Posts Tagged ‘TIFF’

Beautiful Boy (2018) ****

Dir: Felix van Groeningen | Drama | 110’ | US 2018

Based on a best-selling memoir by journalist David Sheff, BEAUTIFUL BOY explores a teenage boy’s descent into crystal meth addiction. It’s a film that pulls no punches, but which avoids excessively wallowing in the physical misery of drug use. Instead, the focus is on the wider circumstances of the boy’s addiction and, specifically, the impact that it has on his father. It’s a personal, refreshing approach which makes the boy’s decline all the more moving.

An intelligent teenager with a bright future, Nic Sheff (Timothée Chalamet) is nevertheless anxious and alienated, and he starts using drugs to help him fill the void that he feels inside. Sensing a problem, his father (Steve Carell, playing David Sheff) checks Nic into a rehab facility, but the success of the treatment is short lived – ‘relapse is part of recovery’, we’re repeatedly told, and Nic’s sense of emptiness makes him a repeat user. His choice of drug doesn’t help – as an expert explains to David, the recovery rate for crystal meth addicts, as a percentage, is in the single figures.

Playing Nic, Chalamet brings a sympathetic charm to a role which borders a little on cliché – that of the tortured, gifted artist-turned-junky – but the film belongs to Steve Carrell, who excels as the caring father who feels increasingly helpless in the face of his son’s steady decline. Following his turn as a grieving father in Richard Linklater’s recent masterpiece Last Flag Flying, Carrell seems to be moving away from the comedic roles which made his name and carving out a specific dramatic niche all for himself.

Given that it’s the relationship between father and son, rather than son and drugs, that forms the core of Beautiful Boy, the film’s scope widens out, becoming a study of family dynamicsand the way that David’s preoccupation with Nic consumes him, dominating his life and impacting his relationship with his younger children (Nic’s step-siblings): scenes such as the one showing a distracted David failing to watch his younger son swimming reach beyond the drug-addition narrative. But as David struggles with his guilt and his inability to pull Nic from the gutter, the major question that arises is: can you ever really help other people, or can they only help themselves?

Quiet and understated, the film deserves praise for its non-sensationalist approach. Though at times he brings in a touch too much sentiment (including the use of the John Lennonsong which gives the film its title), director Felix Van Groeningen handles the non-linear, elliptical narrative with a commanding efficiency. If the film’s factual closing titles make its ultimate message all too clear, one can’t help but feel it’s an effective film which serves as a pertinent reminder of the devasting and wide-reaching effects of drug use – not only on the users themselves, but also on those who love them. ALEX BARRETT

NOW ON RELEASE NATIONWIDE

Angel (2018) *** Toronto Film Festival 2018

Dir: Koen Mortier | Cast: Vincent Roitiers, Fatou N’Diaye | Belgium | Thriller | 103′

A fateful encounter between a Senegalese sex worker and a world-famous Belgian racing cyclist subverts our expectations in director Koen Mortier’s (Ex Drummer) slim but atmospheric thriller.

Angel is a lushly cinematic love story pays homage to Claire Denis but lacks the sociopolitical underpinnings of her superior work. It speaks the universal language of love across the social divide where for one dreamlike night two souls meet but do not find nirvana the following morning.

Where once tribal forces held sway Senegal is now dominated by Islam and sex workers are considered low in the social pecking order, prostitute Fae (Fatou N’Diaye) meets Thierry (Vincent Rottiers) a world-renowned Belgian racing cyclist whose career has attracted scandal because of his substance abuse. Taking a break with his brother in Dakar, Thierry meets Fae in a night club, and tries to reconcile his feelings of lust with those of love at first sight. He has never paid for sex nor is he attracted by the prospect. Fae’s beauty and elegant allure captures his imagination and the two share en extraordinary encounter. But it soon becomes clear that Thierry is a damaged despite his outwardly superior professional credentials.

With its woozy surreal sensuality and hypnotic fractured narrative Angel envelopes us into an intoxicating world where nothing is a it seems as reality and fantasy collides. Its emotional arc is familiar yet exotic, touching yet troubling provocative exploration of how words can be as powerful as the realm of this senses when we fall in love. MT

TORONTO FILM FESTIVAL 2018 | 10 SEPTEMBER 2018

 

Copyright © 2022 Filmuforia