Posts Tagged ‘Fantasy Horror’

Boris Karloff: The Man behind the Monster (2021)

Dir: Thomas Hamilton, Wri: Ron MacCloskey | With Caroline Munro, Guillermo del Toro, Ron Perlman, Christopher Plummer, Peter Bogdanovich, Stephanie Powers, John Landis, Joe Dante, Roger Corman, Sara Karloff | US Doc, 99′

Ron MacCloskey has poured 23 years of his life into this comprehensive 99 minute romp through the life and times of Boris Karloff, directed by co-writer Thomas Hamilton and based on the 2010 biography ‘Boris Karloff: More Than A Monster’ by Karloff’s official biographer Stephen Jacobs.

Enlivened by copious clips and archive material, the film takes us through the early years of Karloff’s debut in the 1920s, his breakthrough as Universal’s ‘monster’ Frankenstein during the 1930s and ’40s, up until to death in 1969, after a dazzling career as one of the icons of horror cinema – along with Bela Lugosi, Lon Chaney and Vincent Price.

Although best known for his ‘monster’ roles Karloff was also a fully fledged actor of stage and radio: his mellow bass voice, saturnine looks and striking bone structure lending itself well to a multitude of characters. Far from just a sinister, terrifying screen presence Karloff also exuded masterful integrity, and even managed to be vulnerable in many of his horror roles, notably in Frankenstein itself where as a creepy but kindly creature he is befriended by seven-year-old Maria (Marilyn Harris) who he subsequently throws into the lake.

A little top heavy on talking heads: the most entertaining here are Joe Dante, John Landis, and Roger Corman although a laconic Peter Bogdanovich, Guillermo del Toro, and Christopher Plummer also have their say sharing their extensive knowledge on the subject of Karloff’s career which spanned 150 films. Clearly Karloff made a big impression on his audiences; daughter Sara waxes lyrical with gratitude to her father’s considerable fan base: memorabilia and personal letters continue to flood in, 50 odd years after the actor’s death.

Film-wise most intriguing of Karloff’s appearances are in The Black Cat (1934), The Body Snatcher (1945) Isle of the Dead (1945); Howard Hawks prison thriller The Criminal Code (1930) and George Schaefer’s made for TV version of Joan of Arc, The Lark (1957) in which he stars as Bishop Cauchon alongside alongside Eli Wallach, Basil Rathbone and Denholm Elliott.

The Man Behind the Monster serves as a vigorous and definitive tribute to Karloff himself and traces back through the history of horror cinema in the early part of the 20th century, and although production values could have been stronger, the meat on the bone is certainly enjoyable. MT


Breve Historia del Planeta Verde (2019) *** Berlinale | Panorama 2019

Dir: Santiago Loza | Drama: Argentina, Brazil, Spain, Germany | 90′
Santiago Loza was born in Cordoba, Argentina in 1971 where his edgy, award-winning dramas such as La Paz, Lips and Strange go down well with the arthouse crowd. There’s a Lynchian quality to his latest, a stunningly surreal story that revolves around Trans woman Tania who discovers her favourite grandmother has died peacefully after spending her final years with an alien. With two friends in tow Tania sets off across rural Argentina to bring the creature back to its origin. But when they arrive at Granny’s home in the depths of a petrified forest, the reality is even more bizarre than expected. Powerful childhood memories come flooding back to Tania. And the alien being is not the only surprise they encounter.
There are echoes of Amat Escalante’s 2016 feature The Untamed and even cult classic ET to this thrilling road movie that also works as a lyrical horror mystery. We never know what to expect. And Loza achieves this sense of discombobulation and dislocation with a mixture of magic realism, slo-mo camerawork, photo montage and an eerie electronic and ambient score that wafts us into the unknown depths of the dark continent, blending the commonplace with the utterly absurd, strange and uplifting: literally and metaphorically. Loza’s unique cinematic language and delightfully delicate visual style make this an ethereal experience. MT
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