powerful Don gives him a home. Ten years later he is sent on a mission to London. He reunites with his girlfriend and their daughter, but then the past catches up with them. Based on Victor Headley’s novel. Cast: Aml Ameen, Shantol Jackson, Stephen Graham, Fraser James, Sheldon Shepherd, Everaldo Cleary. World Premiere

WORLD CINEMA DOCUMENTARY COMPETITION
Twelve documentaries by some of the most courageous and extraordinary international filmmakers working today. Films that have premiered in this category in recent years include Motherland, Last Men in Aleppo, Joshua: Teenager vs Superpower and Hooligan Sparrow.

A Polar Year / France (Director: Samuel Collardey, Screenwriters: Samuel Collardey, Catherine Paillé, Producer: Grégoire Debailly) — Anders leaves his native Denmark for a teaching position in rural Greenland. As soon as he arrives, he finds himself at odds with tightly-knit locals. Only through a clumsy and playful trial of errors can Anders shake his Euro-centric assumptions and embrace their snow-covered way of life. Cast: Anders Hvidegaard, Asser Boassen, Julius B. Nielsen, Tobias Ignatiussen, Thomasine Jonathansen, Gert Jonathansen. World Premiere

Anote’s Ark / Canada (Director: Matthieu Rytz, Producers: Bob Moore, Mila Aung-Thwin, Daniel Cross, Shari Plummer, Shannon Joy) — How does a nation survive being swallowed by the sea? Kiribati, on a low-lying Pacific atoll, will disappear within decades due to rising sea levels, population growth, and climate change. This exploration of how to migrate an entire nation with dignity interweaves personal stories of survival and resilience. World Premiere. THE NEW CLIMATE

The Cleaners / Germany, Brazil (Directors: Moritz Riesewieck, Hans Block, Screenwriters: Moritz Riesewieck, Hans Block, Georg Tschurtschenthaler, Producers: Christian Beetz, Georg Tschurtschenthaler, Julie Goldman, Christopher Clements, Fernando Dias, Mauricio Dias) — When you post something on the web, can you be sure it stays there? Enter a hidden shadow industry of digital cleaning, where the Internet rids itself of what it doesn’t like: violence, pornography and political content. Who is controlling what we see…and what we think? World Premiere

GenesisGenesis 2.0 / Switzerland (Directors: Christian Frei, Maxim Arbugaev, Producer: Christian Frei) — On the remote New Siberian Islands in the Arctic Ocean, hunters search for tusks of extinct mammoths. When they discover a surprisingly well-preserved mammoth carcass, its resurrection will be the first manifestation of the next great technological revolution: genetics. It may well turn our world upside down. World Premiere

MatangiMATANGI / MAYA / M.I.A. / Sri Lanka, United Kingdom, U.S.A. (Director: Stephen Loveridge, Producers: Lori Cheatle, Andrew Goldman, Paul Mezey) — Drawn from a never before seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions. World Premiere

The Oslo Diaries / Israel, Canada (Directors and screenwriters: Mor Loushy, Daniel Sivan, Producers: Hilla Medalia, Ina Fichman) — In 1992, Israeli-Palestinian relations reached an all time low. In an attempt to stop the bloodshed, a group of Israelis and Palestinians met illegally in Oslo. These meetings were never officially sanctioned and held in complete secrecy. They changed the Middle East forever. World Premiere

Our New President / Russia, U.S.A. (Director: Maxim Pozdorovkin, Producers: Maxim Pozdorovkin, Joe Bender) — The story of Donald Trump’s election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian media that reveals an empire of fake news and the tactics of modern-day information warfare. World Premiere. 

 

Westwood / United Kingdom (Director: Lorna Tucker, Producers: Eleanor Emptage, Shirine Best, Nicole Stott, John Battsek) — Dame Vivienne Westwood: punk, icon, provocateur and one of the most influential originators in recent history. This is the first film to encompass the remarkable story of one of the true icons of our time, as she fights to maintain her brand’s integrity, her principles – and her legacy. World Premiere

A Woman Captured / Hungary (Director and screenwriter: Bernadett Tuza-Ritter, Producers: Julianna Ugrin, Viki Réka Kiss, Erik Winker, Martin Roelly) — A European woman has been kept by a family as a domestic slave for 10 years – one of over 45 million victims of modern-day slavery. Drawing courage from the filmmaker’s presence, she decides to escape the unbearable oppression and become a free person. North American Premiere

NEXT
Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Digital technology paired with unfettered creativity promises that the films in this section will shape a “greater” next wave in American cinema. Films that have premiered in this category in recent years include A Ghost Story, Tangerine and A Girl Walks Home Alone At Night. Presented by Adobe.

306 Hollywood / U.S.A., Hungary (Directors: Elan Bogarín, Jonathan Bogarín, Screenwriters: Jonathan Bogarín, Elan Bogarín, Nyneve Laura Minnear, Producers: Elan Bogarín, Jonathan Bogarín, Judit Stalter) — When two siblings undertake an archaeological excavation of their late grandmother’s house, they embark on a magical-realist journey from her home in New Jersey to ancient Rome, from fashion to physics, in search of what life remains in the objects we leave behind. World Premiere. DAY ONE

A Boy, A Girl, A DreamA Boy, A Girl, A Dream. / U.S.A. (Director: Qasim Basir, Screenwriters: Qasim Basir, Samantha Tanner, Producer: Datari Turner) — On the night of the 2016 Presidential election, Cass, an L.A. club promoter, takes a thrilling and emotional journey with Frida, a Midwestern visitor. She challenges him to revisit his broken dreams – while he pushes her to discover hers. Cast: Omari Hardwick, Meagan Good, Jay Ellis, Kenya Barris, Dijon Talton, Wesley Jonathan. World Premiere

An Evening With Beverly Luff Linn / United Kingdom, U.S.A. (Director: Jim Hosking, Screenwriters: Jim Hosking, David Wike, Producers: Sam Bisbee, Theodora Dunlap, Oliver Roskill, Emily Leo, Lucan Toh, Andy Starke) — Lulu Danger’s unsatisfying marriage takes a fortunate turn for the worse when a mysterious man from her past comes to town to perform an event called ‘An Evening With Beverly Luff Linn For One Magical Night Only.’ Cast: Aubrey Plaza, Emile Hirsch, Jemaine Clement, Matt Berry, Craig Robinson. World Premiere

Clara's GhostClara’s Ghost / U.S.A. (Director and screenwriter: Bridey Elliott, Producer: Sarah Winshall) — Set over the course of a single evening at the Reynolds’ family home in Connecticut, Clara, fed up with the constant ribbing from her self-absorbed showbiz family, finds solace in and guidance from the supernatural force she believes is haunting her. Cast: Paula Niedert Elliott, Chris Elliott, Abby Elliott, Bridey Elliott, Haley Joel Osment, Isidora Goreshter. World Premiere

Madeline’s Madeline / U.S.A. (Director and screenwriter: Josephine Decker, Producers: Krista Parris, Elizabeth Rao) — Madeline got the part! She’s going to play the lead in a theater piece! Except the lead wears sweatpants like Madeline’s. And has a cat like Madeline’s. And is holding a steaming hot iron next to her mother’s face – like Madeline is. Cast: Helena Howard, Molly Parker, Miranda July, Okwui Okpokwasili, Felipe Bonilla, Lisa Tharps. World Premiere

Night Comes On / U.S.A. (Director: Jordana Spiro, Screenwriters: Jordana Spiro, Angelica Nwandu, Producers: Jonathan Montepare, Alvaro R. Valente, Danielle Renfrew Behrens) — Angel LaMere is released from juvenile detention on the eve of her 18th birthday. Haunted by her past, she embarks on a journey with her 10 year-old sister that could destroy their future. Cast: Dominique Fishback, Tatum Hall, John Earl Jelks, Max Casella, James McDaniel. World Premiere

Skate KitchenSkate Kitchen / U.S.A. (Director: Crystal Moselle, Screenwriters: Crystal Moselle, Ashlihan Unaldi, Producers: Lizzie Nastro, Izabella Tzenkova, Julia Nottingham, Matthew Perniciaro, Michael Sherman, Rodrigo Teixeira) — Camille’s life as a lonely suburban teenager changes dramatically when she befriends a group of girl skateboarders. As she journeys deeper into this raw New York City subculture, she begins to understand the true meaning of friendship as well as her inner self. Cast: Rachelle Vinberg, Dede Lovelace, Jaden Smith, Nina Moran, Ajani Russell, Kabrina Adams. World Premiere

We The AnimalsWe The Animals / U.S.A. (Director: Jeremiah Zagar, Screenwriters: Daniel Kitrosser, Jeremiah Zagar, Producers: Jeremy Yaches, Christina D. King, Andrew Goldman, Paul Mezey) — Us three, us brothers, us kings. Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own. Cast: Raul Castillo, Sheila Vand, Evan Rosado, Isaiah Kristian, Josiah Santiago. World Premiere

White RabbitWhite Rabbit / U.S.A. (Director: Daryl Wein, Screenwriters: Daryl Wein, Vivian Bang, Producers: Daryl Wein, Vivian Bang) —A dramatic comedy following a Korean American performance artist who struggles to be authentically heard and seen through her multiple identities in modern Los Angeles. Cast: Vivian Bang, Nana Ghana, Nico Evers-Swindel, Tracy Hazas, Elizabeth Sung, Michelle Sui. World Premiere

PREMIERES
A showcase of world premieres of some of the most highly anticipated narrative films of the coming year. Films that have premiered in this category in recent years include The Big Sick, Call Me By Your Name, Boyhood and Mudbound.

The Long Dumb Road / U.S.A. (Director: Hannah Fidell, Screenwriters: Hannah Fidell, Carson Mell, Producers: Hannah Fidell, Jacqueline “JJ” Ingram, Jonathan Duffy, Kelly Williams) — Two very different men, at personal crossroads, meet serendipitously and take an unpredictable journey through the American Southwest. Cast: Tony Revolori, Jason Mantzoukas, Taissa Farmiga, Grace Gummer, Ron Livingston, Casey Wilson, Ciara Bravo. World Premiere

Private Life / U.S.A. (Director and screenwriter: Tamara Jenkins, Producers: Anthony Bregman, Stefanie Azpiazu) — A couple in the throes of infertility try to maintain their marriage as they descend deeper into the weird world of assisted reproduction and domestic adoption. When their doctor suggests third-party reproduction, they bristle. But when Sadie, a recent college dropout, re-enters their life, they reconsider. Cast: Kathryn Hahn, Paul Giamatti, Molly Shannon, John Carroll Lynch, Kayli Carter. World Premiere

A Kid Like Jake / U.S.A. (Director: Silas Howard, Screenwriter: Daniel Pearle, Producers: Jim Parsons, Todd Spiewak, Eric Norsoph, Paul Bernon, Rachel Song) — As married couple Alex and Greg navigate their roles as parents to a young son who prefers Cinderella to G.I. Joe, a rift grows between them, one that forces them to confront their own concerns about what’s best for their child, and each other. Cast: Claire Danes, Jim Parsons, Octavia Spencer, Priyanka  Chopra, Ann Dowd, Amy Landecker. World Premiere

Beirut / U.S.A. (Director: Brad Anderson, Screenwriter: Tony Gilroy) — A U.S. diplomat flees Lebanon in 1972 after a tragic incident at his home. Ten years later, he is called back to war-torn Beirut by CIA operatives to negotiate for the life of a friend he left behind. Cast: Jon Hamm, Rosamund Pike, Shea Whigham, Dean Norris. World Premiere

The Catcher Was a Spy / U.S.A. (Director: Ben Lewin, Screenwriter: Robert Rodat, Producers: Kevin Frakes, Tatiana Kelly, Buddy Patrick, Jim Young) — The true story of Moe Berg – professional baseball player, Ivy League graduate, attorney who spoke nine languages – and a top-secret spy for the OSS who helped the U.S. win the race against Germany to build the atomic bomb. Cast: Paul Rudd, Mark Strong, Sienna Miller, Jeff Daniels, Guy Pearce, Paul Giamatti. World Premiere

Colette / United Kingdom (Director: Wash Westmoreland, Screenwriters: Wash Westmoreland, Richard Glatzer, Producers: Pamela Koffler, Christine Vachon, Elizabeth Karlsen, Stephen Woolley) — A young country woman marries a famous literary entrepreneur in turn-of-the-century Paris: At her husband’s request, Colette pens a series of bestselling novels published under his name. But as her confidence grows, she transforms not only herself and her marriage, but the world around her. Cast: Keira Knightley, Dominic West, Fiona Shaw, Denise Gough, Elinor Tomlinson, Aiysha Hart. World Premiere

Come Sunday / U.S.A. (Director: Joshua Marston, Screenwriter: Marcus Hinchey, Producers: Ira Glass, Alissa Shipp, Julie Goldstein, James Stern, Lucas Smith, Cindy Kirven) — Internationally-renowned pastor Carlton Pearson — experiencing a crisis of faith — risks his church, family and future when he questions church doctrine and finds himself branded a modern-day heretic. Based on actual events. Cast: Chiwetel Ejiofor, Danny Glover, Condola Rashad, Jason Segel, Lakeith Stanfield, Martin Sheen. World Premiere

DAMSELDamsel / U.S.A. (Directors and screenwriters: David Zellner, Nathan Zellner, Producers: Nathan Zellner, Chris Ohlson, David Zellner) — Samuel Alabaster, an affluent pioneer, ventures across the American Frontier to marry the love of his life, Penelope. As Samuel, a drunkard named Parson Henry and a miniature horse called Butterscotch traverse the Wild West, their once-simple journey grows treacherous, blurring the lines between hero, villain and damsel. Cast: Robert Pattinson, Mia Wasikowska, David Zellner, Robert Forster, Nathan Zellner, Joe Billingiere. World Premiere

Don’t Worry, He Won’t Get Far On Foot / U.S.A. (Director: Gus Van Sant, Screenwriters: Gus Van Sant (screenplay), John Callahan (biography), Producers: Charles-Marie Anthonioz, Mourad Belkeddar, Steve Golin, Nicolas Lhermitte) — John Callahan has a talent for off-color jokes…and a drinking problem. When a bender ends in a car accident, Callahan wakes permanently confined to a wheelchair. In his journey back from rock bottom, Callahan finds beauty and comedy in the absurdity of human experience. Cast: Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black. World Premiere

Futile and Stupid Gesture / U.S.A. (Director: David Wain, Screenwriters: John Aboud, Michael Colton, Producers: Peter Principato, Jonathan Stern) — The story of comedy wunderkind Doug Kenney, who co-created the National Lampoon, Caddyshack, and Animal House. Kenney was at the center of the 70’s comedy counter-culture which gave birth to Saturday Night Live and a whole generation’s way of looking at the world. Cast: Will Forte, Martin Mull, Domhnall Gleeson, Matt Walsh, Joel McHale, Emmy Rossum. World Premiere

The Happy PrinceThe Happy Prince / Germany, Belgium, Italy (Director and screenwriter: Rupert Everett) — The last days of Oscar Wilde—and the ghosts haunting them—are brought to vivid life. His body ailing, Wilde lives in exile, surviving on the flamboyant irony and brilliant wit that defined him as the transience of lust is laid bare and the true riches of love are revealed. Cast: Colin Firth, Emily Watson, Colin Morgan, Edwin Thomas, Rupert Everett. World Premiere

Hearts Beat Loud / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch, Producers: Houston King, Sam Bisbee, Sam Slater) — In Red Hook, Brooklyn, a father and daughter become an unlikely songwriting duo in the last summer before she leaves for college. Cast: Nick Offerman, Kiersey Clemons, Ted Danson, Sasha Lane, Blythe Danner, Toni Collette. World Premiere

Juliet, Naked / United Kingdom (Director: Jesse Peretz, Screenwriters: Tamara Jenkins, Jim Taylor, Phil Alden Robinson, Evgenia Peretz, Producers: Judd Apatow, Barry Mendel, Albert Berger, Ron Yerxa) — Annie is the long-suffering girlfriend of Duncan, an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker’s celebrated record from 25 years ago surfaces, its release leads to an encounter with the elusive rocker himself. Based on the novel by Nick Hornby. Cast: Rose Byrne, Ethan Hawke, Chris O’Dowd. World Premiere

OPHELIAOphelia / United Kingdom (Director: Claire McCarthy, Screenwriter: Semi Chellas, Producers: Daniel Bobker, Sarah Curtis, Ehren Kruger, Paul Hanson) — A mythic spin on Hamlet through a lens of female empowerment: Ophelia comes of age as lady-in-waiting for Queen Gertrude, and her singular spirit captures Hamlet’s affections. As lust and betrayal threaten the kingdom, Ophelia finds herself trapped between true love and controlling her own destiny. Cast: Daisy Ridley, Naomi Watts, Clive Owen, George MacKay, Tom Felton, Devon Terrell. World Premiere

Puzzle / U.S.A. (Director: Marc Turtletaub, Screenwriter: Oren Moverman, Producers: Peter Saraf, Wren Arthur, Guy Stodel) — Agnes, taken for granted as a suburban mother, discovers a passion for solving jigsaw puzzles which unexpectedly draws her into a new world – where her life unfolds in ways she could never have imagined. Cast: Kelly Macdonald, Irrfan Khan, David Denman, Bubba Weiler, Austin Abrams, Liv Hewson. World Premiere

Untitled Debra Granik Project / U.S.A. (Director: Debra Granik, Screenwriters: Debra Granik, Anne Rosellini, Producers: Anne Harrison, Linda Reisman, Anne Rosellini) — A father and daughter live a perfect but mysterious existence in Forest Park, a beautiful nature reserve near Portland, Oregon, rarely making contact with the world. A small mistake tips them off to authorities sending them on an increasingly erratic journey in search of a place to call their own. Cast: Ben Foster, Thomasin Harcourt McKenzie, Jeff Korber, Dale Dickey. World Premiere

What They Had / U.S.A. (Director and screenwriter: Elizabeth Chomko) — Bridget returns home to Chicago at her brother’s urging to deal with her mother’s Alzheimer’s and her father’s reluctance to let go of their life together. Cast: Hilary Swank, Michael Shannon, Blythe Danner, Robert Forster. World Premiere

DOCUMENTARY PREMIERES
Renowned filmmakers and films about far-reaching subjects comprise this section highlighting our ongoing commitment to documentaries. Films that have premiered in this category in recent years include An Inconvenient Sequel, The Hunting Ground, Going Clear and What Happened, Miss Simone?

Akicita: The Battle of Standing Rock / U.S.A. (Director: Cody Lucich, Producers: Heather Rae, Gingger Shankar, Ben-Alex Dupris) — Standing Rock, 2016: the largest Native American occupation since Wounded Knee. Thousands of activists, environmentalists and militarized police descend on the Dakota Access Pipeline in a standoff between oil corporations and a new generation of Native Warriors. This chronicle captures the sweeping struggle, spirit and havoc of a People’s uprising. World Premiere. THE NEW CLIMATE

Bad Reputation / U.S.A. (Director: Kevin Kerslake, Screenwriter: Joel Marcus, Producers: Peter Afterman, Carianne Brinkman) — A look at the life of Joan Jett, from her early years as the founder of The Runaways and first meeting collaborator Kenny Laguna in 1980 to her enduring presence in pop culture as a rock ‘n’ roll pioneer . World Premiere

Believer / U.S.A. (Director: Don Argott, Producers: Heather Parry, Sheena M. Joyce, Robert Reynolds) — Imagine Dragons’ Mormon frontman Dan Reynolds is taking on a new mission to explore how the church treats its LGBTQ members. With the rising suicide rate amongst teens in the state of Utah, his concern with the church’s policies sends him on an unexpected path for acceptance and change. World Premiere

Chef FlynnChef Flynn / U.S.A. (Director: Cameron Yates, Producer: Laura Coxson) — Ten-year-old Flynn transforms his living room into a supper club, using his classmates as line cooks and serving a tasting menu foraged from his neighbors’ backyards. With sudden fame, Flynn outgrows his bedroom kitchen and mother’s camera, and sets out to challenge the hierarchy of the culinary world. World Premiere

The Game Changers / U.S.A. (Director: Louie Psihoyos, Screenwriters: Mark Monroe, Joseph Pace, Producers: Joseph Pace, James Wilks) — James Wilks, an elite special forces trainer and winner of The Ultimate Fighter, embarks on a quest for the truth in nutrition and uncovers the world’s most dangerous myth. World Premiere

Generation Wealth / U.S.A. (Director: Lauren Greenfield, Producers: Lauren Greenfield, Frank Evers) — Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom–bust economy, the corrupted American Dream and the human costs of late stage capitalism, narcissism and greed. World Premiere. DAY ONE

Half The Picture / U.S.A. (Director: Amy Adrion, Producers: Amy Adrion, David Harris) — At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally. World Premiere

Jane Fonda in Five Acts / U.S.A. (Director: Susan Lacy, Producers: Susan Lacy, Jessica Levin, Emma Pildes) — Girl next door, activist, so-called traitor, fitness tycoon, Oscar winner: Jane Fonda has lived a life of controversy, tragedy and transformation – and she’s done it all in the public eye. An intimate look at one woman’s singular journey. World Premiere

King In The Wilderness / U.S.A. (Director: Peter Kunhardt, Producers: George Kunhardt, Teddy Kunhardt) From the passage of the Voting Rights Act in 1965 to his assassination in 1968, Martin Luther King, Jr. remained a man with an unshakeable commitment to nonviolence in the face of an increasingly unstable country. A portrait of the last years of his life. World Premiere

Quiet HeroesQuiet Heroes / U.S.A. (Director: Jenny Mackenzie, Co-Directors: Jared Ruga, Amanda Stoddard, Producers: Jenny Mackenzie, Jared Ruga, Amanda Stoddard) — In Salt Lake City, Utah, the socially conservative religious monoculture complicated the AIDS crisis, where patients in the entire state and intermountain region relied on only one doctor. This is the story of her fight to save a maligned population everyone else seemed willing to just let die. World Premiere

RBG / U.S.A. (Directors and producers: Betsy West, Julie Cohen) — An intimate portrait of an unlikely rock star: Justice Ruth Bader Ginsburg. With unprecedented access, the filmmakers show how her early legal battles changed the world for women. Now this 84-year-old does push-ups as easily as she writes blistering dissents that have earned her the title “Notorious RBG.” World Premiere

Robin Williams: Come Inside My Mind / U.S.A. (Director: Marina Zenovich, Producers: Alex Gibney, Shirel Kozak) — This intimate portrait examines one of the world’s most beloved and inventive comedians. Told largely through Robin’s own voice and using a wealth of never-before-seen archive, the film takes us through his extraordinary life and career and reveals the spark of madness that drove him. World Premiere

STUDIO 54STUDIO 54 / U.S.A. (Director: Matt Tyrnauer, Producers: Matt Tyrnauer, John Battsek, Corey Reeser) — Studio 54 was the pulsating epicenter of 1970s hedonism: a disco hothouse of beautiful people, drugs, and sex. The journeys of Ian Schrager and Steve Rubell — two best friends from Brooklyn who conquered New York City — frame this history of the “greatest club of all time.” World Premiere

Won’t You Be My Neighbor? / U.S.A. (Director: Morgan Neville, Producers: Caryn Capotosto, Nicholas Ma) — Fred Rogers used puppets and play to explore complex social issues: race, disability, equality and tragedy, helping form the American concept of childhood. He spoke directly to children and they responded enthusiastically. Yet today, his impact is unclear. Have we lived up to Fred’s ideal of good neighbors? World Premiere. SALT LAKE CITY OPENING NIGHT FILM

MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include The Little Hours, The Babadook and Get Out.

Arizona / U.S.A. (Director: Jonathan Watson, Screenwriter: Luke Del Tredici, Producers: Dan Friedkin, Bradley Thomas, Ryan Friedkin, Danny McBride, Brandon James) — Set in the midst of the 2009 housing crisis, this darkly comedic story follows Cassie Fowler, a single mom and struggling realtor whose life goes off the rails when she witnesses a murder. Cast: Danny McBride, Rosemarie DeWitt, Luke Wilson, Lolli Sorenson, Elizabeth Gillies, Kaitlin Olson. World Premiere

Assassination Nation / U.S.A. (Director and screenwriter: Sam Levinson, Producers: David Goyer, Anita Gou, Kevin Turen, Aaron L. Gilbert, Matthew J. Malek) — This is a one-thousand-percent true story about how the quiet, all-American town of Salem, Massachusetts, absolutely lost its mind. Cast: Odessa Young, Suki Waterhouse, Hari Nef, Abra, Bill Skarsgard, Bella Thorne. World Premiere

MANDYMandy / Belgium, U.S.A. (Director: Panos Cosmatos, Screenwriters: Panos Cosmatos, Aaron Stewart-Ahn, Producers: Daniel Noah, Josh Waller, Elijah Wood, Nate Bolotin, Adrian Politowski) — Pacific Northwest. 1983 AD. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence. When their pine-scented haven is savagely destroyed by a cult led by the sadistic Jeremiah Sand, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire. Cast: Nicolas Cage, Andrea Riseborough, Linus Roache, Olwen Fouéré, Richard Brake, Bill Duke. World Premiere

Never Goin’ Back / U.S.A.  (Director and screenwriter: Augustine Frizzell, Producers: Toby Halbrooks, Liz Cardenas , James Johnston, David Lowery) — Jessie and Angela, high school dropout BFFs, are taking a week off to chill at the beach. Too bad their house got robbed, rent’s due, they’re about to get fired and they’re broke. Now they’ve gotta avoid eviction, stay out of jail and get to the beach, no matter what!!! Cast: Maia Mitchell, Cami Morrone, Kyle Mooney, Joel Allen, Kendal Smith, Matthew Holcomb. World Premiere

Piercing / U.S.A. (Director and screenwriter: Nicolas Pesce, Producers: Josh Mond, Antonio Campos, Schuyler Weiss, Jake Wasserman) — In this twisted love story, a man seeks out an unsuspecting stranger to help him purge the dark torments of his past. His plan goes awry when he encounters a woman with plans of her own. A playful psycho-thriller game of cat-and-mouse based on Ryu Murakami’s novel. Cast: Christopher Abbott, Mia Wasikowska, Laia Costa, Marin Ireland, Maria Dizzia, Wendell Pierce. World Premiere

Revenge / France (Director and screenwriter: Coralie Fargeat, Producers: Marc-Etienne Schwartz, Jean-Yves Robin, Marc Stanimirovic) — Three wealthy married men get together for their annual hunting game in a desert canyon. This time, one of them has brought along his young mistress, who quickly arouses the interest of the other two. Things get dramatically out of hand as a hunting game turns into a ruthless manhunt. Cast: Matilda Lutz, Kevin Janssens, Vincent Colombe, Guillaume Bouchede, Jean-Louis Tribes. Utah Premiere

Summer of '84Summer of ’84 / Canada, U.S.A. (Directors: Francois Simard, Anouk Whissell, Yoann Whissell, Screenwriters: Matt Leslie, Stephen J. Smith, Producers: Shawn Williamson, Jameson Parker, Matt Leslie, Van Toffler, Cody Zwieg) — Summer, 1984: a perfect time to be a carefree 15-year-old. But when neighborhood conspiracy theorist Davey Armstrong begins to suspect his police officer neighbor might be the serial killer all over the local news, he and his three best friends begin an investigation that soon turns dangerous. Cast: Graham Verchere, Judah Lewis, Caleb Emery, Cory Grüter-Andrew, Tiera Skovbye, Rich Sommer. World Premiere

SUNDANCE FILM FESTIVAL 2018 | PARK CITY, UTAH | JANUARY 2018 | 

Bitch (2017)

Dir.: Marianna Palka; Cast: Marianna Palka, Jason Ritter, Jaime King, USA 2017, 93 min.

Writer and director Marianna Palka (Good Dick) also stars in her anarchic portrait of a woman pushed aside by her husband once too often. BITCH is a slim but taut and deftly-handled feminist parable – the sheer pace and untamed aggression making it gripping and watchable.

Jill (Palka) runs home and kids for her husband Bill (Ritter), who works for a city corporation and is hardly ever home. Spending most of his time in the office, he sexually exploits a dependent co-worker into the bargain. When she gets sacked in a widespread office cull, Bill puts in a good word for her, but is rebuffed by the boss and vents his frustration on his wife, undeservedly calling her a bitch. Something snaps in Jill and she turns into a vicious virago, making life hell for husband and four children, whom she has served efficiently for so long. Moving into the cellar of the family home, Jill starts growling and behaving like a violent dog. The family is obviously shocked, and Jill’s sister Beth (King) suggests a psychiatric home. But Bill is against the idea – what would the neighbours think?. But his absence from work costs him his job, and when his lover arrives, inquiring caringly about his wellbeing, Jill ‘smells’ her presence and goes berserk. Scots actress Palka is astonishly convincing in both animal and human form, and shows how ultimately behaviour, rather than negotiation, is sometimes the only way to bring change. DoP Armando Salas assists with a handheld camera, capturing the human dog during long runs through the neighbourhood. The jazz score by Morgan Z. Whirledge is just right for this explosive tale which should send alarm bells to all males of the human variety. MT

NOW ON GENERAL RELEASE FROM 13 OCTOBER 2017

Pop Aye (2017) | BFI London Film Festival 2017

Dir: Kirsten Tan | Drama | Singapore/Thailand | Thaneth Warakulnukroh, Penpak Sirikul, Bong | 104′

Kirsten Tan’s enchanting film debut follows a disillusioned romantic and his elephant across Thailand on a mission to connect with the past. This deceptively simple tale has so much to say, most of it non-verbally, about the ennui of urban life and nostalgia for love, and does so with an understated gracefulness of touch, a distinct visual style and an astringent humour that shows considerable maturity and insight. Clearly she has thought a great deal about her script and subtle characterisations, and it shows.

World-weary Thana (Warakulnukroh) lives a banal existence in plastic Bangkok. Once a well-known architect, his marriage to a shopaholic (Sirikul) is soul-destroying, and his clients now prefer technology to his personal approach. One day he leaves home and just keeps on going, reuniting on the way with his childhood pet Popeye (Bong), a fairground elephant destined for the scrapheap. The two become soulmates in their eventful journey back to Thana’s hometown of Loei, where faded flashbacks reveal how Popeye joined their village life after his mother was shot dead.

Thana opens his diatribe on the perils of city living, in the first of several encounters with helpful strangers the unlikely couple meet along the way. Another more spiritual interlude involves a Buddhist pauper Dee (Khumdee) who senses his end is nigh and whose final wish is to see his estranged girlfriend, who redeems herself in the final scenes, along with Thana’s long-lost uncle (Pongpab) who has a few surprises up his sleeve. Meanwhile, the police take constant potshots at Popeye: roving elephants are regarded as a ‘threat to the public tidiness’, as they continue their illuminating journey. Chananun Chotrungroj’s clever camerawork draws similarities between the misty landscape and Popeye’s vast hindquarters, uniting beast and countryside in a metaphor for Thailand’s lost rural traditions, in poignant contrast to the brash and alienating march of progress unfurling in Bangkok’s glitzy skyline.

Tan’s characters are as subtle and complex as every one of us, and each brings out a new dimension in her story, revealing bittersweet ironies and universal truths, but always with spry humour. And all the while, Popeye is the sad reminder of the country’s past, seen through his knowing gaze and gentle demeanour. MT

NOW SCREENING AT THE BFI LONDON FILM FESTIVAL 4 0CT0BER – 15 OCTOBER 2017

Quest (2017)

Dir.: Jonathan Olshefski; Documentary; USA 2017, 105 min.

What started as a chance encounter – when Olshefski was teaching photography in North Philadelphia – has turned into a documentary about the Rainey family: black, broke but incredibly creative and resourceful. QUEST is not just another opportunity for a white outsider to wax lyrical about deprivation, but a project born out of common interests.

Chris Rainey runs a small home recording studio where budding neighbourhood talents are try to find a way into the professional rapper scene. Whilst the studio is a labour of love, Chris makes a living as a newspaper deliverer – combing art and survival in the same way as former construction worker Olshefski – in order to finance his art projects. The director “could relate to the juggle of the passion project and the day job”. Aware “of the long history of privileged filmmakers going into communities that are not their own”, he avoids marginalising North Philly and the Rainey family, but tells instead a story which is as much about their friendship as the town itself, which he hopes will benefit from QUEST.

‘Ma’ Christine’ Rainey is the pragmatist in the family, working in a badly paid Shelter job, she has learned to economise on all levels. Her arms were badly burned in an domestic accident but she remains stoical, whereas her husband Chris is the dreamer, running his studio with near religious faith. When the matriarch’s oldest son, twenty-one year old William, is diagnosed with a cancerous brain tumour, Ma springs into action. William, whose first child has just been born, is despondent. He even gets a tattoo with a warning sign for chemical pollution, declaring himself a ‘dangerous zone’

. Olshefski workimg as his own DoP and sound designer, wanted to close the project after the re-election of Barack Obama, but a new misfortune struck the Rainey family: their teenage daughter Pearl (P.J.) was hit by a stray bullet and lost an eye. In one of the most harrowing moments of QUEST, Chris recalls his daughter’s first words after he rushed to her aid: “Daddy, I am sorry, I got shot”.

But QUEST is also a celebration of life: when Pearl comes home after a lengthy hospital stay, the street party to welcome her back is something to behold. The discussion between the couple about Pearl’s burgeoning homosexuality is surprisingly rational, Ma blaming her husband “for always obstructing me, when I wanted her to wear some more feminine clothes”. Nevertheless, Pearl would graduate, choosing her own way. When Chris is interrogated by white police officers the tension shows– even though Chis has always supported the police and attended demonstrations against gun violence in their neighbourhood, the friction between police and citizens is always simmering.

Without the frills or mannerism that often accompany this kind of self-styled cinema-verite project, QUEST is exactly what Olshefski planned it to be: “the only agenda is to provide the viewer the opportunity to connect to these incredible individuals and share the love I have for them. This is what I want the viewer to take away. These are people whose voices should be heard.” Olshefski thus avoids a political sermon and just makes do with what he found – which is more than enough. AS

ON RELEASE NATIONWIDE FROM 18 AUGUST 2017

Patti Cake$ (2017)

Dir: Geremy Jasper | Cast: Danielle Macdonald, Bridget Everett | Siddarth Dharanjay | Drama | 108′

PATTI CAKE$ follows a common formula: a depressed and overweight girl has aspirations of making it in the music business with hopes kindled by the likes of X Factor. This is not New York City but the backwaters of New Jersey, where our heroine’s day job is in a bottom-feeders downtown bar.

With the buzz around celebritiy status, these kind of ‘talent discovery’  films are becoming predictably schematic: on one level they feed the dreams of the disenchanted, but in a world where everyone can become a star, the firmament gets rather overheated. And this is the case with PATTI CAKE$ which is sparky, well-made and cinematic, a bit saggy in the middle – you may doze off – but otherwise perfectly decent. The main character Patti, also known as Killer P, Dumbo and Patricia (newcomer Danielle MacDonald) is, as usual, bored with her humdrum existence at home with skanky mom Barb (Bridget Everett) and fag-smoking grandma (Cathy Moriarty) who is laid up in bed unable to pay her medical bills. So far, so convincing. Patti’s best mates with the local chemist Hareesh (Siddharth Dhananjay) who joins around with her when she comes in for grandma’s drugs, then joins her in a sudden outlandish ‘star-quest’ to the Big City.

But where is the evidence of Patricia’s musical talents, or grafting towards a career in that direction? Apart from noting down a few lines in a notebook, there is no backstory or history that makes us want to root for her as a budding star, or any great tunes – for that matter. Patti’s dream rapper is also a fictional star, rather than a real one, and a cypher into the bargain, adding further bum notes to this musical drama. Then we’re led to believe that her Black mate and ‘enabler’ Bob, aka the Antichrist, is some charismatic mystical charmer who ends up having little to say – let alone sing or play.

After a few setbacks, the action culminates in a showcase rap competition where her mother is grafted in to aid and abet proceedings with her trusty lung power, consoling the teary two in a crowd-pleasing finale. PATTI CAKE$ works as light entertainment but certainly no standout, as we were led to believe by the Sundance hype earlier on this year. MT

ON RELEASE 1 SEPTEMBER 2017

 

City of Ghosts (2017)

Dir. Matthew Heineman. Doc | US, 2017 | 90 mins

City Of Ghosts is Raqqa, where a group of citizen journalists risked their lives to report the reality of their home town in thrall to ISIS which had seized power in 2014 during the vacuum left when the people rose up in the Arab Spring, particularly- in this case, against 40 years of control by Syrian dictator Bashar Al Assad.

Heinemann’s documentary portrait follows similar lines to his award-winning Cartel Land (2015) which explored the troubled Mexican Border of the US. Meanwhile, back in Syria, these middle-class and well-funded young men: campaigner and self-confessed troublemaker Aziz; Hamoud; Hussam and Mohamed set up RBSS or Raqqa is Being Slaughtered Silently to report live events going on in a city where official journalists are banned, unlike in Aleppo and Mosul. Sadly, they are all now in exile, if they haven’t already lost their lives.

The film takes us through chronological events with photos, footage and phonecalls to paint a picture of horrific violence, disease – caused by hospital shutdowns and food shortages – and general mayhem as ISIS reduce the quiet and beloved hometown to disaster and poverty.

Heineman reveals the astonishing phenomenon of the ‘Caliphate Cubs’ – kids trained to kill in the name of ISIS – one alarming scene shows a tot ‘cutting the throat’ of a soft toy – and there is also disturbing footage of beheading and crucifixions, and worse still, ‘Hollywood-style’ sensationalised footage recorded by ISIS of slaughter and shootings staged in the city centre nearby desert settings.

Despite its modest running time, it feels churlish to admit that the documentary often drags when following the mens’ undercover activities in ‘safe houses’ in Turkey and Germany, and although their plight is clearly mortifying, there is a tendency to over-egg their emotional reactions behind the scenes. The group finds that the countries of self-imposed exile are not always as sympathetic to their cause as they had hoped, given the associated atrocities caused by ISIS in Germany and France.

Clearly RBSS are a laudable organisation and Aziz makes it clear in the final scene that while ISIS has currently been defeated, the situation is unlikely to change while the fundamentals remain the same, and the power that be fail to recognise that democracy and not despotism is the way forward in the Middle East. MT

ON GENERAL RELEASE FROM 21 JULY 2017

 

Resilience (2016)

Dir.: James Redford | Documentary | USA 2016 | 60 min.

First time director James Redford – son of Robert – charters the development of the movement based on the work by Dr. Vincente Filetti and Dr. Robert Anda, developing a public mental health campaign nationwide in the USA that focused on what they discovered in their research on Adverse Childhood Experiences (ACE).

The original research revealed worrying results about adults who were later diagnosed with severe physical illnesses such as cancer and cardio-vascular disease. It emerges that over a quarter of these came from homes where substance abuse was common; maternal physical abuse and sexual abuse also came to light.

Based on this research on Adverse Childhood Experiences, Dr. Jack Shoncoff founded The Centre on the Developing Child at Harvard University and named this syndrome ‘Toxic Stress’. This is a condition that arises from the constant presence of adrenaline in the bloodstream that leads to adrenal overload. Over a long time period the condition damages neurons and increases the risk of major illness, affecting the immune system and lowering life expectancy by up to twenty years. In a world where adults violent and abusing adults children are losing the capacity to help and heal themselves.

Redford’s approach is naïve, to say the least. He ignores various social categories in a study that appears to disregard class, income and education. Episodic in structure the documentary feels incohesive with too many Talking Heads, and a lack of critical distance from the subject matter. Sure, there is enough information here but the films fails to convey it in an engaging or entertaining manner. Redford needs to go back to the drawing board. AS

RESILIENCE a new film Directed by James Redford will have a special screening at the Prince Charles Cinema on 27th April followed by a Q&A with James Redford, Dr Graham Music and the Children’s Commissioner

Sundance Film Festival | Awards | 2017

THE US GRAND JURY PRIZE: DOCUMENTARY

dina_still1 copyDINA U.S.A. (Directors: Dan Sickles, Antonio Santini)

An eccentric suburban woman and a Walmart door-greeter navigate their evolving relationship in this unconventional love story.

THE US JURY PRIZE: DRAMATIC

I DON’T FEEL AT HOME IN THIS WORLD ANYMORE. / U.S.A. (Director/: Macon Blair) —

When a depressed woman is has a burglary, she finds a new sense of purpose by tracking down the thieves, alongside her obnoxious neighbour. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals. Cast: Melanie Lynskey, Elijah Wood, David Yow, Jane Levy, Devon Graye.

THE WORLD GRAND JURY PRIZE: DOCUMENTARY

Last Man in AleppoLAST MEN IN ALEPPO / Denmark, Syria (Director: Feras Fayyad)

After five years of war in Syria, Aleppo’s remaining residents prepare themselves for a siege. Khalid, Subhi and Mahmoud, founding members of The White Helmets, have remained in the city to help their fellow citizens—and experience daily life, death, struggle and triumph in a city under fire.

THE WORLD CINEMA GRAND JURY PRIZE:DRAMATIC

Nile Hiton IncidentTHE NILE HILTON INCIDENT / Sweden, Germany, Denmark (Dir/Writer: Tarik Saleh)

In Cairo, weeks before the 2011 revolution, Police Detective Noredin is working in the infamous Kasr el-Nil Police Station when he is handed the case of a murdered singer. He soon realizes that the investigation concerns the power elite, close to the President’s inner circle. Cast: Fares Fares, Mari Malek, Mohamed Yousry, Yasser Ali Maher, Ahmed Selim, Hania Amar.

THE AUDIENCE AWARD US: DOCUMENTARY

CHASING CORAL / U.S.A. (Director: Jeff Orlowski) main picture

Coral reefs around the world are vanishing at an unprecedented rate. A team of divers, photographers and scientists set out on a thrilling ocean adventure to discover why and to reveal the underwater mystery to the world.

THE AUDIENCE AWARD: US DRAMATIC

9438-UN17_CROWNHEIGHTS_still1_KeithStanfield__byBKutchinsCROWN HEIGHTS / U.S.A. (Dir/Writer: Matt Ruskin)

When Colin Warner is wrongfully convicted of murder, his best friend, Carl King, devotes his life to proving Colin’s innocence. Adapted from This American Life, this is the incredible true story of their harrowing quest for justice. Cast: Lakeith Stanfield, Nnamdi Asomugha, Natalie Paul, Bill Camp, Nestor Carbonell, Amari Cheatom.

THE AUDIENCE AWARD: WORLD CINEMA DOCUMENTARY

Teenager vs. SuperpowerJOSHUA:  Teenager vs. Superpower / U.S.A. (Director: Joe Piscatella)

When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.

THE AUDIENCE AWARD: WORLD CINEMA DRAMATIC

SuenoSUENO EN OTRA IDIOMA (I Dream in Another Language) / Mexico, Netherlands (Dir: Ernesto Contreras, Writer: Carlos Contreras)

The last two speakers of a millennia-old language haven’t spoken for 50 years, when a young linguist tries to bring them together. Yet hidden in the past, in the heart of the jungle, lies a secret concerning the fate of the Zikril language. Cast: Fernando Álvarez Rebeil, Eligio Meléndez, Manuel Poncelis, Fátima Molina, Juan Pablo de Santiago, Hoze Meléndez.

THE DIRECTING AWARD : U.S. DOCUMENTARY

8413-UD17_FORCE_still1_TheForce_academygraduation__byPeterNicks copyPeter Nicks for his film THE FORCE  / U.S.A. (Director: Peter Nicks)

This cinema verité look at the long-troubled Oakland Police Department goes deep inside their struggles to confront federal demands for reform, a popular uprising following events in Ferguson and an explosive scandal.

THE DIRECTING AWARD: U.S. Dramatic

Eliza Hittman for her film BEACH RATS / U.S.A. (Dir/Writer Eliza Hittman)

A dudebro on the outer edges of Brooklyn struggles to escape his bleak home life and navigate questions of self-identity, as he balances his time between his delinquent friends, a potential new girlfriend, and older men he meets online. Cast: Harris Dickinson, Madeline Weinstein, Kate Hodge.

THE DIRECTING AWARD: World Cinema Documentary

WinniePascale Lamche, for her film WINNIE / France (Director: Pascale Lamche)

While her husband served a life sentence, paradoxically kept safe and morally uncontaminated, Winnie Mandela rode the raw violence of apartheid, fighting on the front line and underground. This is the untold story of the mysterious forces that combined to take her down, labeling him a saint, her, a sinner.

THE DIRECTING AWARD: World Cinema Dramatic

gods-own-countyFrancis Lee, for his film GOD’S OWN COUNTRY / UK: Francis Lee)

Springtime in Yorkshire: isolated young sheep farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker, employed for the lambing season, ignites an intense relationship that sets Johnny on a new path. Cast: Josh O’Connor, Alec Secareanu, Ian Hart, Gemma Jones.

THE WALDO SALT SCREENWRITING AWARD: U.S. Dramatic

IGW_SUNDANCE_FIRST_LOOKMatt Spicer and David Branson Smith, for their film INGRID GOES WEST U.S.A.

A young woman becomes obsessed with an Instagram “influencer” and moves to Los Angeles to try and befriend her in real life. Cast: Aubrey Plaza, Elizabeth Olsen, O’Shea Jackson Jr., Wyatt Russell, Billy Magnussen.

OTHER AWARDS

A U.S. Documentary Special Jury Award for Inspirational Filmmaking

STEP_STILL_1 copySTEP / U.S.A. (Director: Amanda Lipitz) — With dreams of becoming the first in their families to attend college, a group of seniors from an inner-city Baltimore girls high school strives to make their step dance team a success against a backdrop of social unrest in a troubled city.

A U.S. Documentary Special Jury Award for Storytelling

Strong-Island_film-stillSTRONG ISLAND / U.S.A., Denmark (Director: Yance Ford) — Examining the violent death of the filmmaker’s brother and the judicial system that allowed his killer to go free, this documentary interrogates murderous fear and racialized perception, and re-imagines the wreckage in catastrophe’s wake, challenging us to change.

A U.S. Documentary Special Jury Award for Editing

Editors Kim Roberts and Emiliano Battista for UNREST: U.S.A. (Director: Jennifer Brea)

When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s “all in her head.” Determined to live, she sets out on a virtual journey to document her story—and four other families’ stories—fighting a disease medicine forgot.

A U.S. Documentary Special Jury Award:

ICARUS-Sundance-Still copyICARUS / U.S.A. (Director: Bryan Fogel)

When Bryan Fogel sets out to uncover the truth about doping in sports, a chance meeting with a Russian scientist transforms his story from a personal experiment into a geopolitical thriller involving dirty urine, unexplained death and Olympic Gold—exposing the biggest scandal in sports history.

A U.S. Dramatic Special Jury Award for Best Cinematography to:

3758-UN17_YellowBirds_still1_AldenEhrenreich_JackHuston_TyeSheridan__byBobMahoneySifeddineElAmineDirector of Photography Daniel Landin for THE YELLOW BIRDS / U.S.A. (Director: Alexandre Moors, Writers: David Lowery, R.F.I. Porto)

Two young men enlist in the army and are deployed to fight in the Iraq War. After an unthinkable tragedy, the returning soldier struggles to balance his promise of silence with the truth and a mourning mother’s search for peace. Cast: Tye Sheridan, Jack Huston, Alden Ehrenreich, Jason Patric, Toni Collette, Jennifer Aniston.

A U.S. Dramatic Special Jury Award for Breakthrough Performance

11115-UN17_RoxanneRoxanne_still1_ChanteAdams__byTomZubackChanté Adams, in ROXANNE, ROXANNE / U.S.A. (Director and screenwriter: Michael Larnell)

The most feared battle MC in early-’80s NYC was a fierce teenager from the Queensbridge projects with the weight of the world on her shoulders. At age 14, hustling the streets to provide for her family, Roxanne Shanté was well on her way to becoming a hip-hop legend. Cast: Chanté Adams, Mahershala Ali, Nia Long, Elvis Nolasco, Kevin Phillips, Shenell Edmonds.

A U.S. Dramatic Special Jury Award for Breakthrough Director

Maggie Betts, for her film NOVITIATE: U.S.A. (Dir/Writer: Maggie Betts)

In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church. Cast: Margaret Qualley, Melissa Leo, Julianne Nicholson, Dianna Agron, Morgan Saylor.

A World Cinema Documentary Special Jury Award for Excellence in Cinematography

machinesCinematographer Rodrigo Trejo Villanueva for MACHINES / India, Germany, Finland (Director: Rahul Jain) — This intimate, observant portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labour and intense hardship.

A World Cinema Documentary Special Jury Award for Commanding Vision

MotherlandMOTHERLAND / U.S.A., Philippines (Director: Ramona S. Diaz) — Taking us into the heart of the planet’s busiest maternity hospital, the viewer is dropped like an unseen outsider into the hospital’s stream of activity. At first, the people are strangers. As the film continues, it’s absorbingly intimate, rendering the women at the heart of the story increasingly familiar.

A World Cinema Documentary Special Jury Award for Masterful Storytelling

RumbleRUMBLE: The Indians Who Rocked The World / Canada (Directors: Catherine Bainbridge, Alfonso Maiorana) — This powerful documentary about the role of Native Americans in contemporary music history—featuring some of the greatest music stars of our time—exposes a critical missing chapter, revealing how indigenous musicians helped shape the soundtracks of our lives and, through their contributions, influenced popular culture. Cast: Robbie Robertson, Buffy Sainte-Marie, Martin Scorsese, Tony Bennett, Steven Tyler, Iggy Pop.

A World Cinema Dramatic Special Jury Award for Cinematography

Axoloti OverkillCinematographer Manu Dacosse for Axolotl Overkill / Germany (Director and screenwriter: Helene Hegemann) — Mifti, age 16, lives in Berlin with a cast of characters including her half-siblings; their rich, self-involved father; and her junkie friend Ophelia. As she mourns her recently deceased mother, she begins to develop an obsession with Alice, an enigmatic, and much older, white-collar criminal. Cast: Jasna Fritzi Bauer, Arly Jover, Mavie Hörbiger, Laura Tonke, Hans Löw, Bernhard Schütz.

A World Cinema Dramatic Special Jury Award for Cinematic Vision

Free and Easy / Hong Kong (Director: Jun Geng, Screenwriters: Jun Geng, Yuhua Feng, Bing Liu) — When a traveling soap salesman arrives in a desolate Chinese town, a crime occurs, and sets the strange residents against each other with tragicomic results. Cast: Xu Gang, Zhang Zhiyong, Xue Baohe, Gu Benbin, Zhang Xun, Yuan Liguo.

unnamed-2 copyA World Cinema Dramatic Special Jury Award for Screenplay

Screenwriter Kirsten Tan for Pop Aye / Singapore, Thailand (Director and screenwriter: Kirsten Tan) — On a chance encounter, a disenchanted architect bumps into his long-lost elephant on the streets of Bangkok. Excited, he takes his elephant on a journey across Thailand in search of the farm where they grew up together. Cast: Thaneth Warakulnukroh, Penpak Sirikul, Bong.

SUNDANCE FILM FESTIVAL 2017 | 19-29 JANUARY

Christine (2016)

Dir.: Antonio Campos; Cast: Rebecca Hall, Michael C. Hall, J. Smith Cameron; Tracy Letts; USA 2016, 119 min.

After his superb thriller, Simon Killer, Director Antonio Campos goes on to murder his biopic on newscaster Christine Chubbock, who killed herself on air in July 1974, aged just 29. This is an uneven production that doesn’t do justice to Craig Shilowich’s decent script and, despite a resonant turn from Rebecca Hall in the lead, the film is often shot like a parody of a 70s horror outing.

Christine Chubbuck (R. Hall) worked for the ABC affiliated WXLT-TV channel in Sarasota, Florida and suffered a depressive personality disorder brought on by illness and an unsuccessful love life. Living with her mother Peg (Smith Cameron), she developed strong feelings for co-worker George Peter Ryan (M.C. Hall), an Anchor at the TV station and was given the plumb job in Baltimore that Christine had yearned for. When Ryan told Christine that he was leaving Sarasota, taking with him her close friend and sports reporter of WXLT, this was the final straw for the unhappy journalist. On July 15th 1974, she read the news (even though she was employed to present her own show ‘Suncoast Digest’), and when the item about a local restaurant shooting jammed, she calmly announced “we are bringing you the latest in blood and guts and in living colour –you are going to see another first – attempted suicide”. Taking a handgun out of her bag, she calmly shot herself behind the ear. On her desk, police later found a manuscript of her last TV appearance, including a third-person account of her suicide.

Christine Chubbuck died 14 hours later in hospital. Shilowich’s narrative includes many highlights of her career, such as Chubbuck’s constant run-ins with new-director Mike Simmons (Letts), who accused her of “being a feminist, always being too loud, to drown out others”. But the way women in the workplace are treated makes Chubbuck’s point crystal clear: far from being too loud, the female employees were always at pains to soft-pedal the males, who went on to get the promotions, with Ryan a good example of macho posturing with deals were concluded over a glass of beer at the bar.

The scenes between Christine and her mother are very emotive: whilst daughter criticises mother for her flings with younger men, she still dreams of being taken out. Whilst Christine Chubbock was intellectually and professionally ahead of her times, her lack of emotional satisfaction made her fight even harder for recognition at work. So the problems at WXLT snowballed, and when she feared that she would lose even her professional identity, she gave up.

Why director Antonio Campos and DoP Joe Anderson decided on a near gothic treatment, with shadows dominating even the sober atmosphere of the TV studio, is inexplicable – surely the story of Christine Chubbuck has enough dramatic impact on its own. PD Scott Kuzio recreates the 70s communication world to a tee – with manual typewriters and huge, handheld cameras. He and lead actress, a superbly convincing  Rebecca Hall, have to overcome the director’s penchant for stylistic indulgence, which takes so much away from an otherwise perfect basic concept. AS

ON RELEASE FROM 27 JANUARY 2017

Sundance Film 2017 | 19-29 January 2017

thoroughbredIn Park City Utah, the SUNDANCE INSTITUTE sets the indie film agenda for 2017 with a slew of provocative new titles for this year’s festival which runs from 19-29 January. These will take part in the U.S. Competition, World Competition and NEXT strands, and an environmentally focused programme entitled New Climate.

30473930013_86dc9f4f65_zRobert Redford, President and Founder of Sundance, is joined by chief programmer John Copper programmer for 2017’s theme: climate change and environmental preservation. The New Climate program builds on the Institute’s longstanding commitment to showcasing environmental films and projects, that in the past have included An Inconvenient Truth, Blackfish, The Cove, Gasland, Chasing Ice, Racing Extinction and Collisions. This year’s programme includes Jeff Orlowski’s follow up to his coruscating documentary Chasing Ice, with Chasing Coral, which follows a team of divers, photographers and scientists exploring the world’s changing coral reefs; Trophy, an in-depth look at the controversial, multi-billion-dollar big-game hunting industry; Water & Power: A California Heist, an investigation of California’s convoluted water system; Plastic China an examination of employee life at a Chinese recycling plant; and Machines, (above) a portrait of the rhythm of life and work in a gigantic textile factory in Gujarat, India.

U.S.   D R A M A T I C    C O M P E T I T I O N

Presenting the world premieres of 16 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film.

bandaid_still1_adampally_fredarmisen_zoelisterjonesBAND AID / U.S.A. (Director and screenwriter: Zoe Lister-Jones) — A couple who can’t stop arguing embark on a last-ditch effort to save their marriage: by turning their strife into songs and starting a band. Cast: Zoe Lister-Jones, Adam Pally, Fred Armisen, Susie Essman, Hannah Simone, Ravi Patel. World Premiere

BEACH RATS/ U.S.A. (Director and screenwriter: Eliza Hittman) — An aimless teenager on the outer edges of Brooklyn struggles to escape his bleak home life and navigate questions of self-identity, as he balances his time between his delinquent friends, a potential new girlfriend, and older men he meets online. Cast: Harris Dickinson, Madeline Weinstein, Kate Hodge, Neal Huff. World Premiere

8777-un17_brigsbybear_still1_kylemooney__bychristiansprengerBRIGSBY BEAR/ U.S.A. (Director: Dave McCary, Screenwriters: Kevin Costello, Kyle Mooney) — Brigsby Bear Adventures is a children’s TV show produced for an audience of one: James. When the show abruptly ends, James’s life changes forever, and he sets out to finish the story himself. Cast: Kyle Mooney, Claire Danes, Mark Hamill, Greg Kinnear, Matt Walsh, Michaela Watkins. World Premiere

BURNING SANDS / U.S.A. (Director: Gerard McMurray, Screenwriters: Christine Berg, Gerard McMurray) — Deep into a fraternity’s Hell Week, a favoured pledge is torn between honouring a code of silence or standing up against the intensifying violence of underground hazing. Cast: Trevor Jackson, Alfre Woodard, Steve Harris, Tosin Cole, DeRon Horton, Trevante Rhodes. World Premiere

CROWN HEIGHTS / U.S.A. (Director and screenwriter: Matt Ruskin) — When Colin Warner is wrongfully convicted of murder, his best friend, Carl King, devotes his life to proving Colin’s innocence. Adapted from This American Life, this is the incredible true story of their harrowing quest for justice. Cast: Keith Stanfield, Nnamdi Asomugha, Natalie Paul, Bill Camp, Nestor Carbonell, Amari Cheatom. World Premiere

9635-un17_goldenexits_still1_emilybrowning_adamhorovitz__byseanpricewilliamsGOLDEN EXITS/ U.S.A. left (Director and screenwriter: Alex Ross Perry) — The arrival of a young foreign girl disrupts the lives and emotional balances of two Brooklyn families. Cast: Emily Browning, Adam Horovitz, Mary-Louise Parker, Lily Rabe, Jason Schwartzman, Chloë Sevigny. World Premiere

THE HERO / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch) — Lee, a former Western film icon, is living a comfortable existence lending his golden voice to advertisements and smoking weed. After receiving a lifetime achievement award and unexpected news, Lee re-examines his past, while a chance meeting with a sardonic comic has him looking to the future. Cast: Sam Elliott, Laura Prepon, Krysten Ritter, Nick Offerman, Katherine Ross. World Premiere

unnamedI DON’T FEEL AT HOME IN THIS WORLD ANYMORE / U.S.A. left (Director and screenwriter: Macon Blair) — When a depressed woman is burgled, she finds a new sense of purpose by tracking down the thieves, alongside her obnoxious neighbour. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals. Cast: Melanie Lynskey, Elijah Wood, David Yow, Jane Levy, Devon Graye. World Premiere. DAY ONE

igw_sundance_first_lookINGRID GOES WEST / U.S.A. (Director: Matt Spicer, Screenwriters: Matt Spicer, David Branson Smith) — A young woman becomes obsessed with an Instagram lifestyle blogger and moves to Los Angeles to try and befriend her in real life. Cast: Aubrey Plaza, Elizabeth Olsen, O’Shea Jackson Jr., Wyatt Russell, Billy Magnussen. World Premiere

12520-un17_landline_still2_jennyslate_abbyquinn__byjojowhildenLANDLINE/ U.S.A.- left (Director: Gillian Robespierre, Screenwriters: Elisabeth Holm, Gillian Robespierre) — Two sisters come of age in ’90s New York when they discover their dad’s affair—and it turns out he’s not the only cheater in the family. Everyone still smokes inside, no one has a cell phone and the Jacobs finally connect through lying, cheating and hibachi. Cast: Jenny Slate, John Turturro, Edie Falco, Abby Quinn, Jay Duplass, Finn Wittrock. World Premiere

NOVITIATE / U.S.A. (Director and screenwriter: Maggie Betts) — In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church. Cast: Margaret Qualley, Melissa Leo, Julianne Nicholson, Dianna Agron, Morgan Saylor. World Premiere

patti_cake_still-tif_rgbPATTI CAKE$ / U.S.A – left -. (Director and screenwriter: Geremy Jasper) — Straight out of Jersey comes Patricia Dombrowski, a.k.a. Killa P, a.k.a. Patti Cake$, an aspiring rapper fighting through a world of strip malls and strip clubs on an unlikely quest for glory. Cast: Danielle Macdonald, Bridget Everett, Siddharth Dhananjay, Mamoudou Athie, Cathy Moriarty. World Premiere

ROXANNE ROXANNE / U.S.A. (Director and screenwriter: Michael Larnell) — The most feared battle emcee in early-’80s NYC was a fierce teenager from the Queensbridge projects with the weight of the world on her shoulders. At age 14, hustling the streets to provide for her family, Roxanne Shanté was well on her way to becoming a hip-hop legend. Cast: Chanté Adams, Mahershala Ali, Nia Long, Elvis Nolasco, Kevin Phillips, Shenell Edmonds. World Premiere

TO THE BONE / U.S.A. (Director and screenwriter: Marti Noxon) — In a last-ditch effort to battle her severe anorexia, 20-year-old Ellen enters a group recovery home. With the help of an unconventional doctor, Ellen and the other residents go on a sometimes-funny, sometimes-harrowing journey that leads to the ultimate question—is life worth living? Cast: Lily Collins, Keanu Reeves, Carrie Preston, Lili Taylor, Alex Sharp, Liana Liberato. World Premiere

walking-outWALKING OUT / U.S.A. (Directors and screenwriters: Alex Smith, Andrew Smith) — A father and son struggle to connect on any level until a brutal encounter with a predator in the heart of the wilderness leaves them both seriously injured. If they are to survive, the boy must carry his father to safety. Cast: Matt Bomer, Josh Wiggins, Bill Pullman, Alex Neustaedter, Lily Gladstone. World Premiere

3758-un17_yellowbirds_still1_aldenehrenreich_jackhuston_tyesheridan__bybobmahoneysifeddineelamineTHE YELLOW BIRDS/ U.S.A.- left-  (Director: Alexandre Moors, Screenwriter: David Lowery) — Two young men enlist in the army and are deployed to fight in the Gulf War. After an unthinkable tragedy, the surviving soldier struggles to balance his promise of silence with the truth and a mourning mother’s search for peace. Cast: Tye Sheridan, Jack Huston, Alden Ehrenreich, Jason Patric, Toni Collette, Jennifer Aniston. World Premiere

U. S.   D O C U M E N T A R Y    C O M P E T I T I O N

Sixteen world-premiere American documentaries that illuminate the ideas, people and events that shape the present day.

CASTING JONBENET / U.S.A., Australia (Director: Kitty Green) — The unsolved death of six-year-old American beauty queen JonBenet Ramsey remains the world’s most sensational child murder case. Over 15 months, responses, reflections and performances were elicited from the Ramsey’s Colorado hometown community, creating a bold work of art from the collective memories and mythologies the crime inspired. World Premiere

svii_in_coral_triangle_-_photo_by_xl_caitlin_seaview_survey-copyCHASING CORAL/ U.S.A. (Director: Jeff Orlowski) — Coral reefs around the world are vanishing at an unprecedented rate. A team of divers, photographers and scientists set out on a thrilling ocean adventure to discover why and to reveal the underwater mystery to the world. World Premiere. NEW CLIMATE

CITY OF GHOSTS/ U.S.A. (Director: Matthew Heineman) — With unprecedented access, this documentary follows the extraordinary journey of “Raqqa is Being Slaughtered Silently”—a group of anonymous citizen journalists who banded together after their homeland was overtaken by ISIS—as they risk their lives to stand up against one of the greatest evils in the world today. World PremiereD

DINA/ U.S.A. (Directors: Dan Sickles, Antonio Santini) — An eccentric suburban woman and a Walmart door-greeter navigate their evolving relationship in this unconventional love story. World Premiere

8275-ud17_dolores_still2_doloreshuerta__bygeorgeballis-copyDOLORES/ U.S.A – left – (Director: Peter Bratt) — Dolores Huerta bucks 1950s gender conventions by co-founding the country’s first farmworkers’ union. Wrestling with raising 11 children, gender bias, union defeat and victory, and nearly dying after a San Francisco Police beating, Dolores emerges with a vision that connects her newfound feminism with racial and class justice. World Premiere

THE FORCE / U.S.A. (Director: Pete Nicks) — This cinema vérité look at the long-troubled Oakland Police Department goes deep inside their struggles to confront federal demands for reform, a popular uprising following events in Ferguson and an explosive scandal. World Premiere

icarus-sundance-still-copyICARUS / U.S.A. (Director: Bryan Fogel) — When Bryan Fogel sets out to uncover the truth about doping in sports, a chance meeting with a Russian scientist transforms his story from a personal experiment into a geopolitical thriller involving dirty urine, unexplained death and Olympic Gold—exposing the biggest scandal in sports history. World Premiere

THE NEW RADICAL / U.S.A. (Director: Adam Bhala Lough) — Uncompromising millennial radicals from the United States and the United Kingdom attack the system through dangerous technological means, which evolves into a high-stakes game with world authorities in the midst of a dramatically changing political landscape. World Premiere

NOBODY SPEAK: Hulk Hogan, Gawker and Trials of a Free Press / U.S.A. (Director: Brian Knappenberger) — The trial between Hulk Hogan and Gawker Media pitted privacy rights against freedom of the press, and raised important questions about how big money can silence media. This film is an examination of the perils and duties of the free press in an age of inequality. World Premiere

quest-still1_jonathanolshefski-copyQUEST / U.S.A. (Director: Jonathan Olshefski) — For over a decade, this portrait of a North Philadelphia family and the creative sanctuary offered by their home music studio was filmed with vérité intimacy. The family’s 10-year journey is an illumination of race and class in America, and it’s a testament to love, healing and hope. World Premiere

STEP / U.S.A. (Director: Amanda Lipitz) — The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city. World Premiere

STRONG ISLAND / U.S.A., Denmark (Director: Yance Ford) — Examining the violent death of the filmmaker’s brother and the judicial system that allowed his killer to go free, this documentary interrogates murderous fear and racialized perception, and re-imagines the wreckage in catastrophe’s wake, challenging us to change. World Premiere

sequence_02-00_23_42_03-still008TROPHY / U.S.A.- left- (Director: Shaul Schwarz, Co-Director: Christina Clusiau) — This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities. World Premiere. NEW CLIMATE

UNREST / U.S.A. (Director: Jennifer Brea) — When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s “all in her head.” Determined to live, she sets out on a virtual journey to document her story—and four other families’ stories—fighting a disease medicine forgot. World Premiere

waterandpowercaliforniaheist_still1-copy Water & Power: A California Heist / U.S.A. (Director: Marina Zenovich) — In California’s convoluted water system, notorious water barons find ways to structure a state-engineered system to their own advantage. This examination into their centers of power shows small farmers and everyday citizens facing drought and a new, debilitating groundwater crisis. World Premiere. NEW CLIMATE

unnamed-1WHOSE STREETS? / U.S.A. (Director: Sabaah Folayan, Co-Director: Damon Davis) — A nonfiction account of the Ferguson uprising told by the people who lived it, this is an unflinching look at how the killing of 18-year-old Michael Brown inspired a community to fight back—and sparked a global movement. World Premiere. DAY ONE

W O R L D    C I N E M A    D R A M A T I C   C O M P E T I T I O N

Twelve films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles.

axoloti-overkillAXOLOT! OVERKILL/ Germany (Director and screenwriter: Helene Hegemann) — Mifti, age 16, lives in Berlin with a cast of characters including her half-siblings; their rich, self-involved father; and her junkie friend Ophelia. As she mourns her recently deceased mother, she begins to develop an obsession with Alice, an enigmatic, and much older, white-collar criminal. Cast: Jasna Fritzi Bauer, Arly Jover, Mavie Hörbiger, Laura Tonke, Hans Löw, Bernhard Schütz. World Premiere

berlin-syndromeBERLIN SYNDROME/ Australia (Director: Cate Shortland, Screenwriter: Shaun Grant) — A passionate holiday romance takes an unexpected and sinister turn when an Australian photographer wakes one morning in a Berlin apartment and is unable to leave. Cast: Teresa Palmer, Max Riemelt. World Premiere

CARPINTEROS (Woodpeckers) / Dominican Republic (Director and screenwriter: José María Cabral) — Julián finds love and a reason for living in the last place imaginable: the Dominican Republic’s Najayo Prison. His romance with fellow prisoner Yanelly must develop through sign language and without the knowledge of dozens of guards. Cast: Jean Jean, Judith Rodriguez Perez, Ramón Emilio Candelario. World Premiere

dont-swallow-my-heartDON’T SWALLOW MY HEART, ALLIGATOR GIRL!/ Brazil, Netherlands, France, Paraguay (Director and screenwriter: Felipe Bragança) — In this fable about love and memories, Joca is a 13-year-old Brazilian boy in love with an indigenous Paraguayan girl. To conquer her love, he must face the violent region’s war-torn past and the secrets of his elder brother, Fernando, a motorcycle cowboy. Cast: Cauã Reymond, Eduardo Macedo, Adeli Gonzales, Zahy Guajajara, Claudia Assunção, Ney Matogrosso. World Premiere

FAMILY LIFE/ Chile (Directors: Alicia Scherson, Cristián Jiménez, Screenwriter: Alejandro Zambra) — While house-sitting for a distant cousin, a lonely man fabricates the existence of a vindictive ex-wife withholding his daughter, in order to gain the sympathy of the single mother he has just met. Cast: Jorge Becker, Gabriela Arancibia, Blanca Lewin, Cristián Carvajal. World Premiere

FREE AND EASY / Hong Kong (Director: Jun Geng, Screenwriters: Jun Geng, Yuhua Feng, Bing Liu) — When a traveling soap salesman arrives in a desolate Chinese town, a crime occurs, and sets the strange residents against each other with tragicomic results. Cast: Gang Xu, Zhiyong Zhang, Baohe Xue, Benshan Gu, Xun Zhang. World Premiere

gods-own-countyGOD’S OWN COUNTRY / United Kingdom (Director and screenwriter: Francis Lee) — Springtime in Yorkshire: isolated young sheep farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker, employed for the lambing season, ignites an intense relationship that sets Johnny on a new path. Cast: Josh O’Connor, Alec Secareanu, Ian Hart, Gemma Jones. World Premiere

MY HAPPY FAMILY / Georgia (Directors: Nana & Simon, Screenwriter: Nana Ekvtimishvili) — Tbilisi, Georgia, 2016: In a patriarchal society, an ordinary Georgian family lives with three generations under one roof. All are shocked when 52-year-old Manana decides to move out from her parents’ home and live alone. Without her family and her husband, a journey into the unknown begins. Cast: Ia Shugliashvili, Merab Ninidze, Berta Khapava, Tsisia Qumsishvili, Giorgi Tabidze, Dimitri Oragvelidze. World Premiere

nile-hiton-incidentTHE NILE HILTON INCIDENT / Sweden (Director and screenwriter: Tarik Saleh) — In Cairo, weeks before the 2011 revolution, Police Detective Noredin is working in the infamous Kasr el-Nil Police Station when he is handed the case of a murdered singer. He soon realizes that the investigation concerns the power elite, close to the President’s inner circle. Cast: Fares Fares, Mari Malek, Mohamed Yousry, Yasser Ali Maher, Ahmed Selim, Hania Amar. World Premiere

 

pop-ayePOP EYE / Singapore, Thailand (Director and screenwriter: Kirsten Tan) — On a chance encounter, a disenchanted architect bumps into his long-lost elephant on the streets of Bangkok. Excited, he takes his elephant on a journey across Thailand in search of the farm where they grew up together. Cast: Thaneth Warakulnukroh, Penpak Sirikul, Bong. World Premiere. DAY ONE

SUENO EN OTRO IDIOMA (I Dream in Another Language) / Mexico (Director: Ernesto Contreras, Screenwriter: Carlos Contreras) — The last two speakers of a millennia-old language haven’t spoken in 50 years, when a young linguist tries to bring them together. Yet hidden in the past, in the heart of the jungle, lies a secret concerning the fate of the Zikril language. Cast: Fernando Álvarez Rebeil, Eligio Meléndez, Manuel Poncelis, Fátima Molina, Juan Pablo de Santiago, Hoze Meléndez. World Premiere

the-woundTHE WOUND / South Africa (Director: John Trengove, Screenwriters: John Trengove, Thando Mgqolozana, Malusi Bengu) — Xolani, a lonely factory worker, travels to the rural mountains with the men of his community to initiate a group of teenage boys into manhood. When a defiant initiate from the city discovers his best-kept secret, a forbidden love, Xolani’s entire existence begins to unravel. Cast: Nakhane Touré, Bongile Mantsai, Niza Jay Ncoyini. World Premiere

W O R L D   C I N E M A    D O C U M E N T A R Y    C O M P E T I T I O N
Twelve documentaries by some of the most courageous and extraordinary international filmmakers working today.

the-good-postmanTHE GOOD POSTMAN / Finland, Bulgaria (Director: Tonislav Hristov) — In a small Bulgarian village troubled by the ongoing refugee crisis, a local postman runs for mayor—and learns that even minor deeds can outweigh good intentions. North American Premiere

in-loco-parentisIN LOCO PARENTIS / Ireland, Spain (Directors: Neasa Ní Chianáin, David Rane) — John and Amanda teach Latin, English and guitar at a fantastical, stately home-turned-school. Nearly 50-year careers are drawing to a close for the pair who have become legends with the mantra: “Reading! ’Rithmetic! Rock ’n’ roll!” But for pupil and teacher alike, leaving is the hardest lesson. North American Premiere

IT’S NOT DARK YET / Ireland (Director: Frankie Fenton) — This is the incredible story of Simon Fitzmaurice, a young filmmaker who becomes completely paralyzed from motor neurone disease but goes on to direct an award-winning feature film through the use of his eyes. International Premiere

JOSHUA: TEENAGE VRS SUPERPOWER / U.S.A. (Director: Joe Piscatella) — When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents. World Premiere

last-man-in-aleppoLAST MEN IN ALEPPO/ Denmark (Directors: Feras Fayyad, Steen Johannessen) — After five years of war in Syria, Aleppo’s remaining residents prepare themselves for a siege. Khalid, Subhi and Mahmoud, founding members of The White Helmets, have remained in the city to help their fellow citizens—and experience daily life, death, struggle and triumph in a city under fire. World Premiere

machinesMACHINES / India, Germany, Finland (Director: Rahul Jain) — This intimate, observant portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship. North American Premiere. NEW CLIMATE

MOTHERLAND/ U.S.A., Philippines (Director: Ramona Diaz) — The planet’s busiest maternity hospital is located in one of its poorest and most populous countries: the Philippines. There, poor women face devastating consequences as their country struggles with reproductive health policy and the politics of conservative Catholic ideologies. World Premiere

plastic-chinaPLASTIC CHINA/ China (Director: Jiu-liang Wang) — Yi-Jie, an 11-year-old girl, works alongside her parents in a recycling facility while dreaming of attending school. Kun, the facility’s ambitious foreman, dreams of a better life. Through the eyes and hands of those who handle its refuse, comes an examination of global consumption and culture. International Premiere. NEW CLIMATE

RUMBLE: The Indians Who Rocked The World / Canada (Director: Catherine Bainbridge) — This powerful documentary about the role of Native Americans in contemporary music history—featuring some of the greatest music stars of our time—exposes a critical missing chapter, revealing how indigenous musicians helped shape the soundtracks of our lives and, through their contributions, influenced popular culture. World Premiere

TOKYO IDOLS / United Kingdom, Canada (Director: Kyoko Miyake) — This exploration of Japan’s fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies. World Premiere

winnieWINNIE / France (Director: Pascale Lamche) — While her husband served a life sentence, paradoxically kept safe and morally uncontaminated, Winnie Mandela rode the raw violence of apartheid, fighting on the front line and underground. This is the untold story of the mysterious forces that combined to take her down, labeling him a saint, her, a sinner. World Premiere

unnamed-3THE WORKERS CUP / United Kingdom (Director: Adam Sobel) — Inside Qatar’s labour camps, African and Asian migrant workers building the facilities of the 2022 World Cup compete in a football tournament of their own. World Premiere. DAY ONE

N E X T

Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this programme. Digital technology paired with unfettered creativity promises that the films in this section will shape a “greater” next wave in American cinema. Presented by Adobe.

columbus-nextCOLUMBUS / U.S.A. (Director and screenwriter: Kogonada) — Casey lives with her mother in a little-known Midwestern town haunted by the promise of modernism. Jin, a visitor from the other side of the world, attends to his dying father. Burdened by the future, they find respite in one another and the architecture that surrounds them. Cast: John Cho, Haley Lu Richardson, Parker Posey, Rory Culkin, Michelle Forbes. World Premiere

DAYVEON/ U.S.A. (Director: Amman Abbasi, Screenwriters: Amman Abbasi, Steven Reneau) — In the wake of his older brother’s death, 13-year-old Dayveon spends the sweltering summer days roaming his rural Arkansas town. When he falls in with a local gang, he becomes drawn to the camaraderie and violence of their world. Cast: Devin Blackmon, Kordell “KD” Johnson, Dontrell Bright, Chasity Moore, Lachion Buckingham, Marquell Manning. World Premiere. DAY ONE

deidra-laney-rob-a-trainDEIDRA & LANEY ROB A TRAIN / U.S.A. (Director: Sydney Freeland, Screenwriter: Shelby Farrell) — Two teenage sisters start robbing trains to make ends meet after their single mother’s emotional meltdown in an electronics store lands her in jail. Cast: Ashleigh Murray, Rachel Crow, Tim Blake Nelson, David Sullivan, Danielle Nicolet, Sasheer Zamata. World Premiere

A GHOST STORY / U.S.A. (Director and screenwriter: David Lowery) — This is the story of a ghost and the house he haunts. Cast: Casey Affleck, Rooney Mara, Will Oldham, Sonia Acevedo, Rob Zabrecky, Liz Franke. World Premiere

gookGOOK / U.S.A. (Director and screenwriter: Justin Chon) — Eli and Daniel, two Korean American brothers who own a struggling women’s shoe store, have an unlikely friendship with 11-year-old Kamilla. On the first day of the 1992 L.A. riots, the trio must defend their store—and contemplate the meaning of family, their personal dreams and the future. Cast: Justin Chon, Simone Baker, David So, Curtiss Cook Jr., Sang Chon, Ben Munoz. World Premiere

l-a-timesL.A. TIMES / U.S.A. (Director and screenwriter: Michelle Morgan) — In this classically styled comedy of manners set in Los Angeles, sophisticated thirtysomethings try to determine whether ideal happiness exists in coupledom or if the perfectly suited couple is actually just an urban myth. Cast: Michelle Morgan, Dree Hemingway, Jorma Taccone, Kentucker Audley, Margarita Levieva, Adam Shapiro. World Premiere

LEMON/ U.S.A. (Director: Janicza Bravo, Screenwriters: Janicza Bravo, Brett Gelman) — A man watches his life unravel after he is left by his blind girlfriend. Cast: Brett Gelman, Judy Greer, Michael Cera, Nia Long, Shiri Appleby, Fred Melamed. World Premiere

MENASHE / U.S.A. (Director: Joshua Z Weinstein, Screenwriters: Joshua Z Weinstein, Alex Lipschultz, Musa Syeed) — Within Brooklyn’s ultra-orthodox Jewish community, a widower battles for custody of his son. A tender drama performed entirely in Yiddish, the film intimately explores the nature of faith and the price of parenthood. Cast: Menashe Lustig. World Premiere

PERSON TO PERSON / U.S.A. (Director and screenwriter: Dustin Guy Defa) — A record collector hustles for a big score while his heartbroken roommate tries to erase a terrible mistake, a teenager bears witness to her best friend’s new relationship and a rookie reporter, alongside her demanding supervisor, chases the clues of a murder case involving a life-weary clock shop owner. Cast: Abbi Jacobson, Michael Cera, Tavi Gevinson, Philip Baker Hall, Bene Coopersmith, George Sample III. World Premiere

thoroughbredTHOROUGHBRED / U.S.A. (Director and screenwriter: Cory Finley) — Two teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. In the process, they learn that neither is what she seems to be—and that a murder might solve both of their problems. Cast: Olivia Cooke, Anya Taylor-Joy, Anton Yelchin, Paul Sparks, Francie Swift, Kaili Vernoff. World Premiere

SUNDANCE FILM FESTIVAL \ 19-29 JANUARY 2017

 

Life, Animated (2016)

Dir.: Roger Ross Williams | Documentary with Owen Suskind | USA 2016 | 89 min.

Director/co-writer Roger Ross Williams (God loves Uganda) offers up a humane and hopeful portrait of Autism Spectrum disorder (ASD) through sufferer Owen Suskind and based on “Life, Animated: A story of Sidekicks, Heroes and Autism” by Owen’s father, the Pulitzer winning journalist Ron Suskind, who is also the executive producer of this documentary.

When Owen Suskind was three years old, the communicative and lively boy withdrew into himself cognitively and emotionally. For over four years, his only stimulation where Disney films, which he watched over and over. When his father Ron and mother Cornelia were told that their youngest son was suffering from ASD, their dream of a perfect family life was shattered. But with the help of therapists they have enabled their son, who is now 25, to lead an assisted but nevertheless rewarding life with his own home and romantic attachment. Owen gave a speech to a conference of specialists in autism in France, and hosts a radio-show. His message to all his audiences is clear: autistic people do not want to be alone.

LIFE, ANIMATED does offer insights into ASD: one of the signs is Echolalia, a sort of parrot speech, which peaks with normal children at around 30 months, but ASD sufferers, who have great anxiety problems because their brains are differently wired, do not unlearn this early communication model. Their prediction and anticipation timing is much slower than the norm. Furthermore, as Owen’s history proves, they often suffer from weak co-ordination and motor planning inflicted by a low muscle tone which leads to walking impairment, amongst other inflictions. Because those afflicted by ASD have great difficulty identifying the meaning of words, due to a lack a rhythmical understanding of the words, their speech is often slow and sometimes difficult to understand and this is made worse because they cannot grasp the body language of the person they communicate with. Owen proves over and over again that this is not because of a mental disorder, his drawings and acute analysis of concepts like heroism, in his beloved Disney world, show a vivid imagination and acute knowledge of interactions. But this is limited to the black-and-white world of Disney cartoons. In the real world, Owen struggles, because the signals he gets from his environment are not clear and understandable for him. If we consider that we all suffer from double-bind signals given to us, we can imagine how hard it is for someone like Owen to cope with contradictive signals given by the adult world he lives in.

His first relationship with Emily, who also suffers from ASD, comes to an end, because she does want the closeness Owen needs. Owen is stunned, because Disney movies, with their regular happy-endings, have not prepared him for this outcome. As his older brother Walter – who is prepared to look after him, when their parents are gone – muses, Disney has not prepared Owen for a normal sex life, since there is no “Disney Porn”. It is a sign of normality – rightly or wrong – that children who want to be Superheroes, are seen as normative, whilst Owen, who identifies with all the sidekicks in the films, is really much more realistic than his so called normal brethren.

LIFE, ANIMATED is greatly helped by the original animation of Mac Guff, who draws the world in which Owen lives. DoP Tom Bergmann’s close-ups of Owen are highlighting the world he lives in – trying to understand a universe that does not always complies with the norms of his Disney world. A deeply humanistic and emotionally satisfying documentary showing that the other side of ‘normal’ is often more innovative than the bland world the rest of us live in. AS

SCREENING AT BERTHA DOCHOUSE FROM 9 DECEMBER 2016

 

Chi-Raq (2016)

Dir.: Spike Lee | Cast: Teyonah Parris, Nick Cannon, Wesley Snipes, Angela Basset, John Cusack, Samuel L. Jackson | USA | 127 min.

Director/co-writer Spike Lee (Do the Right Thing) seems to be getting more and more angry as he gets older. Whilst the reasons are obvious, and we did not need a triumphant Trump for proof, Lee’s method of translating his rage in Chi-Raq (as in may of his other films) is hardly helping a reasonable discussion about the social woes of the United States. Chi-Raq (the first major production of Amazon Studios) is an overblown numbers revue, a re-setting of Aristophanes Lysistrata in Chicago’s notorious Southside and a sort of hip-hop musical.

Lysistrata (Parris) is living with her lover Demetrius Dupree alias Chi-Raq (an amalgamation of Chicago and Iraq), the gang leader of the purple clad Spartans, in Chicago’s Englewood district. Their sworn enemies are the Trojans, led by Wesley Snipes (with an eye patch) as Cyclos. As in reality, the gang warfare has claimed more victims in Chicago than the Afghanistan and Iraq conflicts combined. After the death of a baby-girl called Patti in a shoot-out between the gangs (most perpetrators and victims are black), Lysistrata, with the help of her wise neighbour Miss Helen (Basset) and her many sexy girl friends, organises a sex boycott: the men of both gangs have to give up their weapons, to gain access to their bedrooms again. With the help of preacher Mike Corridan (Cusack), Lygistrata organises the withdrawal action (No peace, no pussy), supported by a big chorus and Dolmedes (Jackson), who comments the action like a ringmaster.

Chi-Raq immediately sets the tone with its opening number “Pray 4 My City”, a raucous chorus. From then on, Lee hammers home his message, borrowing shamelessly from West Side Story, Patton and Dr. Strangelove, among others. Yes, this is supposed to be satire, but the numbers are so overblown, that they are more caricature than critique. Particularly the contrived ending underlines that form has overtaken content to a degree that the aesthetics have swamped the critical aspect of the film. Furthermore, Lee, like many others, does not seem to recognise the obvious: that the free availability of weapons and the billion Dollar profits of the industry are the true reasons for the killings. With its running time of more than two hours and its uneven narrative, Chi-Raq loses the audience at the end, when one gag after another tries to outdo its predecessor. DoP Matthew Libatique images dominate the proceedings, his choreography is truly marvellous – but help to suffocate the message. The cast, obviously having fun, is brilliant, particularly Teyonah Parris, who dominates the proceedings. What a shame that script and structure let everyone down. AS

NOW ON GENERAL RELEASE FROM

https://vimeo.com/144523728

Richard Linklater: Dream is Destiny (2016)

Directors: Louis Black, Karen Bernstein | US | Doc | 86min

Richard Linklater joins the sparkling array of Texan talent along with Patricia Highsmith, Wes Anderson, Ethan Hawk, Tobe Hooper, Howard Hughes, Forest Whitaker, Rip Torn and Joshua Oppenheimer, to name but a few.

And in a this enjoyable documentary, Louis Black and Karen Bernstein uncover the life story of the modest and appealing Houston born director, described by his father as “a self-starter who was always going to make a go of anything he did” and who went on to be among the first and most successful talents to emerge during the American independent film renaissance of the 1990s.

Linklater comes across as gentle but also driven by a laudable and impulsive desire to learn and improve his craft with every film he makes. Surviving outside the movie industry of Hollywood and New York allows him to hold on to his creative vision rather than focus on the money-making side of things and this is best evidenced in his audacious project Boyhood (2014) which is perhaps his best known film since the non-narrative comedy drama Slacker which premiered at the Sundance Film Festival 25 years ago.

Moving to the comparative backwater of Austin when his parents divorced was auspicious for Linklater as the city provided an open-minded and unrestrictive backdrop for experimenting (“it’s a long time before your technical skills catch up with your ideas”) and he set up the Austin Film Society with the aim of screening arthouse films. This led to the making of Slacker and providing local creatives for the project.

The documentarys talking heads are particularly insightful and, avoiding hagiography, are drawn equally from talent (Julie Delpy and Ethan Hawke), industry and press (Justin Chang/Variety). New York-born Black serves as both director and interviewer. The founder of SXSW Film Festival has known Linklater since the beginning and has access to early footage of the him and they chat about his first hand written scripts in the writing sanctuary of Linklater’s eco ranch in Bastrop, where is preparing for Everybody Wants Some.

DREAM IS DESTINY is keen to stress Linklater’s collaborative approach to his filmmaking and Jack Black talks about Linklater’s earnest desire to know what his actors are experiencing and what they can bring to their roles, even though in the end the film is always the director’s. Here Linklater is at pains to point out that he would never want to lose artistic control of his work, whatever the financial situation, as in the case of Dazed and Confused where Universal wanted to take his film in another direction from that intended. The only criticism of the doc is in not really covering his lesser known films as the focus is primarily on Boyhood and the Midnight series, but given a trim running time of 86 minutes this provides scope for a more ample study of this personable and talented man in the future. MT

NOW ON GENERAL RELEASE FROM 31 OCTOBER 2016

 

 

The Witch (2015) | LFF 2015 | Best First Feature

Writer|Director: Robert Eggers

Cast: Ralph Ineson, Kate Dickie, Anya Taylor-Joy, Harvey Scrimshaw

90mins | Horror  | US Canada

THE WITCH is a genuine horror story set in the Puritan heartlands of New England in the early part of the 17th century. Sumptuously-mounted with meticulous attention to detail and atmosphere, Robert Eggers’ rigorously-scripted indie debut successfully tells a tale of witchcraft suggested by the prevailing climate of religious hysteria and folkloric belief, that touches a family of devout Christian settlers.

In this indie curio, which scratches at the edges of mainstream horror, writer-director Eggers orchestrates the atmospheric setting, unnerving score, morose tone and fervent performances to create a film that is more laudable and impressive than particularly errifying or surprising. Precision framing and gorgeous period costumes also go to give THE WITCH serious arthouse appeal although it is unlikely to shock the usual horror crowd.

The story is set about fifty years before the Salem Witch Trails. It concerns a family who have been exiled from the mainstream Puritan church and close community over some religious difference of opinion. Vowing to make a go of things with a small farm deep in the forest, the father (Ralph Ineson) nevertheless seems ill-prepared for the task ahead with the birth of their latest child keeping the slightly histrionic mother (Kate Dickie) preoccupied with her small twins Mercy (Ellie Grainger) and Jonas (Lucas Dawson). Meanwhile young son Caleb (Harvey Scrimshaw) is capable of looking after the livestock with the help of his teenage sister, the open-faced and pleasant  Thomasin (Anya Taylor-Joy). But the baby suddenly disappears during a full moon, seemingly carried off by a red-cloaked stooping figure who is later seen anointing her decrepit naked body in blood and gore.

To put these events in context, the 17th century was still a dangerous time to live outside established community settlements. Native Indians roamed New England and folklore created a climate of suspicion and fear. Infant mortality was extremely high, but the mother is unable to overcome her grief as it spills over affecting the wellbeing of the family. Their situation deteriorates as household items go missing, the goat sickens and the weather turns inclement and food supplies dwindle. To help the disconsolate father, Caleb and Kate venture into the forest to look for food with the rifle. All they find is a strange rabbit who evades their bullets. The pair become separated and Caleb finds himself outside a cottage where a tousled hair siren beckons him in. At this point the narrative swerves away from the witches and focuses on the family as it starts to implode. Threats of violence are bandied about and the mother starts to point the finger of blame at Thomasin, accusing her of witchcraft.

Eggers’ script has plenty of old English personal pronouns flying around and the religious fervour steadily ignites with some remarkable outbursts from a superb cast who embrace the tragic events with escalating hysteria in scenes of mounting melodrama. To to his credit, Eggers keep things plausible :THE WITCH could serve as a timely metaphor for the state of the family in the 21st century. MT

SCREENING DURING LONDON FILM FESTIVAL 7 -18 OCTOBER 2015

 

Sundance Film Festival | Prizes Announced

112263_still1_JamesFranco_SarahGadon__byAlexDukayThe first major international festival of the independent film world: SUNDANCE FILM FESTIVAL 2016 has wrapped with another “great step forward for independent film,” according to the festival director John Cooper. For ten days in January the snow-bound hub of Park City, Utah screened 120 features, 98 of which are world premieres and include a romantic drama about Barack and Michelle Obama’s first date; a two hander about a drifter who befriends a dead body and the first film to focus on the women of Wall Street.

So what’s new trendwise in 2016? Well, according to director of programming Trevor Groth: Everyone’s understanding craft so much better. There’s a changing face to what a documentary is and what it can do in the end. People are experimenting in genre in really interesting ways, so festival-goers should expect a “wild range of tones and styles” in the World Cinema dramatic competition. “Independent filmmakers are doing what they’ve always done best: connecting the dots of human existence with a deeply charged emotional current.” We look at the ones that screened during this year’s festival and the PRIZE WINNERS to look out for in the coming months.  

US DRAMATIC COMPETITION winner THE BIRTH OF A NATION (US)

US DIRECTING AWARD DRAMATIC winner SWISS ARMY MAN (US)

US DOCUMENTARY COMPETITION winner WEINER

US DIRECTING AWARD DOCUMENTARY winner LIFE, ANIMATED (US)

WORLD CINEMA DRAMATIC COMPETITION winner SAND STORM (ISRAEL)

WORLD CINEMA DIRECTING AWARD DRAMATIC winner BELGICA (BELGIUM)

WORLD CINEMA DOCUMENTARY COMPETITION winner SONITA (IRAN)

WORLD CINEMA DIRECTING AWARD DOCUMENTARY winner ALL THESE SLEEPLESS NIGHTS (POLAND)

ALFRED P SLOAN FEATURE FILM PRIZE winner EMBRACE OF THE SERPENT (MEXICO)

WORLD CINEMA AWARD FOR UNIQUE VISION AND DESIGN winner THE LURE (POLAND)

NEXT -AUDIENCE AWARD winner THE FIRST GIRL I LOVED  (cutting edge equivalent of Cannes “Un Certain Regard”)

W O R L D   P R E M I E R E S 

A showcase of world premieres of some of the most highly anticipated narrative films of the coming year.

agnus copyAGNUS DEI / France, Poland (Director: Anne Fontaine, Screenwriters: Sabrina N. Karine, Alice Vial, Pascal Bonitzer) — 1945 Poland: Mathilde, a young French doctor, is on a mission to help World War II survivors. When a nun seeks her assistance in helping several pregnant nuns in hiding, who are unable to reconcile their faith with their pregnancies, Mathilde becomes their only hope. Cast: Lou de Laâge, Agata Kulesza, Agata Buzek, Vincent Macaigne, Joanna Kulig, Katarzyna Dabrowska. World Premiere

16753-1-1100ALI AND NINO / United Kingdom (Director: Asif Kapadia, Screenwriter: Christopher Hampton) — Muslim prince Ali and Georgian aristocrat Nino have grown up in the Russian province of Azerbaijan. Their tragic love story sees the outbreak of the First World War and the world’s struggle for Baku’s oil. Ultimately they must choose to fight for their country’s independence or for each other. Cast: Adam Bakri, Maria Valverde, Mandy Patinkin, Connie Nielsen, Riccardo Scamarcio, Homayoun Ershadi. World Premiere

CAPTAIN FANTASTIC / U.S.A. (Director and screenwriter: Matt Ross) — Deep in the forests of the Pacific Northwest, a father devoted to raising his six kids with a rigorous physical and intellectual education is forced to leave his paradise and re-enter society, beginning a journey that challenges his idea of what it means to be a parent. Cast: Viggo Mortensen, Frank Langella, George MacKay, Kathryn Hahn, Steve Zahn, Ann Dowd. World Premiere

certain copyCERTAIN WOMEN / U.S.A. (Director: Kelly Reichardt, Screenwriter: Kelly Reichardt based on stories by Maile Meloy) — The lives of three woman intersect in small-town America, where each is imperfectly blazing a trail. Cast: Laura Dern, Kristen Stewart, Michelle Williams, James Le Gros, Jared Harris, Lily Gladstone. World Premiere

COMPLETE UNKNOWN / U.S.A. (Director: Joshua Marston, Screenwriters: Joshua Marston, Julian Sheppard) — When Tom and his wife host a dinner party to celebrate his birthday, one of their friends brings a date named Alice. Tom is convinced he knows her, but she’s going by a different name and a different biography—and she’s not acknowledging that she knows him. Cast: Rachel Weisz, Michael Shannon, Kathy Bates, Danny Glover. World Premiere

FRANK AND LOLA / U.S.A. (Director and screenwriter: Matthew Ross) — A psychosexual noir love story—set in Las Vegas and Paris—about love, obsession, sex, betrayal, revenge and, ultimately, the search for redemption. Cast: Michael Shannon, Imogen Poots, Michael Nyqvist, Justin Long, Emmanuelle Devos, Rosanna Arquette. World Premiere

THE FUNDAMENTALS OF CARING / U.S.A. (Director and screenwriter: Rob Burnett) — Having suffered a tragedy, Ben becomes a caregiver to earn money. His first client, Trevor, is a hilarious 18-year-old with muscular dystrophy. One paralyzed emotionally, one paralyzed physically, Ben and Trevor hit the road, finding hope, friendship, and Dot in this funny and touching inspirational tale. Cast: Paul Rudd, Craig Roberts, Selena Gomez, Jennifer Ehle, Megan Ferguson, Frederick Weller. World Premiere. CLOSING NIGHT FILM

Hollars copy copyTHE HOLLARS / U.S.A. (Director: John Krasinski, Screenwriter: Jim Strouse) — Aspiring New York City artist John Hollar returns to his Middle America hometown on the eve of his mother’s brain surgery. Joined by his girlfriend, eight months pregnant with their first child, John is forced to navigate the crazy world he left behind. Cast: John Krasinski, Anna Kendrick, Margo Martindale, Richard Jenkins, Sharlto Copley, Charlie Day. World Premiere

HUNT FOR THE WILDERPEOPLE / New Zealand (Director and screenwriter: Taika Waititi) — Ricky is a defiant young city kid who finds himself on the run with his cantankerous foster uncle in the wild New Zealand bush. A national manhunt ensues, and the two are forced to put aside their differences and work together to survive in this heartwarming adventure comedy. Cast: Julian Dennison, Sam Neill, Rima Te Wiata, Rachel House, Oscar Kightley. World Premiere

indig copyINDIGNATION / U.S.A. (Director and screenwriter: James Schamus) — It’s 1951, and among the new arrivals at Winesburg College in Ohio are the son of a kosher butcher from New Jersey and the beautiful, brilliant daughter of a prominent alum. For a brief moment, their lives converge in this emotionally soaring film based on the novel by Philip Roth. Cast: Logan Lerman, Sarah Gadon, Tracy Letts, Linda Emond, Danny Burstein, Ben Rosenfield. World Premiere

LITTLE MEN / U.S.A. (Director: Ira Sachs, Screenwriter: Mauricio Zacharias) — When 13-year-old Jake’s grandfather dies, his family moves back into their old Brooklyn home. There, Jake befriends Tony, whose single Chilean mother runs the shop downstairs. As their friendship deepens, however, their families are driven apart by a battle over rent, and the boys respond with a vow of silence. Cast: Greg Kinnear, Jennifer Ehle, Paulina Garcia, Theo Taplitz, Michael Barbieri. World Premiere

LoveandFriendship_still1_ChloeSevigny_KateBeckinsale__byBernardWalshLOVE AND FRIENDSHIP / Ireland, France, Netherlands (Director and screenwriter: Whit Stillman) — From Jane Austen’s novella, the beautiful and cunning Lady Susan Vernon visits the estate of her in-laws to wait out colorful rumors of her dalliances and to find husbands for herself and her daughter. Two young men, handsome Reginald DeCourcy and wealthy Sir James Martin, severely complicate her plans. Cast: Kate Beckinsale, Chloë Sevigny, Xavier Samuel, Emma Greenwell, Tom Bennett, Stephen Fry. World Premiere

manchester copyMANCHESTER BY THE SEA / U.S.A. (Director and screenwriter: Kenneth Lonergan) — After his older brother passes away, Lee Chandler is forced to return home to care for his 16-year-old nephew. There he is compelled to deal with a tragic past that separated him from his family and the community where he was born and raised. Cast: Casey Affleck, Michelle Williams, Lucas Hedges, Kyle Chandler. World Premiere

MR PIG / Mexico (Director: Diego Luna, Screenwriters: Augusto Mendoza, Diego Luna) — On a mission to sell his last remaining prize hog and reunite with old friends, an aging farmer abandons his foreclosed farm and journeys to Mexico. After smuggling in the hog, his estranged daughter shows up, forcing them to face their past and embark on an adventurous road trip together. Cast: Danny Glover, Maya Rudolph, José María Yazpik, Joel Murray, Angélica Aragón, Gabriela Araujo. World Premiere

SING STREET / Ireland (Director and screenwriter: John Carney) — A boy growing up in Dublin during the ’80s escapes his strained family life and tough new school by starting a band to win the heart of a beautiful and mysterious girl. Cast: Ferdia Walsh-Peelo, Lucy Boynton, Jack Reynor, Aidan Gillen, Mark McKenna. World Premiere

SophieandtheRisingSun_still2_JulianneNicholson_TakashiYamaguchi__byJacksonLeeDavisSOPHIE AND THE RISING SUN / U.S.A. (Director and screenwriter: Maggie Greenwald) — In a small Southern town in the autumn of 1941, Sophie’s lonely life is transformed when an Asian man arrives under mysterious circumstances. Their love affair becomes the lightning rod for long-buried conflicts that erupt in bigotry and violence with the outbreak of World War ll. Cast: Julianne Nicholson, Margo Martindale, Lorraine Toussaint, Takashi Yamaguchi, Diane Ladd, Joel Murray. World Premiere. SALT LAKE CITY GALA FILM

WIENER DOG / U.S.A. (Director and screenwriter: Todd Solondz) — This film tells several stories featuring people who find their life inspired or changed by one particular dachshund, who seems to be spreading comfort and joy. Cast: Greta Gerwig, Kieran Culkin, Danny DeVito, Ellen Burstyn, Julie Delpy, Zosia Mamet. World Premiere

D O C U M E N T A R Y   P R E M I E R E S
Renowned filmmakers and films about far-reaching subjects comprise this section highlighting our ongoing commitment to documentaries.

EAT THAT QUESTION—Frank Zappa in His Own Words / France, Germany (Director: Thorsten Schütte) — This entertaining encounter with the premier of sonic avant-garde is acidic, fun-poking, and full of rich and rare archival footage. This documentary bashes favorite Zappa targets and dashes a few myths about the man himself. World Premiere

FILM HAWK / U.S.A. (Directors: JJ Garvine, Tai Parquet) — Trace Bob Hawk’s early years as the young gay child of a Methodist minister to his current career as a consultant on some of the most influential independent films of our time. World Premiere

LOANDBEHOLDReveriesoftheConnectedWorld_headshot2_WernerHerzog_byNALO AND BEHOLD, Reveries of the Connected World / U.S.A. (Director: Werner Herzog) — Does the internet dream of itself? Explore the horizons of the connected world. World Premiere

MAPPLETHORPE – LOOK AT THE PICTURES / U.S.A. (Directors: Fenton Bailey, Randy Barbato) — This examination of Robert Mapplethorpe’s outrageous life is led by the artist himself, speaking with brutal honesty in a series of rediscovered interviews about his passions. Intimate revelations from friends, family, and lovers shed new light on this scandalous artist who ignited a culture war that still rages on. World Premiere

MAYA ANGELOU – AND STILL I RISE / U.S.A. (Directors: Bob Hercules, Rita Coburn Whack) — The remarkable story of Maya Angelou — iconic writer, poet, actress and activist whose life has intersected some of the most profound moments in recent American history. World Premiere

Michael copyMICHAEL JACKSON’S JOURNEY FROM MOTOWN TO OFF THE WALL / U.S.A. (Director: Spike Lee) — Catapulted by the success of his first major solo project, Off the Wall, Michael Jackson went from child star to King of Pop. This film explores the seminal album, with rare archival footage and interviews from those who were there and those whose lives its success and legacy impacted. World Premiere

NORMAN LEAR  – Just Another Version of You / U.S.A. (Directors: Heidi Ewing, Rachel Grady) — How did a poor Jewish kid from Connecticut bring us Archie Bunker and become one of the most successful television producers ever? Norman Lear brought provocative subjects like war, poverty, and prejudice into 120 million homes every week. He proved that social change was possible through an unlikely prism: laughter. World Premiere. DAY ONE FILM

Nothing copyNOTHING LEFT UNSAID: Gloria Vanderbilt & Anderson Cooper / U.S.A. (Director: Liz Garbus) — Gloria Vanderbilt and her son Anderson Cooper each tell the story of their past and present, their loves and losses, and reveal how some family stories have the tendency to repeat themselves in the most unexpected ways. World Premiere

RESILIENCE / U.S.A. (Director: James Redford) — This film chronicles the birth of a new movement among pediatricians, therapists, educators, and communities using cutting-edge brain science to disrupt cycles of violence, addiction, and disease. These professionals help break the cycles of adversity by daring to talk about the effects of divorce, abuse, and neglect. World Premiere

RICHARD LINKLATER—dream is destiny / U.S.A. (Directors: Louis Black, Karen Bernstein) — This is an unconventional look at a fiercely independent style of filmmaking that arose in the 1990s from Austin, Texas, outside the studio system. The film blends rare archival footage with journals, exclusive interviews with Linklater on and off set, and clips from Slacker, Dazed and Confused, Boyhood, and more. World Premiere

UNDER THE GUN / U.S.A. (Director: Stephanie Soechtig) — The Sandy Hook massacre was considered a watershed moment in the national debate on gun control, but the body count at the hands of gun violence has only increased. Through the lens of the victims’ families, as well as pro-gun advocates, we examine why our politicians have failed to act. World Premiere

UNLOCKING THE CAGE / U.S.A. (Directors: Chris Hegedus, Donn Alan Pennebaker) — Follow animal rights lawyer Steven Wise in his unprecedented challenge to break down the legal wall that separates animals from humans. By filing the first lawsuit of its kind, Wise seeks to transform a chimpanzee from a “thing” with no rights to a “person” with basic legal protection. World Premiere

U. S   . D R A M A T I C   C O M P E T I T I O N

The 16 films in this section are world premieres and, unless otherwise noted, are from the U.S.

AS YOU ARE (Director: Miles Joris­-Peyrafitte, Screenwriters: Miles Joris­-Peyrafitte, Madison Harrison) — The telling and retelling of a relationship between three teenagers as it traces the course of their friendship through a construction of disparate memories prompted by a police investigation. C​ast: Owen Campbell, Charlie Heaton, Amandla Stenberg, John Scurti, Scott Cohen, Mary Stuart Masterson.

BirthTHE BIRTH OF A NATION (Director and screenwriter: Nate Parker) — Set against the antebellum South, this story follows Nat Turner, a literate slave and preacher, whose financially strained owner, Samuel Turner, accepts an offer to use Nat’s preaching to subdue unruly slaves. After witnessing countless atrocities against fellow slaves, Nat devises a plan to lead his people to freedom. C​ast: Nate Parker, Armie Hammer, Aja Naomi King, Jackie Earle Haley, Gabrielle Union, Mark Boone Jr.

CHRISTINE (Director: Antonio Campos, Screenwriter: Craig Shilowich) — In 1974, a female TV news reporter aims for high standards in life and love in Sarasota, Fla. Missing her mark is not an option. This story is based on true events. C​ast: Rebecca Hall, Michael C. Hall, Maria Dizzia, Tracy Letts, J. Smith-­Cameron.

EquityEQUITY  (Director: Meera Menon, Screenwriter: Amy Fox) — A female investment banker, fighting to get a promotion at her competitive Wall Street firm, leads a controversial tech IPO in the post-­financial-­crisis world, where regulations are tight but pressure to bring in big money remains high. C​ast: Anna Gunn, James Purefoy, Sarah Megan Thomas, Alysia Reiner.​

THE FREE WORLD (Director and screenwriter: Jason Lew) — Following his release from a brutal stretch in prison for crimes he didn’t commit, Mo is struggling to adapt to life on the outside. When his world collides with Doris, a mysterious woman with a violent past, he decides to risk his newfound freedom to keep her in his life. C​ast: Boyd Holbrook, Elisabeth Moss, Octavia Spencer, Sung Kang, Waleed Zuaiter.

GOAT (Director: Andrew Neel, Screenwriters: David Gordon Green, Andrew Neel, Michael Roberts) — Reeling from a terrifying assault, a 19-­year-­old boy pledges his brother’s fraternity in an attempt to prove his manhood. What happens there, in the name of “brotherhood,” tests both the boys and their relationship in brutal ways. C​ast: Nick Jonas, Ben Schnetzer, Virginia Gardner, Danny Flaherty, Austin Lyon.

THE INTERVENTION (Director and screenwriter: Clea DuVall) — A weekend getaway for four couples takes a sharp turn when one of the couples discovers the entire trip was orchestrated to host an intervention on their marriage. ​Cast: Melanie Lynskey, Cobie Smulders, Alia Shawkat, Clea DuVall, Natasha Lyonne, Ben Schwartz.

JOSHY(Director and screenwriter: Jeff Baena) — Josh treats what would have been his bachelor party as an opportunity to reconnect with his friends.​ Cast: Thomas Middleditch, Adam Pally, Alex Ross Perry, Nick Kroll, Brett Gelman, Jenny Slate.

Lovesong_still1_FerrisWheelLOVESONG  (Director: So Yong Kim, Screenwriters: So Yong Kim, Bradley Rust Gray) — Neglected by her husband, Sarah embarks on an impromptu road trip with her young daughter and her best friend, Mindy. Along the way, the dynamic between the two friends intensifies before circumstances force them apart. Years later, Sarah attempts to rebuild their intimate connection in the days before Mindy’s wedding.​ Cast: Jena Malone, Riley Keough, Brooklyn Decker, Amy Seimetz, Ryan Eggold, Rosanna Arquette.

MORRIS FROM AMERICA (U.S.-Germany / Director and screenwriter: Chad Hartigan) — Thirteen­-year-­old Morris, a hip­-hop-loving American, moves to Heidelberg, Germany, with his father. In this completely foreign land, he falls in love with a local girl, befriends his German tutor­-turned­-confidant, and attempts to navigate the unique trials and tribulations of adolescence. C​ast: Markees Christmas, Craig Robinson, Carla Juri, Lina Keller, Jakub Gierszal, Levin Henning.​

OTHER PEOPLE  (Director and screenwriter: Chris Kelly) — A struggling comedy writer, fresh from breaking up with his boyfriend, moves to Sacramento to help his sick mother. Living with his conservative father and younger sisters, David feels like a stranger in his childhood home. As his mother worsens, he tries to convince everyone (including himself) he’s “doing OK.” C​ast: Jesse Plemons, Molly Shannon, Bradley Whitford, Maude Apatow, Zach Woods, June Squibb. (Day One film)

SouthsideWithYou_still7_TikaSumpter_ParkerSawyers__byPatScolaSOUTHSIDE WITH YOU  (Director and screenwriter: Richard Tanne) — A chronicle of the summer afternoon in 1989 when the future president of the United States of America, Barack Obama, wooed his future First Lady on an epic first date across Chicago’s South Side.​ Cast: Tika Sumpter, Parker Sawyers, Vanessa Bell Calloway.

SPA NIGHT  (Director and screenwriter: Andrew Ahn) — A young Korean-­American man works to reconcile his obligations to his struggling immigrant family with his burgeoning sexual desires in the underground world of gay hookups at Korean spas in Los Angeles.​ Cast: Joe Seo, Haerry Kim, Youn Ho Cho, Tae Song, Ho Young Chung, Linda Han.

SwissArmyMan_still1_PaulDano_DanielRadcliffe__byJoyceKimSWISS ARMY MAN (Directors and screenwriters: Daniel Scheinert, Daniel Kwan) — Hank, a hopeless man stranded in the wild, discovers a mysterious dead body. Together the two embark on an epic journey to get home. As Hank realizes the body is the key to his survival, this once­-suicidal man is forced to convince a dead body that life is worth living. ​Cast: Paul Dano, Daniel Radcliffe, Mary Elizabeth Winstead.​

TALLULAH (Director and screenwriter: Sian Heder) — A rootless young woman takes a toddler from a wealthy, negligent mother and passes the baby off as her own in an effort to protect her. This decision connects and transforms the lives of three very different women. Cast: Ellen Page, Allison Janney, Tammy Blanchard, Evan Jonigkeit, Uzo Aduba.

16197-1-1100WHITE GIRL  (Director and screenwriter: Elizabeth Wood) — Summer, New York City: A college student goes to extremes to get her drug-dealer boyfriend out of jail. C​ast: Morgan Saylor, Brian “Sene” Marc, Justin Bartha, Chris Noth, India Menuez, Adrian Martinez.

U.S. DOCUMENTARY COMPETITION

The 16 films in this section are world premieres and, unless otherwise noted, are from the U.S.

AUDRIE AND DAISY (Directors: Bonni Cohen, Jon Shenk) — After two high-school girls in different towns are sexually assaulted by boys they consider friends, online bullying leads each girl to attempt suicide. Tragically, one dies. Assault in the social media age is explored from the perspectives of the girls and boys involved, as well as their torn-­apart communities.

AUTHOR : The JT LeRoy Story” (Director: Jeff Feuerzeig) — As the definitive look inside the mysterious case of 16­-year-­old literary sensation JT LeRoy — a creature so perfect for his time that if he didn’t exist, someone would have had to invent him — this is the strangest story about story ever told.

The Bad kidsTHE BAD KIDS (Directors: Keith Fulton, Lou Pepe) — At a remote Mojave Desert high school, extraordinary educators believe that empathy and life skills, more than academics, give at-­risk students command of their own futures. This coming­-of­-age story watches education combat the crippling effects of poverty in the lives of these so-­called “bad kids.”

GLEASON (Director: Clay Tweel) — At the age of 34, Steve Gleason, former NFL defensive back and New Orleans hero, was diagnosed with ALS. Doctors gave him two to five years to live. So that is what Steve chose to do: Live — both for his wife and newborn son and to help others with this disease.

HOLY HELL (Director: undisclosed) — Just out of college, a young filmmaker joins a loving, secretive, spiritual community led by a charismatic teacher in 1980s West Hollywood. Twenty years later, the group is shockingly torn apart. Told through hundreds of hours of accumulated footage, this is their story.

HOW TO LET GO OF THE WORLD  (and Love All the Things Climate Can’t Change​)” (Director: Josh Fox) — Do we have a chance to stop the most destructive consequences of climate change, or is it too late? Academy Award­-nominated director Josh Fox (“Gasland”)​ travels to 12 countries on six continents to explore what we have to let go of — and all of the things that climate can’t change.

JIM (Director: Brian Oakes) — The public execution of American conflict journalist James Foley captured the world’s attention, but he was more than just a man in an orange jumpsuit. Seen through the lens of his close childhood friend, “J​im” ​moves from adrenaline-­fueled front lines and devastated neighborhoods of Syria into the hands of ISIS.

Kate copyKATE PLAYS CHRISTINE  (Director: Robert Greene) — This psychological thriller follows actor Kate Lyn Sheil as she prepares to play the role of Christine Chubbuck, a Florida television host who committed suicide on air in 1974. Christine’s tragic death was the inspiration for “N​etwork,” ​and the mysteries surrounding her final act haunt Kate and the production.

KIKI  (U.S.-Sweden / Director: Sara Jordeno) — Through a strikingly intimate and visually daring lens, “K​iki” o​ffers insight into a safe space created and governed by LGBTQ youths of color, who are demanding happiness and political power. A coming­-of-­age story about agency, resilience, and the transformative art form of voguing.

LIFE, ANIMATED (Director: Roger Ross Williams) — Owen Suskind, an autistic boy who could not speak for years, slowly emerged from his isolation by immersing himself in Disney animated movies. Using these films as a roadmap, he reconnects with his loving family and the wider world in this emotional coming-­of-­age story.

NEWTOWN  (Director: Kim A. Snyder) — After joining the ranks of a growing club no one wants to belong to, the people of Newtown, Conn., weave an intimate story of resilience. This film traces the aftermath of the worst mass shooting of schoolchildren in American history as the traumatized community finds a new sense of purpose.

Nuts copyNUTS! (Director: Penny Lane) left — The mostly true story of Dr. John Romulus Brinkley, an eccentric genius who built an empire with his goat-­testicle impotence cure and a million-watt radio station. Animated re-enactments, interviews, archival footage, and one seriously unreliable narrator trace his rise from poverty to celebrity and influence in 1920s America.

SUITED ​(Director: Jason Benjamin) — Bindle & Keep, a Brooklyn tailoring company, makes custom suits for a growing legion of gender­-nonconforming clients.

TRAPPED ​(Director: Dawn Porter) — American abortion clinics are in a fight for survival. Targeted Regulation of Abortion Providers (TRAP) laws are increasingly being passed by states that maintain they ensure women’s safety and health, but as clinics continue to shut their doors, opponents believe the real purpose of these laws is to outlaw abortion.

UNCLE HOWARD”​ (U.S.-U.K. / Director: Aaron Brookner) ​— H​oward Brookner’s first film, “B​urroughs: The Movie,​”captured the cultural revolution of downtown New York City in the early ’80s. Twenty­-five years after his promising career was cut short by AIDS, his nephew sets out to discover Howard’s never-­before-­seen films to create a cinematic elegy about his childhood idol.

WEINER (Directors: Josh Kriegman, Elyse Steinberg) — With unrestricted access to Anthony Weiner’s New York City mayoral campaign, this film reveals how a high-­profile political scandal unfolds behind the scenes, and it offers an unfiltered look at how much today’s politics are driven by an appetite for spectacle.​

WORLD CINEMA DRAMATIC COMPETITION

The 12 films in this section are world premieres unless otherwise specified.

Belgica_still3_StefAerts_HlneDevos__byMenuetBELGICA right (Belgium-France-Netherlands / Director: Felix van Groeningen, Screenwriters: Felix van Groeningen, Arne Sierens) — In the midst of Belgium’s nightlife scene, two brothers start a bar and get swept up in its success. C​ast: Stef Aerts, Tom Vermeir, Charlotte Vandermeersch, Helene De Vos. (Day One film)

BETWEEN SEA AND LAND  (Colombia / Directors: Manolo Cruz, Carlos del Castillo, Screenwriter: Manolo Cruz) — Alberto, who suffers from an illness that binds him into a body that doesn’t obey him, lives with his loving mom, who dedicates her life to him. His sickness impedes him from achieving his greatest dream of knowing the sea, despite one being located just across the street. C​ast: Manolo Cruz, Vicky Hernandez, Viviana Serna, Jorge Cao, Mile Vergara, Javier Saenz.

BrahmanNaman_still1_ChaitanyaVarad_ShashankArora_TanmayDhanania_VaiswathShankar__byTizianaPuleioBRAHMAN NAHMAN (U.K.-India / Director: Q, Screenwriter: S. Ramachandran) — When Bangalore U.’s misfit quiz team manages to get into the national championships, they make an alcohol-­fueled, cross-­country journey to the competition, determined to defeat their arch­rivals from Calcutta while all desperately trying to lose their virginity. C​ast: Shashank Arora, Tanmay Dhanania, Chaitanya Varad, Vaiswath Shankar, Sindhu Sreenivasa Murthy, Sid Mallya.

A GOOD WIFE  (Serbia-Bosnia-Croatia / Director: Mirjana Karanovic, Screenwriters: Mirjana Karanovic, Stevan Filipovic, Darko Lungulov) — When 50-­year-­old Milena finds out about the terrible past of her seemingly ideal husband, while simultaneously learning of her own cancer diagnosis, she begins an awakening from the suburban paradise she has been living in. C​ast: Mirjana Karanovic, Boris Isakovic, Jasna Djuricic, Bojan Navojec, Hristina Popovic, Ksenija Marinkovic.

HALAL LOVE (AND SEX)  (Lebanon-Germany-United Arab Emirates / Director and screenwriter: Assad Fouladkar) — Four tragic yet comic interconnected stories come together in this film, which follows devout Muslim men and women as they try to manage their love lives and desires without breaking any of their religion’s rules. Cast: Darine Hamze, Rodrigue Sleiman, Zeinab Khadra, Hussein Mokadem, Mirna Moukarzel, Ali Sammoury. (International premiere)

THE LURE (main photo)  (Poland / Director: Agnieszka Smoczynska, Screenwriter: Robert Bolesto) — Two mermaid sisters, who end up performing at a nightclub, face cruel and bloody choices when one of them falls in love with a beautiful young man. C​ast: Marta Mazurek, Michalina Olszanska, Jakub Gierszal, Kinga Preis, Andrzej Konopka, Zygmunt Malanowicz. (International premiere)

MaleJoyFemaleLove_still1_DaizhenYing_Nanyu__byYounianLiuMALE JOY, FEMALE LOVE  right  (China / Director and screenwriter: Yao Huang) — Portrays an unlimited cycle of love stories. C​ast: Nand Yu, Daizhen Ying, Xiaodong Guo, Yi Sun.

MAMMAL  (Ireland-Luxembourg-Netherlands / Director: Rebecca Daly, Screenwriters: Rebecca Daly, Glenn Montgomery) — After Margaret, a divorcee living in Dublin, loses her teenage son, she develops an unorthodox relationship with Joe, a homeless youth. Their tentative trust is threatened by his involvement with a violent gang and the escalation of her ex­husband’s grieving rage. C​ast: Rachel Griffiths, Barry Keoghan, Michael McElhatton.

Mi Amiga copyMI AMIGA DEL PARQUE  (Argentina-Uruguay / Director: Ana Katz, Screenwriters: Ana Katz, Ines Bortagaray) — Running away from a bar without paying the bill is just the first adventure for Liz (mother to newborn Nicanor) and Rosa (supposed mother to newborn Clarisa). This budding friendship between nursing mothers starts with the promise of liberation but soon ends up being a dangerous business. C​ast: Julieta Zylberberg, Ana Katz, Maricel Alvarez, Mirella Pascual, Malena Figo, Daniel Hendler. (International premiere)

MUCH ADO ABOUT NOTHING (Chile / Director: Alejandro Fernandez, Screenwriters: Alejandro Fernandez, Jeronimo Rodriguez) — An upper-­class kid gets in trouble with the one percent.​ Cast: Agustin Silva, Alejandro Goic, Luis Gnecco, Paulina Garcia, Daniel Alcaino, Augusto Schuster.

SAND STORM  (Israel / Director and screenwriter: Elite Zexer) — When their entire lives are shattered, two Bedouin women struggle to change the unchangeable rules, each in her own individual way. C​ast: Lamis Ammar, Ruba Blal­Asfour, Hitham Omari, Khadija Alakel, Jalal Masrwa.

WILD  (Germany / Director and screenwriter: Nicolette Krebitz) — An anarchist young woman breaks the tacit contract with civilization and fearlessly decides on a life without hypocrisy or an obligatory safety net. C​ast: Lilith Stangenberg, Georg Friedrich.

WORLD CINEMA DOCUMENTARY COMPETITION

All these sleeplessThe 11 films in this section are world premieres unless otherwise specified. A 12th film will be announced in the weeks ahead.

ALL THESE SLEEPLESS NIGHTS (LEFT) (Poland / Director: Michal Marczak) — What does it mean to be truly awake in a world that seems satisfied to be asleep? Christopher and Michal push their experiences in life and love to the breaking point as they restlessly roam the streets of Warsaw in search for answers.​

A FLAG WITHOUT A COUNTRY  (Iraq / Director: Bahman Ghobadi) — This documentary follows the very separate paths of singer Helly Luv and pilot Nariman Anwar from Kurdistan, both in pursuit of progress, freedom, and solidarity. Both individuals are a source of strength to their society, which perpetually deals with the harsh conditions of life, war, and ISIS attacks. (N​orth American premiere)

Hooligan sparrow copyHOOLIGAN SPARROW – right (China-U.S. / Director: Nanfu Wang) — Traversing southern China, a group of activists led by Ye Haiyan, aka Hooligan Sparrow, protest a scandalous incident in which a school principal and a government official allegedly raped six students. Sparrow becomes an enemy of the state, but detentions, interrogations and evictions can’t stop her protest from going viral.

THE LAND OF THE ENLIGHTENED (Belgium / Director: Pieter-­Jan De Pue) — A group of Kuchi children in Afghanistan dig out old Soviet mines and sell the explosives to child workers in a lapis lazuli mine. When not dreaming of an Afghanistan after the American withdrawal, Gholam Nasir and his gang control the mountains where caravans are smuggling the blue gemstones.

THE LOVERS AND THE DESPOT (U.K. / Directors: Robert Cannan, Ross Adam) — Following the collapse of their glamorous romance, a celebrity director and his actress ex-­wife are kidnapped by movie­-obsessed dictator Kim Jong-­il. Forced to make films in extraordinary circumstances, they get a second chance at love — but only one chance at escape.

PLAZA DE LA SOLEDAD (Mexico / Director: Maya Goded) — For more than 20 years, photographer Maya Goded has intimately documented the lives of a close community of prostitutes in Mexico City. With dignity and humor, these women now strive for a better life — and the possibility of true love.

THE SETTLERS (France-Canada-Israel-Germany / Director: Shimon Dotan) — The first film of its kind to offer a comprehensive view of the Jewish settlements in the West Bank, “The Settlers” is a historical overview, geopolitical study, and intimate look at the people at the core of the most daunting challenge facing Israel and the international community today.

sky ladder - CaiGuoQiangTheManWhoFellToEarthWorkingTitle_still1_df__byHiroIharaS​KY LADDER: The Art of Cai Guo-­Qiang​” (Director: Kevin Macdonald) — Having reached the pinnacle of the global art world with his signature explosion events and gunpowder drawings, world-­famous Chinese contemporary artist Cai Guo­-Qiang is still seeking more. We trace his rise from childhood in Mao’s China and his journey to attempt to realize his lifelong obsession, Sky Ladder. (Day One film)

SONITA (Germany-Iran-Switzerland / Director: Rokhsareh Ghaem Maghami) — If 18­year­old Sonita had a say, Michael Jackson and Rihanna would be her parents and she’d be a rapper who tells the story of Afghan women and their fate as child brides. She finds out that her family plans to sell her to an unknown husband for $9,000. (North American premiere)

WE ARE X ​/ (U.K.-U.S.-Japan / Director: Stephen Kijak) — As glam rock’s most flamboyant survivors, X Japan ignited a musical revolution in Japan during the late ’80s with their melodic metal. Twenty years after their tragic dissolution, X Japan’s leader, Yoshiki, battles with physical and spiritual demons alongside prejudices of the West to bring their music to the world.

When Two WorldsWHEN TWO WORLDS COLLIDE right (Peru / Directors: Heidi Brandenburg, Mathew Orzel) — An indigenous leader resists the environmental ruin of Amazonian lands by big business. As he is forced into exile and faces 20 years in prison, his quest reveals conflicting visions that shape the fate of the Amazon and the climate future of our world. W​orld Premiere

SUNDANCE FILM FESTIVAL | UTAH 21 – 31 JANUARY 2015 |

Tangerine (2015) Home ent release

Writer|Director: Sean Baker with Chris Bergoch.

Cast: Kitana Kiki Rodriquez, Mya Taylor, Karren Karagulian, Mickey O’Hagen, James Ransone, Arsen Grigoryan

88min   Comedy Drama  US

TANGERINE is what you’d expect from a slice of downtown Los Angeles street life seen through two black, transgender prostitutes: spunky, raucous and rude. But the disenfranchised characters in Sean Baker’s microbudget indie hit are always warm and good-humoured. Shot entirely on iphones with the use of anamorphic adapters, and no worse off for it, TANGERINE bristles with a vibrant street energy and a freshness that reinvents its Highland setting of donut parlours and meaningless malls with a jaunty score composed of ambient, techno, hip-hop and even Armenian folk music.

Baker’s 2012, Starlet, pictured the unusual pairing of an old woman and a porn star in-the-making and TANGERINE offers a similarly sleezy snapshot of a Christmas Eve in LA where cross-cultural denizens rub along – but only just. Sin-Dee Rella (Kitana Kiki Rodriguez) is celebrating her release from a spell in prison to discover that her pimp and boyfriend Chester (James Ransone) has been unfaithful with a white woman. Her best friend Alexandra (Mya Taylor) breaks the news over donuts and coffee, and the two venture forth in a ferocious ‘no holds barred’ onslaught to track down the culprit Dinah (Mickey O’Hagen), who they then pounce on in a local brothel.

And while Alexandra is touting for custom for her singing soirée at a local club, Sin-Dee is dragging Dinah around town by the hair.  The Armenian element comes from a parallel strand involving a bisexual taxi-driver, Razmik (Karren Karagulian) whose customers include a native American with a headache, a woman who has just had her dog put down and a couple of guys who throw up on the back seat. Married with a baby, Razmik has a penchant to blowing trans-gender prostitutes in his passenger seat. It emerges that the going rate in LA is $80, but Alexander gives a 50% discount to a local punter “cos it’s Christmas Eve”. But only if he comes quickly!

When Razmik tries to escape the family Christmas lunch, his mother-in-law (Alla Tumanian) and wife Luiza Hersisyn), inject a note of old school tradition putting the story firmly in perspective, and they all cross paths in the donut diner where Sin-Dee is having a showcase showdown with her slipper ex (James Ransone), Dinah still in tow.

This upbeat, feelgood farce certainly tells it like it is, with a script that has been cobbled together with interviews and ideas from local transgender prostitutes, to give authenticity. Performances are dynamite across the board, especially from Sin-Dee who is appealingly sassy in a blond wig and white shorts. Never hard-edged or malevolent, TANGERINE retains a natural humour reflecting the pride and dignity of both locals and sex workers plying their trade in this shady part of sunny LA. MT

NOW OUT ON HOME ENTERTAINMENT , TANGERINE WON AWARDS AT KARLOVY VARY, PALM SPRINGS, TRAVERSE CITY, DEAUVILLE AND RIO DE JANEIRO |. READ OUR INTERVIEW WITH THE DIRECTOR HERE

 

Tangerine Interview | Mya Taylor and Sean Baker

Stephen Mayne caught up with Mya Taylor and Sean Baker during the UK Premiere of TANGERINE at this BFI London Film Festival 

Capturing the moment is exciting but it comes at a price. That much is evident when I walk into the room at the Mayfair Hotel to meet Sean Baker and Mya Taylor, director/writer and co-star respectively of breakout US indie hit Tangerine. Mya, elegant despite the strain of endless media engagements is commenting on her schedule for the day: “23 interviews, 2 photos shoots and 3 Q&As right?” She turns to Sean, a slender figure dressed in black, for confirmation. He’s on his way out as he answers: “I don’t know but suddenly my bladder is about to burst. Can you start and I’ll be right back?”

With TANGERINE making its bow at the 59th London Film Festival in the evening, I’m the 15th journalist wheeled in front of them already and its only lunchtime. They bear me graciously, even if Mya only acquiesces to Sean’s brief absence on the proviso I don’t ask any dull questions along the lines of how she met him. Incidentally, he discovered her at an LGBT centre around the corner from the notorious Red Light district of the Santa Monica and Highland intersection presented in the film. Not that I asked of course!

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From the streets of LA, she now faces different challenges. Having to work through the same repetitive questions clearly takes a toll for a start. “Journalists ask the same shit over and over and over. Like I just answered this shit, it’s in magazines. Why don’t you just read about it and put it in your interview.” She can turn on the charm when she needs to though. “Actually, you English people are so much cleverer with your questions. You guys are smarter than Americans.”

The furore around TANGERINE is both a surprise and somehow expected given the growing prominence of transgender issues in the mainstream media this year. The film follows two transgender prostitutes, played by Mya and Kitana Kiki Rodriquez, as they wander the streets of LA on Christmas Eve dealing with a collection of quirky characters during the course of the day. Shot on iPhones with a hyper-real feel and an impressive soundtrack, it’s high tempo, energetic madness that proves utterly irresistible. Don’t just take my word for it. Magnolia Pictures who snapped up world distribution rights at Sundance in January are even planning an Oscar push for Mya and Kitana, which would make them the first transgender actresses to receive nominations if all goes to plan.

12095166_950655494980526_4586494691274041898_o copyAcademy award glamour is a far cry from the world presented in the film, as Mya knows only too well after moving to LA at 18. “I used to be in that world. I couldn’t do much with my life even though I was trying. And now I’m an actress and known everywhere and I’m in a totally different life.” She sounds amazed but it has been kind of amazing. She’s also clear her past is a way of life she’s happy to leave behind. “It’s something you want to be away from, I guess because it’s so miserable. There was a time when I was homeless and I had to sleep inside men’s sex clubs. There’s a risk of a man trying to touch you and have sex with you. You’re trying to sleep and there’s loud music playing and people having sex everywhere. It’s nasty.”

Sleeping inside sex clubs isn’t even the worst option. “There was one time that I slept behind a dumpster because I didn’t want to be bothered. I thought the police would probably come if I was on the sidewalk. But it was so uncomfortable that other times I’d stay up all night and walk around and sleep inside the youth centre the next day. I’d get like four or five hours of sleep a day.”

At the mention of youth centres, I wonder whether there are more options now available to help people stuck in Mya’s former situation. The answer is mixed. Mya feels LA offers the most help of anywhere she’s been, but youth centres don’t address all the problems. “Think about this; if I’m up all night and I go to the centre the next day to sleep, my whole day is gone right there. You can’t accomplish anything because you’re trying to sleep. It’s the same cycle every day for a lot of the transgender girls.” Even when they can find somewhere to catch up on sleep, discrimination is never far away. “When transgender girls do actually go interview for jobs they get turned down because they’re trans. I just went to get my ID changed to say my gender is female. It will be finalised next August [we’re in October 2015 now]. Let’s say I go to an interview and have to give them my documentation. If they see I’m trans I won’t get hired. That’s just how it has been. Whether you’re pretty or passable, if that information isn’t changed, or if they just know you’re trans, you won’t get hired. The best thing to try and do is live stealth so nobody knows.”

11947967_934510543261688_5493784347438586322_o copyThere is hope that change is coming at last. Sean seems upbeat over what he’s seen. The 44 year old filmmaker, a stalwart of the indie scene after four previous features and a gloriously odd puppet sitcom Greg the Bunny threw himself into Mya’s old world when developing TANGERINE and still keeps tabs on it. He seems excited that the LGBT centre where he first discovered her now has a department dedicated to transgender people. “I think they’re doing a whole employment thing. It seems with the recent awareness that existing foundations are putting targets in place to help trans people.”

This awareness is partly why TANGERINE has drawn such notice. Aside from being rather good, it’s currently riding a wave of interest in transgender issues. But will it last or are we witnessing a well-meaning flash in the pan? Mya is unequivocal. “It’s the start of something. This something isn’t going to fade.” Sean’s equally adamant. “It’s a movement not a fad. All I know is when I started hearing the general public talking about trans issues and the fact that in the US the most generic mainstream poppy radio stations are talking about it, you know it’s broken into the mainstream. It’s an issue that has reached this point in the zeitgeist where it’s on everybody’s minds. When we set down this road two and a half years ago it must have been brewing. I thought we were the only ones thinking about it but that’s obviously not true.”

Sean credits three major events in the US that have helped to turn the tide. “You have Obama using the word transgender in a presidential address, you have Laverne Cox [star of Orange is the New Black] on the cover of Time, and you have Caitlyn [Jenner], the biggest celebrity to go through a transition publicly.”

Tangerine_still1_SeanBaker__byRadium_2014-11-26_03-37-07PMWith all this in mind, I ask what they expected when they set out on the film in 2013. Surely the excitement generated by TANGERINE must have come as a surprise. For Sean he just saw it as a chance to make another film following the release of Starlet, his fourth feature, in 2012. “I couldn’t get funding for a bigger film and was desperate to make another movie right away. I remember Mark [Duplass, executive producer of TANGERINE and established director /actor in his own right] had offered me this micro-budget thing if I wanted. It was a real step back as usually you want to increase your budget and this was less than half my previous film. It was when we got the thumbs up from Mark and started doing our research that we took it seriously hoping it would be a recognised indie that would travel the world. Getting to Cannes, Venice or Berlin, that’s the whole goal for me anyway.”

For Mya, considering where she came from and where she now is, it’s been so much more. Barring a one-off appearance as a zombie in a small TV series in 2010 this is her acting debut. From the LA of TANGERINE she’s sitting in London just days after Magnolia’s Oscar push announcement. Tired as she is, she’s clearly having a ball. “It’s my first time in London and I love it. I want to move here and get a house. I think I’m going to buy Buckingham Palace.” A note of realism does creep in. “That place is priceless though; I don’t even think Donald Trump could afford it.” I doubt she would want to be responsible for kicking the Queen out anyway. After a constitutional detour we establish Her Majesty’s ceremonial role much to Mya’s amusement. “So the Queen just happens to be very rich and luxurious and gorgeous at an old age? I love her.”

As for what’s next, who knows. Mya is certainly very sanguine about it. “I don’t really put too much expectation on my future; I just go with the flow. That’s all I have to say.” Very much in keeping with the film really.

TANGERINE IS ON GENERAL RELEASE FROM 13 NOVEMBER NATIONWIDE

 

Take Me To the River (2015) | LFF 2015

Writer|Director: Matt Sobel

Cast: Logan Miller, Robin Weigert, Josh Hamilton

84min | Drama | USA

There is something tenderly piquant about Matt Sobel’s indie debut that makes spectacular use of its woozy bucolic landscapes and riverbeds of a summery Nebraska.

Suspicion sizzles in the ripening cornfields and there’s more than a whiff off tension is this teasingly told Mid-Western Gothic saga that holds its secret close to its chest as a brooding sense of panic sears through this Red-Neck heartland. The homespun tale opens as a family trio of Cindy Robin Weigert), her husband (Richard Schiff) and laidback teenage son Ryder (Logan Miller) are driving from California to ‘Grammas farm’ to spend afew pivotal days with her brother Keith and the Nebraskan side of the family. Her brother’s family is a conservative one, with guns in their pockets rather than mobile phones, and an unfortunate incident that occurs shortly after their arrival sets a tone of mistrust and animosity in the days that follow.

When Ryder meets his young cousin Molly, it’s clear that she is a handful used to getting her way with men, clearly honed by being the eldest daughter of four girls. Ryder, gamely rocking red minishorts and a deeply sccoped neckline, is hoping to announce his coming-out but mother Cindy advises him to keep things low-key with her rather more conservative Nebraska family. But Molly pushes the boundaries out until an accident in the haybarn causes the menfolk, and particularly Keith,  to come down heavily on Ryder, blaming him what has happened. Although Ryder is scandalised, he retreats into the safety of a ramshakle outhouse, rejecting his mother’s efforts to pour balm on troubles waters all round.

Josh Hamilton gives a button-up yet mesmerising turn as Keith: masterful and masculine but totally eschewing the macho swagger normally associated with the mid West. As Ryder, Logan Miller is subtly sophisticated and superbly sullen but newcomer Ursula Parker, as nine-year-old Molly, achieves an portrait of cocquettish charm and knowing seductiveness that is remarkable for one so young. Robin Weigert’s Cindy is the only one poorly-written: instead of being the confident, educated woman who left the county to study in UCLA, she appears ingratiating and no stronger than Keith’s submissive wife Ruth (Azura Skye), particularly when all her issues from the past with Keith, threaten to re-surface.

Sobel’s storytelling deftly embraces burgeoning teenage sexuality to remarkable effect, from the permissiveness of the West Coast to the entrenched and traditional values of the South West. But despite Thomas Scott Stanton’s sumptuous visual evocation, the story never quite serves or satisfies its suberb setting; teetering forever on the edge of enigma with too many implausibilities, leaving us high and dry like a floundering fish on the bank of the North Platte River. MT

SCREENING DURING LONDON FILM FESTIVAL UNTIL 18 OCTOBER 2015

 

Boy Choir (2014) | DVD Release

Dir.: Francois Girard

Cast: Dustin Hoffman, Garret Wareign, Joe West, Kathy Bates, Josh Lucas

USA 2014, 103 min.

Canadian director Francois Girard (Red Violin) has done well to ingratiate himself with Hollywood: his simperingly-mawkish BOY CHOIR aims to be a tear-jerker but makes any cliche-counter bust after twenty minutes.

Rebellious Texan teenager Stet (Wareign) loses his poor (single) mother in a car crash, filmed with the greatest amount of tackiness possible. Enter Dad (Lucas), who has never met his son, since he has been busy having his own designer family, including two teenage daughters, in New York. Anyhow, his bank account allows him to bribe the principal of the prestigious American Boychoir School, to take young Stet on. His gutless rival for the solo parts, Devon (West), steels Stet’s music sheets before a performance, plasters photocopies of the hero’s late mother’s police photo all over the dining room – but, yes you guessed, to no avail, since Stet, with help of the great humanitarian Master Cavelle (Hoffman) gets the solo part in Haendel’s “Messiah” and, for a proper happy ending – right again – a membership in Dad’s upper class family.

The only interesting part of this schmaltz-opera is the bickering staff of the school, including a really funny Kathy Bates as headmistress. The rest is as far off the mark as the director’s knowledge of music; proclaiming at one moment that Handel’s “Messiah” lasts 50 minutes (real time 140 minutes), then just showing the “Halleluja”, which ends the concert in the film, whilst again, twenty more minutes of music follows in real life – something BOY CHOIR does not give a toss about. AS

ON DVD FROM 5 OCTOBER 2015

 

3 ½ MINUTES (2015) LFF

Dir.: Marc Silver; Documentary; USA 2015, 98 min.

Marc Silver (Who is Dayani Cristal) has structured his documentary 3 ½ Minutes about the killing of a black teenager in Jacksonville (Fla.) and the trial of his murderer in a ‘Rashomon’ like fashion: the incident is told from of the viewpoint of the different participants, the parents of the victim and the fiancée of the killer.

On the 23.11.2012, a Sunday afternoon, four black teenagers, all of them high-school students, sat in a car at a petrol station in Jacksonville. They were approached by 45 year software developer Michael Dunn, who argued about their “loud’ music. Suddenly Dunn withdrew a concealed weapon, firing ten shots at the students in the car, killing Jordan Davis (17), miraculously missing the other three passengers. Dunn, who later claimed in his trial, that the teenagers branded a shotgun (no proof of this was ever found), drove off with his fiancée Rhonda Rouer to their hotel, where they had celebrated a wedding before. Next day, he drove them both back home, walked his dog and never contacted the police. In the courtroom, Dunn claimed the support of the “Stand your Ground” law, which allowed him to act in self-defence. Whilst the jury convicted him on the 15.2.14 on four counts of attempted murder (for which he got a combined prison sentence of 75 years), the jurors could not agree on a first-degree murder charge. In the re-trial in October of the same year, the jury did convict Dunn of First-degree murder, which leaves him no chance ever for a parole.

Silver has documented the prison calls between Dunn and his fiancée, at one point she is telling him “You’re a spirit that’s just not meant to be caged, a man of water, a man of life that’s just not to be put in a cage”. Dunn simply replied: “Right”. Ironically, Rouer’s testament in the second trial cost Dunn any chance of a parole, since his fiancée stated that he never told her about a gun being directed at him. Davis’ friends testified against him, telling the director “thug” is “the new n-word”, Dunn calling the teenagers by this name in his trial. During the trial,  Dunn either set watching detached, or teared up, when he talked about the threat he had to face, and his “heroism” in defending the life of Rhonda Rouer.

Very moving are the scenes of Jordan parents (who have separated since) in the courtroom, trying to keep their composure during the trial. Whilst Ron Davis blames himself for not protecting his son, his mother Lucia McBath will visit Washington, to speak to Lindsay Graham and Ted Cruz, about the abolition of the “Stand-Your’Ground” law, of which their son was not the only black victim. Strangely enough, when the police finally arrested Dunn, they did not had to resort to shoot him, like in other cases, when the perpetrator was black.

Apart from being informative, 3 ½ Minutes is very cinematographic, juxtaposing footing from the gas station, with the various witness statements in court. Silver puts together a mosaic of everyday racism, which seems to be prevailing in US society, in spite of an Afro-American president. 3 ½ Minutes won the Documentary Special Jury Prize at the 2015 Sundance Festival. AS

NOW ON GENERAL RELEASE from 5 OCTOBER 2015

Stingray Sam | Sundance Org | January 22 – February 1 2015

Programme coming soon. Until then we’ll leave you with a treat from the archives

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