Dir: Justin Kurzel | Cast: Jude Law, Nicholas Hoult, Tye Sheridan, Jurnee Smollett, Marc Maron , Alison Oliver | Aust, Thriller 116′
Austrailan auteur Justin Kurzel’s (Snowtown) is back with true-crime action thriller that dabbles briefly in white nationalism before kicking back into a standard eighties-set shoot-out affair.
In Denver, a zeitgeisty opening sequence provides contrast to the rugged machismo of the fighting scenes and revolves Alan Berg (Marron), the local Jewish broadcaster who captured Oliver Stone’s imagination for his 1988 outing Talk Radio, and offers another string to the film’s main narrative.
Jude Law is spot on as Terry Husk, a raddled, pill-popping FBI agent weary from fighting the KKK, and now relegated north west, for health reasons, to small-town Idaho where a Neo-Nazi cult – The Order – is slowly gaining force, under the beady eye of Tye Sheridan’s local cop Jamie Bowen, who has an old friend in its midst. Nicholas Hoult is The Order’s big boss Mathews who is plotting to overthrow the US government. He’s a classic racist and petty criminal with a solid family background and a bit on the side (in the shape of Odessa Young) who is also pregnant with his child. His wife (Saltburn’s Alison Oliver) is unaware or in denial of his extramarital set-up, but not stupid as to where the money is coming from.
Inspired by Kevin Flynn and Gary Gerhardt’s book ‘The Silent Brotherhood’ scriptwriter Zach Baylin doesn’t delve into the ideology of the group, the focus here is their violence and resurgence that feels timely in the light of current Neo-nazi activity in the US and further afield. Meanwhile Mathews is breaking away from the establishment’s extreme right group Aryan Nation headed by Richard Butler (Slezak).
Once again Justin Kurzel drives the narrative forward with a pounding score from his brother Jed, and some ferocious action and robbery sequences. Sadly, the female characters are kept quietly in the background in this macho, male-only terrain with its rugged Pacific landscapes that contrast with Adam Arkapaw’s pallid vision of 80s America. @MeredithTaylor
PREMIERED AT VENICE FILM FESTIVAL 2024