Amoki (1927) Svaneti Film Festival 2024

July 15th, 2024
Author: Meredith Taylor

Konstantine “Kote” Marjanishvili, also known by his Russian name of Konstantin Aleksandrovich (1872 – 1933), was best known as the founder of Georgian modern theatre and is widely celebrated for his part in the development of pre and post-revolutionary stage productions which were known for their lavish style and prodigious output

Born into a well-to-do literary family in Kvareli, then part of Russian empire, he started life as an actor/director during the early years of the 20th century before joining a troupe in Moscow where he later made a name for himself as an accomplished follower of Konstantin Stanislavsky (1863-1938) and went on to direct six films of various genres during the 1920s including this silent drama Amoki in 1927.

Inspired by Stefan Zweig’s Indonesian-set short story Amok the director heads off on an avantgarde flight of fantasy in his silent feature debut, a murky morality tale translocated to India. It sees a drug-addled alcoholic doctor (played by Aleksandre Imedashvili) descend into a hallucinogenic opium trip after suffering a breakdown and fetching up in an Indian village where he exploits the locals and attempts to take advantage of a married woman who requests his services in performing an abortion which will end in tragedy for both of them.

Serving both as an ethnographic snapshot of rural life in India at the time and an imaginative social drama the stealthy pacing and a sinister soundtrack only adds to the tension of this opium infused sortie into the imagination of a corrupt medic taking advantage of the characters he meets along the way (Nato Vachnadvili is particularly expressive and suitably dressed in the fashionable style of the era). The scene involving a bicycle theft is accompanied by the rhythmic whir of the wheels while also providing a palpable metaphor for colonial oppression. DoP Sergei Zabozlayev experiments with a dazzling array of inventive cinematic techniques including double exposures, aerial shots and soviet montage. A brave experimental film even by today’s standards. @MeredithTaylor

SVANETI international film festival 15-21July 2024

https://youtu.be/-9svbnswPJA?feature=shared

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