Dir.: Marouan Omara, Johanna Domke | Documentary | Germany/Egypt 2018 | 86 min.
Egyptian filmmaker Marouan Omara and Johanna Domke a visual artist from Germany create a near-absurdist portrait of Sun Rise, a deserted luxury hotel in Sharm El-Sheik in southern Egypt. The whole place is geared-up for Western tourists – but there are hardly any there nowadays, and the staff are left wondering about the future: will their pay-cuts end in redundancy? How can they reconcile their traditional upbringing with the western lifestyle forced upon them in their own homeland. The Arab Sprig and the confusion of the post revolutionary era has robbed the entire place of its livelihood, where once it offered warm seas, fabulous coral gardens as one of the best places for Winter sunshine and diving. And nobody is a winner now.
Horreya Hassan is a member of the housekeeping team, a euphemist title for a cleaner. She is looked down upon by members of the entertainment/animation team such as Shaima Reda (“To share a room with a member of Housekeeping, outraging”). Horreya is finally accepted by the women from Animation, who dance in front of a empty space where the audience used to be. Horreya tries to make up for her lowly status by reading self-help books which tell her “How to connect the mind gaps”. Meanwhile, D J Taki (Khaled Ahmend) has to support an ill mother, and has a foreign girl friend, although in the old days he used to see things from his parents’ point of view. Now, a female member of the animation team is divorced and enjoys running around in bunny costume at night in the eerie desert. Driver Hossam (Abo Salama) is married to a much older but very wealthy woman who has bought him an expensive Dodge. He defends himself with his friends: “It’s okay to marry an older woman, really”. Masseur Alaa (Abo El Kassem), dreams about foreign women wanting a “private massage”. But when he talks one of his friends into giving up a staff room, we watch him treating a mannequin, whose arm comes lose during the process. All fear they’ll be sacked eventually, but at the same time know “that staying here you will get stuck”.
DoP Jacob Beurle evocative images create a atmospheric sense of place, particularly in the desert scenes, which have a strong other-wordly character. A more structured approach make have worked better; but then, life in the void somehow invites the fluent and elliptical style of the filmmakers. Dream Away is a melancholic portrait of a young generation left to fight for a new identity: trying hard to copy the Western heroes of all the films they watch, they are still stuck in a country which is on the brink of a return to traditional authoritarianism.AS
SCREENING DURING KARLOVY VARY INTERNATIONAL FILM FESTIVAL 2018