In the Mood for love by Wong Kar-wai twenty years after, À Bout de souffle and L’Avventuraturn 60, great filmmakers (Wim Wenders, Federico Fellini, Bertrand Blier, Pier Paolo Pasolini, Glauber Rocha, Lino Brocka), Tilda Swinton’s first major role in a science fiction film, Muhammad Ali meets William Klein, rediscoveries from the Festival de Cannes ‘60, ‘68, ‘73 and ’81, the first color fiction of Chinese cinema, an unknown masterpiece from Sri Lanka, a Serbian comedy, the new wave of Russian cinema, from yesterday’s cinema to today’s world with the first film by Melvin Van Peebles and a stricking documentary on women from Brittany, a landmark film about Charlie Chaplin, an exceptional portrait of actor John Belushi, Bruce Lee revisited and a celebration to great Italian actress Alida Valli, here is Cannes Classics 2020.
In the Mood for Love (2000, 1h38, Hong Kong) by Wong Kar-wai
The 4k restoration of the film made from the original negative was lead by Criterion and L’Immagine Ritrovata under the supervision of Wong Kar-wai. In the Mood for Love, by Hong Kong director Wong Kar-wai, made its lead actor Tony Leung win the Male Interpretation Prize.
French theatrical distribution: The Jokers Films, date of release: December 2, 2020.
Actress Tilda Switon in her first big screen role to pay tribute to film director and film theorist Peter Wollen. It will be the rediscovery of a rare work.
Friendship’s Death (1987, 1h12, United Kingdom) by Peter Wollen
Presented by the British Film Institute (BFI). The 4K remastering by the BFI National Archive was from the original Standard 16mm colour negative. The soundtrack was digitised directly from the original 35mm final mix magnetic master track. The remastering was undertaken in collaboration with the film’s producer, Rebecca O’Brien and cinematographer, Witold Stok.
The Story of a Three-Day Pass (La Permission) (1967, 1h27, France) by Melvin Van Peebles
Presented by IndieCollect and the Hollywood Foreign Press Association. The restoration of The Story of a Three-Day Pass (La Permission) was funded by a grant from the Hollywood Foreign Press Association. The original film elements were found by the IndieCollect team during its inventory of Melvin Van Peebles’ New York apartment and storage facility. To create the restoration, the IndieCollect team used a 5K Kinetta Archival Scanner to digitally capture the 35mm Interpositive of the American version and combined it with elements scanned from the French version. Color grading and restoration were completed in-house by Oskar Miarka, and the titles were recreated by Cameron Haffner. Sandra Schulberg translated the French dialogue and new English subtitles were created.
Lyulskiy dozhd (July Rain / Pluie de juillet) (1966, 1h48, Russia) by Marlen Khutsiev
Presented by Mosfilm Cinema Concern. Source material: negative. 4K digital restoration. Restored by: Mosfilm Cinema Concern. Producer of restoration: Karen Shakhnazarov. Year of restoration: 2020.
Quand les femmes ont pris la colère (1977, 1h15, France) by Soizick Chappedelaine and René Vautier
Presented by Ciaofilm. The film was scanned in 4K and restored in 2K from the original 16mm negative. Image works carried out by ECLAIR Classics and by L.E.DIAPASON for the sound under the supervision of Moïra Chappedelaine-Vautier with the support of the CNC, the Cinémathèque de Bretagne and the Région Bretagne.
French theatrical distribution in 2021. DVD / Blu-ray release by Les Mutins de Pangée and in VOD on Cinémutins in 2021.
Préparez vos mouchoirs (Get Out Your Handkerchiefs) (1977, 1h50, France) by Bertrand Blier
Presented by TF1 Studio and Orange Studio / CAPAC. 4K Restoration from the picture negative and the French magnetic soud track, supervised by Bertrand Blier. Digital works carried out by Eclair laboratory in 2019.
Hester Street (1973, 1h30, USA) by Joan Micklin Silver
Presented by Cohen Film Collection. The primary source element for the restoration of Hester Street was the original 35mm camera negative. Brief sections of duplicate negative, in particular the opening title sequence with burned in titles, were cut into the original negative in order to produce the original release prints. 4K scanning and restoration work was carried out by DuArt Media Services in New York.
Ko to tamo peva ? (Who’s Singing Over There? / Qui chante là-bas ?) (1980, 1h26, Serbia) by Slobodan Šijan
Presented by Malavida Films. Restoration from the picture and sound negative. Scanning: Arriscan. Supervision: Slobodan Šijan with Milorad Glusica. Sound restored by Aleksandar Stojsin.
French theatrical distribution: Malavida Films, date of release : October 21, 2020.
Prae dum (Black Silk) (1961, 1h58, Thailand) by R.D. Pestonji
Presented by Film Archive Thailand (Public Organization). 4K Scan and 4K Restoration from the original 35mm negative (preserved by Film Archive Thailand). Restoration made and financed by Film Archive Thailand and Thai Ministry of Culture. Mastered in 4K for Digital Projection.
Zhu Fu (New Year Sacrifice) (1956, 1h40, China) by Hu Sang
Presented by Shanghai International Film Festival and China Film Archive. 4K Scan and 4K Digital Restoration from the original 35mm image negative and sound negative (preserved by China Film Archive). Restoration made by China Film Archive. Co-financed by Shanghai International Film Festival and Jaeger-LeCoultre. Mastered in 4K for Digital Projection.
Feldobott kő (Upthrown Stone / La Pierre lancée) (1968, 1h25, Hungary) by Sándor Sára
Presented by National Film Institute – Film Archive – Hongrie.
The 4K digital restoration was carried out as part of ‘The long-term restoration program of Hungarian film heritage” of the National Film Institute – Film Archive. The restoration was made using the original image and sound negatives by the National Film Institute – Filmlab. The Digital grading was supervised by Sándor Sára. Collaborating partner: Hungarian Society of Cinematographers.
Neige (1981, 1h30, France) by Juliet Berto and Jean-Henri Roger
Presented by JHR Films. First 4k digital restoration submitted by JHR Films with the support of the CNC et de l’image animée. The restoration was carried out at L’Image Retrouvée laboratory in Bologna and in Paris.
French theatrical distribution: JHR Films, date of release: spring 2021.
Bambaru Avith (The Wasps Are Here) (1978, 2h, Sri Lanka) by Dharmasena Pathiraja
Presented by Asian Film Archive. 4K film and sound restoration was carried out by L’Immagine Ritrovata using the sole-surviving 35mm film positive. The raw and restored 4K scans, a new 35mm picture and sound negatives, and a new positive print of the restored version of the film have been produced and are preserved by the Asian Film Archive.
Bayanko: Kapit sa patalim (Bayan Ko) (1984, 1h48, Philippines / France) by Lino Brocka
Presented by Le Chat qui fume. First 4k digital restoration submitted by Le Chat qui fume. Scanning made at VDM laboratory and restoration carried out by Le Chat qui fume in Paris.
French theatrical distribution and Blu-ray / UHD release: Le Chat qui fume, date of release: February 2021.
La Poupée (1962, 1h34, France) by Jacques Baratier
Presented by the CNC. Sound and image digital work of restoration executed by the CNC and carried out by Hiventy. Follow-up by the CNC and supervised by Diane Baratier. Digital restoration made from 4K scans of the original negative. A 35mm print from the digital restoration was released. French distribution: Tamasa Distribution.
Sanatorium pod klepsydra (The Hourglass Sanatory / La Clepsydre) (1973, 2h04, Poland) by Wojciech J. Has
Presented by Polish Film Classics. 4k Scan and 2K restoration carried out by DI Factory and the reKino team by keeping the guidelines of DOP Witold Sobociński (this restoration is dedicated to him) who could eventually achieve the image he wished to obtain in 1973. Artistic supervision: cinematographer Piotr Sobociński Jr. Right-owners: WFDiF.
French Blu-ray release: Malavida Films, date of release: May 2021.
L’Amérique insolite (America as Seen by a Frenchman) (1959, 1h30, France) by François Reichenbach
Presented by Les Films du jeudi. Restoration carried out at Hiventy: 4K scan – 2K restoration from the original negatives.
Deveti krug (The Ninth Circle / Neuvième cercle) (1960, 1h37, Croatia) by France Štiglic
Digital restoration in 2K presented by Croatian Cinematheque – Croatian State Archives with the support of Croatian Audiovisual Centre. Restoration performed by Ater and Klik Film studios in Zagreb, Croatia.
Muhammad Ali the Greatest (1974, 2h03, France) by William Klein
Presented by Films Paris New York and ARTE. First digital 2K restoration from the original 16mm negative scanned in 4K carried out with the support of the CNC. Image works were carried out by ECLAIR Classics and by L.E.DIAPASON for the sound.
SCREENING AT CANNES and at the FESTIVAL LUMIERE LYON
