Retrospectives | Seasons | Editorial

Killer of Sheep (1978)
Mar 25, 2025
Dir: Charles Burnett | US Drama, 80' Charles Burnett was the daddy of African American cinema, an elder statesman who trail-blazed his way forward influencing many upcoming filmmakers, and shining a...
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Mountain films during the Weimar years: Beyond your Wildest Dreams
Mar 20, 2025
Despite a new revisionist film history which tries to exonerate the Bergfilm sub-genre from its close connection with Fascist ideology, Weimar filmmakers and their fare reeked of German Fascism – and...
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Testimony (1987)
Mar 18, 2025
Dir.: Tony Palmer; Cast: Ben Kingsley, Sherry Baines, Magdalen Asquith, Mark Asquith, Terence Rigby, Ronald Pickup, John Shrapnel, Robert Stephens; UK 1987/8, 151'. British director Tony Palmer (Bird on a Wire)...
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The Pearl of Death (1944)
Mar 15, 2025
Dir: Roy William Neill | Cast: Basil Rathbone, Miles Mandar, Evelyn Ankers | Drama, 1944, 69’ Possibly the most fondly recalled of Universal's Sherlock Holmes adaptations. Directed with his usual casual excellence...
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Un Homme et Une Femme (1966)
Mar 6, 2025
Dir.: Claude Lelouch; Cast: Anouk Aimee, Jean-Louis Trintignant | France 1966 | 102' Claude Lelouch (*1937) has so far 59 credits as a director. But before and after Un Homme et...
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Three Phantoms
Mar 5, 2025
Richard Chatten looks at three film interpretations of the famous 1910 novel by Gaston Leroux Phantom of the Opera (1925) Dir: Robert Julian | Cast: Lon Chaney, Mary Philbin, Norman Kerry Although serving...
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Peacock (2024)
Feb 27, 2025
Dir/Wri: Bernhard Wenger. Austria/Germany | 102' The popular saying ‘to thine own self be true’ lies at the heart of this cynical comedy psychodrama from Austrian filmmaker Bernhard Wenger. If you...
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Maurice (1987)
Feb 24, 2025
Dir.: James Ivory | Writer: James Ivory, Kit Hesketh-Harvey | Cast: James Wilby, Hugh Grant, Rupert Graves, Phoebe Nicholls, Ben Kingsley, Denham Elliot; UK 1987, 140 min. James Ivory’s second E.M....
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The Punch and Judy Man (1963)
Feb 20, 2025
Dir: Jeremy Summers | UK Drama  John LeMesurier later recalled this as both the happiest and the saddest film he ever made. Happy because filming in Bognor was such a pleasure;...
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