Sea Without Shore (2015) ****

March 2nd, 2020
Author: Meredith Taylor

Dir.: André Semenza, Fernanda Lippi | Cast: Livia Rangel, Fernanda Lippi | Sweden/UK/Brazil 2015, 89 min.

Set in the 19th century on a remote rural island in Sweden, Sea Without A Shore is a choreographed love poem featuring two nameless women whose intense relationship is abruptly terminated.

First premiered at Glasgow Film Festival five years ago the film finally finds its way onto general release. Directors André Semenza and Fernanda Lippi (who worked together on Ashes of God (2003), the latter setting up the Anglo/Brazilian ballet company ‘Zikzira Physical Theatre’, have brought to life this unique combination of ballet, images and words. Defying categorisation, it is absolutely stunning in its gloomy intensity.

The two women, one in a lace dress (Rangel), the other one with long, black hair (Lippi) move gracefully through a spooky fin-de-siècle setting, until forced apart by mythical forces. We see them in a house, resting on a sofa, then writhing around on the floor. They cycle in the woods, float in the water, holding hands – their bodies are on the back of two horses who carry them through the fields and woods, led by the women of the forest. Their dialogue, voiced by Marcela Rosas and Fernanda Lippi quoting from works by Charles Algernon Swinburne, Renée Vivien, and 17th century Lesbian poet Katherine Philips, is a stream-of-consciousness about love and loss. With the narrative slidin backwards and forwards in time, the couple seems caught in a vicious circle from which there is no escape. Their approach to love is all-or-nothing, oscillating between ecstasy and abject loneliness; haunted by their future, even when they are ‘in love’. The landscape, brilliantly photographed in cinema-scope by Marcus Waterloo, is the third character in this two-hander: the two women seem to be always in contact with the ground or the water, echoing their emotional bond. Carrying the weights of the women solemnly, the horses seem integrated in this procession of doomed love. The sound is supervised by multi-award-winning Glenn Freemantle (Gravity).

This is a unique piece yet there are echoes of Gabor Body’s NÁRCISZ ÉS PSYCHÉ. Sea Without A Shore stands alone as a commingle of poetry and ballet, painted with images to create desire and loss in a most absolute form. AS



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