Reviews

Stockholm My Love (2016)
Feb 28, 2024
Writer|Dir: Mark Cousins | co-writer: Anita Oxburgh | Cast: Neneh Cherry | Musical Drama | 80min | UK Best known for his 15-hour documentary The Story of Film: An Odyssey, Cousins describes...
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Sons (2024)
Feb 27, 2024
Dir: Gustav Moller | Cast: Sidse Babett Knudsen, Dar Salim, Sebastian Bull | Denmark/Sweden/France. 2024. 99mins One of the best films at Berlinale 2024 was this glacially unnerving psychological thriller from...
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The Bride Wore Red (1937)
Feb 27, 2024
Dir: Dorothy Arzner | Cast: Joan Crawford, Franchot Tone, Robert Young, Billie Burke | US Drama With a title like that The Bride Wore Red is guaranteed to stand out in...
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Henry Fonda for President (2024) Berlinale 2024
Feb 26, 2024
Dir: Alexander Horwath | Documentary 186' What Henry Fonda For President is most definitely not is a documentary on the level of a Blu Ray extra which is what most documentaries...
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Driving Mum (2022)
Feb 26, 2024
Wri|Dir: Hilmar Oddsson Hilmar Oddsson offers up another tale of Icelandic family strife and dysfunction, a black comedy very much along the lines of his fellow countryman Grímur Hákonarson’s dour and...
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The Red Island | L’île Rouge (2023)
Feb 25, 2024
Dir/Wri: Robin Campillo | Cast: Nadia Tereszkiewicz, Quim Gutierrez, Charlie Vauselle | France, Drama 115' Robin Campillo follows his frenetic activist film 120bpm with this mystical, evocative childhood recollection of growing...
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The Strangers’ Case (2024) Berlinale 2024
Feb 23, 2024
Dir: Brandt Andersen | with Yasmine Al Massri, Yahya Mahayni, Omar Sy, Ziad Bakri, Constantine Markoulakis | Jordan 2024 | Arabic, English, Greek, Subtitles: English, German | 97' | World...
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Who do I Belong to? (2024) Berlinale 2024
Feb 22, 2024
Dir: Meryam Joobeur | Cast Salha Nasraoui, Mohamed Hassine Grayaa, Malek Mechergui, Adam Bessa, Dea Liane Tunisia / France / Canada 2024 | Arabic, Subtitles: English, German | 117' Maryam Joobeur makes...
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Black Tea (2024) Berlinale 2024
Feb 22, 2024
Dir: Abderrahmane Sissako | Drama 96' Black Tea, Abderrahmane Sissako’s first narrative feature in a decade, feels like one of those amateurish student films assembled from a series of ideas (jotted...
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