Posts Tagged ‘Competitions’

Les Miserables (2019) Cannes Film Festival 2019 ***

Dir: Ladj Ly | Drama France 102′

Not to be confused with Victor Hugo’s 1862, Les Miserables is in a way a 21st update of the milieu where the French classic took place. With echoes of TV’s Law & Order Ly channels the anger and malaise of modern city life into his contemporary story, that kicks hard against the system.

Opening with documentary footage showcasing the national unity leading up to France’s 2018 World Cup victory, to the headline “There are no bad plants or bad men; there are only bad cultivators,” is an apposite one that could apply to dogs and children as well.

This good cop, bad cop urban thriller follows a day in the life of officer Stéphane (played by Damien Bonnard), who’s recently fetched up the backwater of Montfermeil from the almost genteel by comparison town of Cherbourg. Ly – who directed and co-wrote the debut feature from his own short film – grew up in this badass council estate and we soon find out that the cops are as venal as many of the locals they victimise. This soon emerges when Stephane is tasked with shadowing two Anti-Crime Squad officers, Chris (played by the distinctly unappealing (co-writer) Manenti, a really nasty piece of work, and his black sidekick Gwada (Djebril Zonga) who, interestingly, also abuses his power, and almost manages to corrupt Stephane’s straightforwardness and strong sense of public duty. The trio roam around the neighbourhood where drug dealers are free to peddle their wares and kids run wild. Meanwhile the local Muslims try to go about their business, and a petty criminal called Issa, who has stolen a baby lion from the circus, nearly loses his eye when Gwada fires a flash-ball gun further adding to mayhem. Clearly Ly is playing things up for dramatic effect but it also transpires that this community has more or less been abandoned by the authorities for so long that it has developed its own dog eat dog existence. And this sad fact is portrayed with a great deal of humour and humanity by Ly and his co-writers Alex Manenti and .Giordano Gederlini.

Julien Poupard’s camera captures the area warts and all with his brilliant images, often from the officers’ moving car and this is amplified by drone footage, adding considerably to the gritty allure of this everyday story of life in a place where little has seemingly changed in nearly 200 years. MT

CANNES FILM FESTIVAL 2019 | 14-25 May 2019

Berlinale Competition films announced | Berlinale 2019

The full competition line-up and special films for this year’s Berlinale have now been announced. The festival opens with Lone Scherfig’s THE KINDNESS OF STRANGERS and runs from the 7th February until the 17th. 

Vying for the Golden Bear, there are three Asian films: Zhang Yimou’s One Second, (China) Farewell My Son Wang by Xiaoshuai (China) and Öndög by Wang Quan’an (Mongolia). From Canada, festival regular Denis Côté wiIl bring his latest drama Ghost Town Anthology Israeli director Nadav Lapid brings his world premiere: Synonyms. The rest are from all over Europe. 

There are 20 world premieres this year in Berlin, and 16 films vying for the Golden Bear of which 6 are directed by women.

BERLINALE GOLDER BEAR – hopefuls and Competition films:

The Kindness of Strangers by Lone Scherfig (Denmark / Canada / Sweden / Germany / France) – Opening film. Andrea Riseborough, Caleb Landry Jones and Bill Nighy star in Scherfig’s 20th film exploring the lives of four people in crisis.

The Ground beneath My Feet, by Marie Kreutzer (Austria)

Kreutzer’s first film The Fatherless won her an honourable mention at Berlinale 2011. Her latest drama follows a high powered woman has everything under control until a tragic event forces her life to unravel.

So Long, My Son (Di jiu tian chang) by Wang Xiaoshuai (People’s Republic of China). Once again the social and economic changes in China from the 1980s until the present day are pulled into the spotlight through the experience of two couples.

Elisa y Marcela (Elisa & Marcela) by Isabel Coixet (Spain), The first recorded lesbian marriage is the subject of this black and white biopic from Catalan director Isabel Coixet.

The Golden Glove, Der Goldene HandschuhFatih Akin was born and grew up in Germany from Turkish parentage. His first literary adaptation is a crime thriller that traces back to Hamburg in the 1970s where a rampant serial killer was at large. (Germany / France) God

Exists, Her Name is Petrunya, (Gospod postoi, imeto i’ e Petrunija)  by Teona Strugar. The  male population of a Macedonian seaside town is scandalised when a young local woman decides to enact a traditionally men-only religious ceremony, but Petrunya holds her own in this unusual drama from award-winning director Teona Strugar Mitevska. Brings to mind Sworn Virgin. (Macedonia / Belgium / Slovenia / Croatia / France)

Grâce à Dieu (By the Grace of God) by François Ozon (France). French provocateur Ozon is back in Berlin with this portrait of three men who decide to challenge a Catholic priest who abused them many years previously.

I Was at Home, But by Angela Schanelec (Germany / Serbia). Franz Rogowski is the star of this Germany drama that revolves around a teenager whose brief disappearance changes the lives of his local community.

A Tale of Three Sisters (Kız Kardeşler)by Emin Alper (Turkey / Germany / Netherlands / Greece). The knock-on affects of unsuccessful adoption is the thorny theme of this drama from Emin Alper, whose award-winning, incendiary thrillers Frenzy and Beyond the Hill have delighted previous Venice and Berlinale festival-goers.

Mr. Jones by Agnieszka Holland (Poland / United Kingdom / Ukraine). Two years ago Polish director Holland won the Silver Bear with her eco-drama Spoor. She’s back in the competition line-up with a thriller about the Welsh journalist who broke the news to the Western media about the 1930s famine in the Soviet Union. Vanessa Kirby, James Norton and Peter Sarsgaard star.

Öndög by Wang Quan’an (Mongolia). Wang Quan’an is no newcomer to Berlinale. In 2010 he  won the Silver Bear for his drama Apart Together, and the Golden Bear for Tuya’s Marriage in 2006.

La paranza dei bambini (Piranhas) by Claudio Giovannesi (Italy). A gang of teenage boys terrorise the streets of Naples in this thriller based on Robert Saviano’s novel Gomorrah.

Répertoire des villes disparues (Ghost Town Anthology) by Denis Côté (Canada). It’s always a pleasure to see Denis Côté’s films – this inventive Canadian maverick was last in town with Boris Without Beatrice. Here he’s back with a fantasy drama set in the aftermath of a tragic incident in a small isolated town

Synonymes (Synonyms) by Nadav Lapid (France / Israel / Germany), with Tom Mercier, Quentin Dolmaire, Louise Chevillotte. Lapid follows his 2014 drama The Kindergarten Teacher with a story about a young Israeli man who absconds to Paris with his trusty dictionary as companion.

Systemsprenger (System Crasher) by Nora Fingscheidt (Germany) a drama focusing on an unruly kid who terrorises everyone around her, not least the child protection services.

Ut og stjæle hester (Out Stealing Horses) by Hans Petter Moland (Norway / Sweden / Denmark). Moland brought his politically incorrect thriller In Order of Disappearance to Berlin in 2014. His latest, Out Stealing Horses also stars Stellan Skargard as a grieving widow whose past comes to the present when he moves out to the depths of the Scandinavian countryside.

Yi miao zhong (One Second) by Zhang Yimou (Red Sorghum) People’s Republic of China ). Always extravagant and visually alluring, Zhang Yimou’s stylish films win awards across the board. Fresh from Venice 2018 and the Golden Horse Festival where his latest Shadow won the top prize. He tries his luck again at Berlinale 2019 with this story that sees a film buff befriending a homeless female.

Berlinale Special at the Haus der Berliner Festspiele

Peter Lindbergh – Women Stories – Documentary
Germany
by Jean Michel Vecchiet (Vies et morts d’Andy Warhol, Basquiat, une vie, 6 juin 1944, ils étaient les premiers)
World premiere

Berlinale Special Gala at the Friedrichstadt-Palast

Photograph
India / Germany / USA
by Ritesh Batra (The Lunchbox, Our Souls at Night, The Sense of an Ending)
with Nawazuddin Siddiqui, Sanya Malhotra, Farrukh Jaffar, Geetanjali Kulkarni, Vijay Raaz, Jim Sarbh, Akash Sinha, Saharsh Kumar Shukla
European premiere

You Only Live Once  – Die Toten Hosen – Tour 2018 Documentary – World Premiere
Germany
by Cordula Kablitz-Post and concert director Paul Dugdale (Taylor Swift)

In Competition – Out of Competition

L’adieu à la nuit (Farewell to the Night) by André Téchiné (France / Germany) – Out of competition with Catherine Deneuve, Kacey Mottet Klein.
Amazing Grace realised by Alan Elliott (USA) From 1970s Warner footage – Documentary, out of competition

Marighella by Wagner Moura (Brazil) – Out of competition

The Operative by Yuval Adler (Germany / Israel / France / USA) – Out of competition

Varda par Agnès (Varda by Agnès) by Agnès Varda (France) – Documentary, out of competition

Vice by Adam McKay (USA) – Christian Bale, Amy Adams, Steve Carell, Sam Rockwell, Tyler Perry – Out of competition

Berlinale Special films:

ANTHROPOCENE: The Human Epoch by Jennifer Baichwal, Nicholas de Pencier, Edward Burtynsky (Canada) – Documentary
The Boy Who Harnessed the Wind by Chiwetel Ejiofor (United Kingdom)
Brecht by Heinrich Breloer (Germany / Austria)
Celle que vous croyez (Who You Think I Am) by Safy Nebbou (France)
Es hätte schlimmer kommen können – Mario Adorf (It Could Have Been Worse – Mario Adorf) von Dominik Wessely (Germany) – Documentary
Gully Boy by Zoya Akhtar (India)
Lampenfieber (Kids in the Spotlight) by Alice Agneskirchner (Germany) – Documentary
El Norte (The North) by Gregory Nava (USA 1984)
Peter Lindbergh – Women Stories by Jean Michel Vecchiet (Germany) – Documentary
Photograph by Ritesh Batra (India / Germany / USA)
Watergate – Or: How We Learned to Stop an Out of Control President by Charles Ferguson (USA) – Documentary
Weil du nur einmal lebst – Die Toten Hosen auf Tour (You Only Live Once – Die Toten Hosen on Tour) by Cordula Kablitz-Post, concert director Paul Dugdale (Germany) – Documentary

BERLINALE FILM FESTIVAL 2019 | 7-17 FEBRUARY 2019 

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