Dir: Luca Guadagnino | Cast: Daniel Craig, Daan de Wit, Jason Schwartzman, Drew Starkey, Henrique Zaga | US Drama 135′
Luca Guadagnino’s Queer is a study of a defeated American man living in exile in 1950’s Mexico, unsure of himself and in need of human love and contact. His fragile state will lead him into a relationship with a younger man.
Based on the semi-autobiographical life of William S Burroughs, the novella ‘Queer’ was troubled after the success of his 1951 debut ‘Junkie 1951’ as Burroughs battled withdrawal symptoms from heroin addiction linked to his resurgent libido. ‘Queer’ would be shelved and dismissed by its author until after the success of ‘Naked Lunch’ in 1959. Rewritten from discarded fragments and published in 1985, the financial success of Queer would support the writer until his death in 1997.
Given the troubled nature of the book, Guadagnino and scriptwriter collaborator Justin Kuritzkes have bravely tackled source material although problems have not entirely escaped the filmmakers.
Guadagnino is at his most effective drawing sensitive performances from actors involving focused material. Arguably his best film so far is Challengers (2024) with its focus on doomed relationships resulting from wrong decisions at the heart of a three-way relationship.
Queer establishes a vivid first half in the sensuous stylised recreation of a seedy Mexican City inhabited by a coterie of restless, rootless characters with visible on-screen references to both Cocteau’s Orphee and Malcolm Lowry’s Under the Volcano as another study of a doomed man struggling with addiction.
The second half of Queer moves to Ecuador in South America where the American continues to not only search for his inner self-worth but also the drug Yage with powers to bring enlightenment. These were sparse references in Burrough’s writing which are fleshed out by Guadagnino as a mish-mash of frenzied hallucinations involving a witchcraft doctor in a jungle where the queer relationship with his lover starts to collapse. The film begins to resemble The Spiral Road (1962) in which Rock Hudson and Burl Ives sweat it out with black magic and hallucinations on an Indonesian jungle-based 1961 studio set.
Guadagnino confirms his skill with sensitive character relationships and uniformly fine acting from an ensemble cast including Drew Starkey as the male lover, Jason Schwartzman reviving his career as an ageing camp man, and a startling cameo by Lesley Manville. It is however the central performance of Daniel Craig that holds Queer together and brings the disjointed meandering structure of the film together.
Playing William Lee, a washed-up exiled American forced to live for legal problems in downtown Mexican City, he wastes away his time frequenting sleazy bars with coded 1950s gay networks. Craig is fearless as he continues to shake off his James Bond persona with a sensitive edgy performance, much as Sean Connery took on with films like The Hill and The Offence.
As in the novel, Queer never finally resolved the central characters’ troubled battles with desire and obsession. It is Craig who provides the film with a beautiful final coda focusing on the face of a defeated lost soul, accepting the inevitability of death which equals the haunting final close-up of Julie Christie as a junkie adrift in Robert Altman’s 1971 McCabe and Mrs Miller. These two final closeups make for beautiful, sublime connections. Peter Herbert
QUEER premiered at Venice Film Festival and screened during the London Film Festival 2024