Tallinn Black Nights runs from the 15 November until 1 December 2019 offering an extended celebration of international films. For the second year running the festival will also showcase the latest in Baltic cinema with a special sidebar dedicated to Estonia, Latvia and Lithuania. The idea is to offer industry professionals and film critics a wider experience and offer the festival audience a taste of local talent.
Tom Sullivan’s Arracht (Monster) is told in Gaelic and set in Ireland in 1845 where a small community fisherman is persuaded to offer board to a sinister stranger. Another world premiere is German filmmaker Hüseyin Tabak’s Hamburg set Gypsy Queen, Konstantin Lopushansky’s Through Black Glass and Narges Abyar’s When The Moon Was Full.
After her success with Come Back Free, documentary filmmaker Ksenia Okhapkina won this year’s Grand Prix at Karlovy Vary with Immortal exploring a Russian social mechanism that feels a lot like the political systems of the last century.
Manfred Vainokivi presents his latest documentary biography In Bed With A Writer, a portrait of the controversial and newly divorced Estonian writer Peeter Sauter. We follow Sauter in Estonia’s art and underground scene as he shares his thoughts on women, sex and ageing.
In a small Estonian town largely inhabited by ethnic minorities, Vladimir Loginov’s second documentary Prazdnik explores the age old phenomenon of the beauty pageant and whether they still have a place in modern society. .
Having travelled the globe with his debut In the Crosswind, Martti Helde returns with Scandinavian Silence, a thriller that makes use of an unusual narrative device: the tale of a man reunited with his sister having spent years in jail.
One of the biggest box office hits in the country’s history, Tanel Toom’s literary based feature debut Truth and Justice follows the decade-spanning feud of two neighbours during the second half of the 19th century. Toom previously won the Student Academy Award with his short film The Confession.
Hot from a successful run at the Estonian box office, the comedic depiction of the global and local startup culture, Chasing Unicorns, is start-up entrepreneur Rain Rannu’s sophomore feature.
A culmination of one artist’s creative journey that lasted 3,5 years, Away is a fantasy animation directed, animated and composed by Gints Zilbalodis.
Chronicling the tumultuous times in Post-Soviet Latvia, Jānis Ābele’s feature film Jelgava 94 shines a light on the period where teenagers were obsessed with heavy metal.
Juris Kursietis’ second feature Oleg premiered at Quinzaine des Realiseteurs during this year’s Cannes. It’s a gritty tale of Latvian migrant workers searching for a better life in Belgium, not always on the right side of the law.
The life cycle of the Spoon in the globalised economy is Laila Pakalnina’s documentary follow up to her award-winning drama Ausma (2015) that won Jury Prize Best Cinematographer for DoP Anrijs Krenbergs.
Taxidermy, deer-farming and museum curatorship are the focus of this fascinating documentary from Aistė Žegulytė. Animus Animalis, guides us around a bizarre world where reality and artificiality blur.
Meanwhile, Ignas Jonynas’ second film Invisible presents the story of a former dancer Jonas pretending to be blind to enter a TV dance competition, as an intimate and emotional relationship builds between him and his dancing partner. He soon reconnects with the past and a dark secret.
Tomas Vengris’ debut Motherland revisits the year 1992 in a Lithuania, right after the collapse of the Soviet Union, as a single mother and her 12-year-old return to Lithuania, after a long stay in the US, to claim the property that was taken from the woman’s parents when they were sent to labour camps decades ago.
The late 1930s is the setting for Karolis Kaupinis’ historic drama Nova Lithuania where in 1938 the young Lithuanian state celebrated twenty years of independence. Meanwhile situation in Europe is becoming increasingly tense so geographer Feliksas Gruodis sets about raising finance for his novel solution to creating a “backup Lithuania” overseas, where the country’s inhabitants could move in case the whole scenario goes pear-shaped.
Legendary director Algimantas Puipa presents The Other Side of Silence, a tale inspired by the book Bumblebee Honey by Swedish writer Torgny Lindgren. It sees two brothers living in the same village, on the same lake, by the same forest, but sharing a mutual hatred sparked by their love of the same woman.
The 23rd Tallinn Black Nights Film Festival runs from the 15th of November until the 1st of December.