Posts Tagged ‘Kinoteka 2014’

Father and Son on a Journey (2013) Ojciec i syn w podrozy Kinoteka 2014

Dir.: Marcel Lozinski

Cast: Marcel Lozinski, Pawel Lozinski; Poland 2013, 75 min.

This journey of a father and his son – both documentary filmmakers – from Warsaw to Paris is a trip into the past and a search for identities. Father Marcel was born in Paris in 1940, his mother was in the French Resistance, and he lived in different children homes, always frightened to lose his mother, even (or particularly) when she was visiting him. His son Pawel was born 25 years later in Warsaw. We see footage from Marcel’s Super 8 camera, showing the young Pawel growing up at home with his parents. But when Pawel was 17, his father left his mother Tamara for another woman, Ania: this trauma is still unresolved for Pawel, and during the journey he tries stubbornly to make his father own up to some moral responsibility for the divorce, particularly since he accuses him of having made him buy the wedding rings for the new couple – an accusation the father strongly denies.

The two travel in a camper van, stopping at camping sites along the route via the Czech Republic (which Marcel still calls Czechoslovakia) and Austria (“they still love order and organisation”), before arriving in Paris, where Marcel had buried the ashes of his mother in a public park in 1964. Two generations clash: Marcel still trying to find his identity, finally settling for Jewish, with Polish and French being relegated to the ranks. He too is still a believer in causes (which he needs, like most of his generation), whilst his son is happy just to care for his family, he accuses his father of being enthralled by the communist system, which turned out to be inhuman, even though “you thought it was fantastic”. Pawel further accuses his father of being a control freak, who has an opinion on everything and interferes with everyone. But, contradicting himself, he admits that his education of his daughters is much more conventional and hierarchic, than his father’s: Marcel treated little Pawel like an equal, not like a son – a fact, which Pawel turns against him “You wanted a little mini-me”.

Somehow a pattern develops: father and son wanted for their children an upbringing neither ending up having. Marcel grew up with parents who were looking very much for stability in their life, “happy not having to live in hiding any more”, whilst Marcel saw his son more as an object of an experiment – who himself in turn, wanted for his family nothing more than ‘normality’. In the end, in spite of unresolved issues, we get a sort of happy-end: father and son cuddling in the grass, the same way they did in Pawel’s childhood.

FATHER AND SON ON A JOURNEY is a very intimate document, the two of them living in a very cramped space, holding the camera alternatively. They stop mostly in the countryside, where they seem to feel free to express their feelings. But the dominant feature is their dialogue and their struggle for dominance: more than once, one of them leaves the scene sulking.  Somehow we end up with the feeling that Marcel’s concept of having a “partner, not a son” has been successful, the two behave very much like a couple – though it would be interesting to see Pawel’s take of this journey: his version (a mere 54 min), edited from the same material as his father’s film is called “Father and Son”. AS







Lasting (2013) Kinoteka 2014

Director: Jacek Borcuch

Cinematography: Michal Englert (The Congress, Elles, In the Name of)

93mins    Drama      Polish with English subtitles

With its sun-drenched images, palpable sense of heat and lissome lovers with tousled blonde hair, JACEK BORCUCH’S drama LASTING will appeal to art house audiences, capturing the aching lustfulness of first love seen through eyes of two young Polish college graduates (Michal and Karina) who take off for a summer in Spain. LASTING is a dreamy memory of carefree love on the cusp of adulthood and challenged by fate.

Michal and Karina’s relationship is put to the test when a Michal’s chance meeting with a local man in the riverside farm where they are staying with his family, ends in tragedy sending a chill breeze through their sunny idyll and threatening to tear them apart.

Michal Englert uses the same bleached-out aesthetic, slowmo sequences and hazy camerawork that he does so effectively in In the Name of ; to create a timeless picture of Summer heat that is soon intensified by an undercurrent of anxiety, leaving us as bewildered as the protagonists themselves.  Borcuch’s effective use of silence, minimal dialogue and a subtle instrumental score ramps up the tension as the camera observes the fallout of the tragedy and its psychological effect on the young lovers. Once they get back home, it transpires that Karina is harbouring a secret of her own and this additional element starts to have a wearing effect on both their relationship and the pacing of the film. There’s nothing particularly original about Borcuch’s narrative, but the strong, performances and sizzling chemistry of the leads powerful sense of place  make it a romantic drama worth watching. MT


Copyright © 2024 Filmuforia