Posts Tagged ‘Swiss Cinema’

Insulaire (2018) *** Bergamo Film Meeting 2019

Dir: Stephane Goël | Wri: Antoine Jacoud/Stephane Goël With: Mathieu Amalric | Doc, 92′

In 1877 a Swiss aristocrat, Alfred von Rodt, became the governor of the remote Chilean island in the South Pacific Ocean, giving birth to the legendary term “Robinson Crusoe”. Exiled from his country and family, Rodt turned his hand to surviving without them in a utopia of his own making. While Mathieu Amalric narrates Rodt’s imagined musings (in French), the story of his current descendants unfolds before our eyes, showing little has changed on the island in the intervening 142 years, as the islanders fight for survival outside the governance of Chile, seeking political autonomy and the preservation of their indigenous identity.  

On this renamed ‘Isla Robinson Crusoe’ in the remote Juan Fernandez Archipelago  (off Chile) there are no immigrants because everyone was born there along with the firecrown hummingbirds and fur seals and (originally) imported cattle and horses. Valparaiso is the nearest mainland city and from there most of the imports arrive. The islanders are still reliant on the mainland so nothing has changed since Rodt’s day, but now the population has grown to around 900, and they appear to be increasingly insular, and proud of it too.

Stephane Goël evokes this windswept island paradise with its undulating terrain formed by ancient lava flows. Extraordinary views dominate the white sandy beaches where baby seals frolic in the waves. Rodt dreamed of creating a mini Switzerland and yet nothing could be further away as these contented South American people brush along happily together bound by their collective Catholic faith. Goël does not attempt to get know any of them so this remains largely a speculative documentary where we are projecting putative notions and ideas onto existing archive and fact. Nor does he question the natives apparently placid existence, leaving us to assume that the vast open spaces and rural existence ensures tranquility. But as the film plays out there are clearly similarities with the genial South Americans here and the well-behaved Swiss of his native Berne. And the person who unites them still lives on through this community: the indefatigable pioneer von Rodt. But was he an optimist or a simply a megalomaniac propelled by the rage of being driven out.

At this moment in time where we explore ever more closely the notions of nationalism and patriotism, this island thousands of miles away is also going through the same process. MT

INSULAIRE | BERGAMO FILM MEETING | 9 – 17 MARCH 2019

 

 

Werner Herzog: Retrospective at Visions du Réel 2019

WERNER HERZOG’S WORK WILL BE CELEBRATED FOR THE 50TH EDITION OF VISIONS DU RÉEL

Visions du Réel, International Film Festival Nyon, will pay tribute to one of the world’s major filmmakers during its 50th edition. It is Werner Herzog who will be awarded the Sesterce d’or Prix Raiffeisen Maître du Réel during the 2019 edition of the Festival (5–13 April 2019). In partnership with the Cinémathèque suisse and the ECAL. The audience will meet the legendary film director at a Masterclass on 9 April and screenings of a selection of films, as well as his latest feature-length film, Meeting Gorbatchev (co-directed with André Singer), will have a Swiss premiere.

Werner Herzog was born in 1942 in Munich, Germany and has been living between the Bavarian capital and Los Angeles since 1984. A leading figure of the post-war New German Cinema, he has directed about 70 films.

Moving freely between different forms and processes, fiction and documentary, as a filmmaker whose approach is as philosophical as it is physical, Herzog constantly aspires to “walk to the ends of the earth” (The Dark Glow of the Mountains). At times omnipresent, at times leaving room for others, between heroism and testing limits (Herakles, his first short film in 1962, or The Great Ecstasy of Woodcarver Steiner), megalomania (Aguirre, the Wrath of God or Cobra Verde, two of the five films made with the actor Klaus Kinski), and a certain taste for madness and the absurd, the filmmaker explores and surveys beings and places, not without humour or (self)derision (Encounters at the End of the World). Author of more than a dozen prose works, he has worked with Isabelle Adjani, Nicolas Cage, Christian Bale and Nicole Kidman among others and won the award for Best Director at the 1982 Cannes Film Festival for his masterpiece Fitzcarraldowww.visionsdureel.ch/festival/maitre-du-reel-2019

50th edition of Visions du Réel: 5—13 April 2019 | Werner Herzog in Nyon will be communicated in March 2019.

Copyright © 2022 Filmuforia